Santo Loquasto

Outstanding Costume Design for a Musical (Drama Desk Awards) for The Music Man, Outstanding Costume Design (Play or Musical) (Outer Critics Circle Awards) for The Music Man, Best Costume Design of a Musical (Tony Awards) for The Music Man, Best Scenic Design of a Play (Tony Awards) for Gary: A Sequel to Titus Andronicus, Outstanding Set Design for a Musical (Drama Desk Awards) for Carousel, Best Scenic Design of a Play (Tony Awards) for Eugene O'Neill's The Iceman Cometh, Outstanding Costume Design for a Musical (Drama Desk Awards) for Hello, Dolly!, Outstanding Set Design for a Musical (Drama Desk Awards) for Hello, Dolly!, Outstanding Costume Design (Play or Musical) (Outer Critics Circle Awards) for Hello, Dolly!, Best Costume Design of a Musical (Tony Awards) for Hello, Dolly!, Best Scenic Design of a Musical (Tony Awards) for Hello, Dolly!, Best Scenic Design of a Musical (Tony Awards) for Shuffle Along, Or the Making of the Musical Sensation of 1921 and All That Followed, Outstanding Set Design (Drama Desk Awards) for Bullets Over Broadway: The Musical, Best Scenic Design of a Musical (Tony Awards) for Bullets Over Broadway: The Musical, Outstanding Set Design (Drama Desk Awards) for The Assembled Parties, Best Scenic Design of a Play (Tony Awards) for The Assembled Parties, Outstanding Costume Design, Resident Production (Helen Hayes Awards) for Ragtime, Best Costume Design of a Musical (Tony Awards) for Ragtime, Best Scenic Design of a Play (Tony Awards) for Fences, Outstanding Set Design (Outer Critics Circle Awards) for Waiting for Godot, Best Costume Design of a Play (Tony Awards) for Inherit the Wind, Outstanding Costume Design (Drama Desk Awards) for Suddenly Last Summer, Best Costume Design of a Play (Tony Awards) for A Touch of the Poet, Best Scenic Design of a Play (Tony Awards) for Three Days of Rain, Outstanding Set Design of a Play (Drama Desk Awards) for Glengarry Glen Ross, Best Scenic Design of a Play (Tony Awards) for Glengarry Glen Ross, Best Scenic Design (Tony Awards) for Long Day's Journey into Night, Outstanding Costume Design (Outer Critics Circle Awards) for The Elephant Man , Outstanding Costume Design (Outer Critics Circle Awards) for Fosse , Best Costume Design (Tony Awards) for Fosse, Outstanding Costume Design (Drama Desk Awards) for Ragtime, Outstanding Costume Design (Drama Desk Awards) for Ragtime, Outstanding Set Design - Play (Drama Desk Awards) for Mizlansky/Zilinsky or "schmucks", Outstanding Set Design - Play (Drama Desk Awards) for Mizlansky/Zilinsky or "schmucks", Best Costume Design (Outer Critics Circle Awards) for Ragtime, Best Costume Design (Tony Awards) for Ragtime, Outstanding Set Design (Drama Desk Awards) for A Month in the Country, Outstanding Set Design (Drama Desk Awards) for A Month in the Country, Outstanding Choreography (Drama Desk Awards) for Lost in Yonkers, Outstanding Costume Design (Drama Desk Awards) for Grand Hotel, Costume Design (The Hewes Awards) for Grand Hotel, Best Costume Design (Tony Awards) for Grand Hotel, Outstanding Costume Design (Drama Desk Awards) for Grand Hotel, Outstanding Set Design (Drama Desk Awards) for Cafe Crown / Italian American Reconciliation, Outstanding Set Design (Drama Desk Awards) for Gardenia, Outstanding Set Design (Drama Desk Awards) for Crossing Niagara, Best Scenic Design (Tony Awards) for The Suicide, Outstanding Set Design (Drama Desk Awards) for King of Hearts, Outstanding Set Design (Drama Desk Awards) for The Play's the Thing, Outstanding Set Design (Drama Desk Awards) for The Cherry Orchard, Outstanding Set Design (Drama Desk Awards) for American Buffalo, Best Set Design (Outer Critics Circle Awards) for The Cherry Orchard, Costume Design (The Hewes Awards) for Agamemnon, Scenic Design (The Hewes Awards) for American Buffalo, Best Costume Design (Tony Awards) for The Cherry Orchard, Best Scenic Design (Tony Awards) for American Buffalo, Best Scenic Design (Tony Awards) for The Cherry Orchard, Outstanding Set Design (Drama Desk Awards) for Legend, Outstanding Set Design (Drama Desk Awards) for Kennedy's Children, Special Citations for Sets and costumes (Obie Awards) for Comedy of Errors, Best Scenic Design (Tony Awards) for What the Wine-Sellers Buy, Best Scenic Design (Tony Awards) for That Championship Season, Outstanding Set Design (Drama Desk Awards) for Sticks and Bones and Outstanding Set Design (Drama Desk Awards) for That Championship Season.

Santo Loquasto has won numerous prestigious awards throughout his career. He received the Tony Award for Best Costume Design of a Musical for Hello, Dolly! and also won Best Costume Design (Tony Awards) for Grand Hotel. His work on Ragtime earned him the Outstanding Costume Design, Resident Production at the Helen Hayes Awards, as well as Outstanding Costume Design at the Drama Desk Awards. He has been recognized multiple times by the Drama Desk Awards, winning Outstanding Set Design of a Play for Glengarry Glen Ross, Outstanding Set Design - Play for Mizlansky/Zilinsky or "schmucks", Outstanding Costume Design for Grand Hotel, Outstanding Set Design for American Buffalo, Outstanding Set Design for The Cherry Orchard, Outstanding Set Design for Sticks and Bones, and Outstanding Set Design for That Championship Season. Additionally, he won Costume Design (The Hewes Awards) for Grand Hotel and Agamemnon, along with Scenic Design (The Hewes Awards) for American Buffalo. Loquasto also received Best Set Design from the Outer Critics Circle Awards for The Cherry Orchard and Special Citations for sets and costumes (Obie Awards) for Comedy of Errors.