Discover the best reviewed Broadway shows by top critics on BroadwayWorld.
Lincoln Center Theater's The Whoopi Monologues, a reimagining of Whoopi Goldberg’s iconic show, just opened last night at the Mitzi E. Newhouse Theater. Check out what the critics had to say...
Perelman Performing Arts Center's world premiere production of Giulia: The Poison Queen of Palermo just opened! The production, which will now conclude performances on Sunday August 2, features book, music and lyrics by Jennifer Nettles, direction by Mary Zimmerman, and choreography by Austin Mccormick. Giulia: The Poison Queen of Palermo is produced by special arrangement with Adam Zotovich. Let's see what the critics have to say...
Critics have spoken on Disney's live-action Moana, directed by Thomas Kail with songs by Lin-Manuel Miranda. See what reviewers think of the remake.
CRAZYSEXYCOOL – THE TLC MUSICAL is now officially open at Arena Stage. See what the critics are saying about the production in BroadwayWorld's Review Roundup.
Birthright, the new play by Tony Award winner Jonathan Spector, is now in previews at MCC Theater. Directed by Teddy Bergman and featuring a starry ensemble cast, the production traces the evolving relationships of six friends in a story that explores community, history, and the ties that bind.
Read reviews for A Walk on the Moon, the new musical inspired by the acclaimed 1999 film, directed by Tony Award nominee Sheryl Kaller and featuring a book and additional lyrics by original screenwriter Pamela Gray, music and lyrics by Tony Award and Grammy Award nominee AnnMarie Milazzo, and choreography by Josh Prince.
For her final production as Artistic Director of Washington, D.C.-based Chamber Dance Project (CDP), Diane Coburn Bruning chose to pair a few of her signature contemporary ballets with others from CDP’s rich repertory, along with a world premiere ballet by up-and-coming choreographer William Moore.
If nothing else in this world, we all have one thing in common – everyone is born, and everyone will die. Regardless of the country or culture shaping us, every human encounters the daunting ambiguity and the rigid finality of the end of this life sentence equally. Contrastly, our experience with death while living is sculpted by our varying cultures. How to Die in Japan, an entertaining one-woman show at District Fringe, uses honest comedy to explore the convergence of Japanese and American cultures surrounding the end of life.
Enter a freight elevator off the back alley of Randolph Street and step into the eclectic space that is the Catalyst Ranch Studio, a venue that perfectly sets the tone for JK Entertainment’s production of Hedwig and the Angry Inch, directed by Arlo Kiss and text by John Cameron Mitchell.
In a dazzling display, three enchanting singers step onto the stage, radiating sequined sparkles and infectious smiles, as they grace the audience with their presence in the latest Cabaret production at Florida Studio Theatre, 'SONGBIRDS OF THE SEVENTIES.'
Teenage years are no picnic for anyone. That we survive it at all makes us wish we all had the knowledge then what we know now. Such is the premise of MaKayla Baker Paxton’s play “When I Was” that’s playing as part of the District Fringe.
大森元貴（Vo/Gt）、若井滉斗（Gt）、藤澤涼架（Key）からなる3人組バンド、Mrs. GREEN APPLEが、2026年4月からスタジアムツアー「ゼンジン未到とイ/ミュータブル 〜間奏編〜」を開催した。ツアーは4月と7月に国立競技場、5月にヤンマースタジアム長居で実施され、『クスシキ』『ライラック』『ダーリン』をはじめとする楽曲を披露。全公演で計39万人を動員し、バンドとしては史上初となる国立競技場4日間公演を達成したほか、4500発の花火が夜空を彩るなど、圧巻のスケールで観客を魅了した。 7月5日に行われた国立競技場での最終公演は、15のプラットフォームでの生配信に加え、国内360館以上の映画館や韓国、香港、台湾、タイでのライブビューイング、カラオケビューイングも実施。会場を含め、総勢25万人がツアーのフィナーレを見届けた。 本稿では、7月5日に開催された国立競技場公演の模様をレポートする。
More than 35 years after Disney's THE LITTLE MERMAID premiered in theatres, the beloved animated classic continues to capture the imagination of audiences across generations. Following the success of the 1989 film, the story made the leap to Broadway in 2008, where it found new life as a stage musical that has since toured internationally and become a favourite among regional theatre companies.
While the outside temperature was a scorching 92 degrees, the audience inside the Century II Concert Hall enjoyed the cold air conditioning and Music Theatre Wichita’s production of ELF THE MUSICAL. While the majority of shows this season at Music Theatre Wichita are tired reruns, ELF THE MUSICAL is the only new show for MTW.
On 8th May, Broadwayang Production brought SAYAP CINTA HABIBIE & AINUN to the stage under the direction of Mikail Edwin Rizki, who also played Rudy Habibie. Produced by Irwin Rizki with Seruni Hardiono as co-producer, the musical stars Mikail Edwin Rizki as Rudy Habibie and Dhea Seto as Ainun Besari, alongside Maudy Koesnaedi as Tuti Marini Puspowardoyo. The team from Broadway World Indonesia came to see the show, and here’s our review.
What did our critic think of THE GREAT GATSBY at Citizens Opera House?
What did our critic think of SUMMER @ STAGE 13: SPOTLIGHT ACADEMY at Stage 13?
OUR TOWN on Hale Centre Theatre’s new Miller Family Beehive Stage has a gentle dignity that tugs at your attention and your heart strings, keeping you intensely interested in the everyday lives of ordinary people and immensely invested in their happiness.
There’s an HR nightmare threatening a critical launch and successful IPO at a Silicon Valley aerospace company. An accusation of gender discrimination fuels the World Premiere of Geetha Reddy’s smart and funny The Employee Dharma Handbook marking the kickoff of TheatreWorks 56th season.
Old showtunes prove there's life in old-school show tunes when the Pocket Change Combo combines forces with young singers. Terrific Tyler J. Landusky led the combo platter of jazz and Broadway in CURTAINS & CADENZAS at 54 Below.
Reviews of Love, Shakespeare, and Rope; A Comedy Show at the End of the World; and Orbit
What did our critic think of ANNIE at ZACH?
The show I saw last week on Wednesday, July 8, featured three warm-up acts and Ayrn performing under the stage name A.J. Chris. A.J. Chris was the feature comic of the evening. A.J., who has already had significant success in the UK, had warned me that she had come home to try out a new routine in development to see how a U.S. audience would respond to her acquired U.K. sensitivity might play to a Kansas audience. A.J. I was impressed with A.J.’s fearlessness, her body control, and her facial expressiveness. She is a funny young lady with the looks that could easily help her catch on. .
Emily Skinner's versatility and sense of humor was in full bloom for a full house at the CV Rep Summer Cabaet Series on Thursday, July 9. With a host of award nominations in her resume, Emily gave a commanding performance that took us from Chicago to Avenue Q, Rodgers and Hart to Sondheim --right, no one can resist including Sondheim--to Nick Jonas and collaborators for a song that was new to me, 'Bacon.'
‘We are the Tigers’ is a pop-rock musical with hints of more mainstream favourites such as ‘Heathers’ and ‘Mean Girls’. The all-female cast (bar one) delivers the witty script with a natural cadence that allows the audience to follow the fast-paced story and multiple comedic lines with ease.
“Politics have no place in theatre,” says a person who has no idea that some of the first-ever plays from Ancient Greece were political. From Antigone by Sophocles to Julius Caesar by Shakespeare, there has been no shortage of bold theatre spreading a message.
