Denzel Washington, two-time Academy Award winner and Tony Award winner, returns to Broadway in one of the signal roles in the American theatre in Eugene O'Neill's The Iceman Cometh, for 14 weeks only.
Frank Rich of The New York Times raved, "the word 'masterwork' is not invoked lightly. Eugene O'Neill's tragic vision remains undiminished by time. The Iceman Cometh is a ferocious American classic that has lost none of its power to send one shaking into the middle of the night." Beginning March 22, 2018, Denzel Washington, fresh off his extraordinary sell-out runs in both Fences and A Raisin in the Sun, comes back to the Main Stem in "the greatest American play" (New York Magazine) by "the greatest American playwright" (The Washington Post).
Five-time Tony winner George C. Wolfe directs this strictly limited engagement.
"Before Eugene O'Neill, America had entertainment; after him, it had drama." John Lahr, The New Yorker
"Eugene O'Neill did nothing less than re-invent - or rather invent - the American theater." - Sarah Churchwell, The Guardian
"The Iceman Cometh ranks among the theater's finest works. One final salute to a notable drama by a man who writes with the heart and wonder of a poet." - Brooks Atkinson, The New York Times
Each of the four acts plays in real time. Wolfe's approach is occasionally to suggest the surface realism of "Iceman," but more often he is stripping it away to expose the play's absurdist core. Maybe this is the "Iceman" that Samuel Beckett saw in his mind's eye that led him to write his own masterpieces, particularly "Waiting for Godot." Illusion and reality. O'Neill and Beckett's characters are flattened by the one, and so they can't live without the other.
Let's get straight to the burning question about Broadway's "The Iceman Cometh," Eugene O'Neill's 1946 booze-soaked saga of curdled lives and dashed dreams: Does marquee attraction Denzel Washington delivereth the goods? You bet - and then some.
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