Discover the best reviewed Broadway shows by top critics on BroadwayWorld.
The Public Theater's Free Shakespeare in the Park is continuing with THE WINTER’S TALE at The Delacorte Theater in Central Park.The production will run through Sunday, August 23. Read the reviews here!
The reviews are in for Royal Shakespeare Company's world premiere of George R. R. Martin’s Game of Thrones: The Mad King, a new play based on novels by George R. R. Martin. Read the reviews here!
59E59 Theaters is presenting the world premiere of The Vessel, written by Brendan George. See what the critics are saying about the production in BroadwayWorld's REview Roundup.
There's no better way to introduce your family to the wonders of live theatre than with the magic, the mystery, the memory of Cats. What began as a musical about cats after Andrew Lloyd Webber picked up a book of poems in an airport bookshop has become one of the longest running shows in Broadway's history. Winner of seven Tony Awards including Best Musical, Cats features 20 of Andrew Lloyd Webber's timeless melodies, including the hit song 'Memory.' What did the critics think of Drew McOnie's new production?
The American premiere production of The Pass, written by John Donnelly and directed by Max Hunter, just celebrated its opening night. The production stars Matisse Ratron-Neal, Terry Bell, Ino Badanjak, and Oliver Rowland-Jones. Let's see what the critics are saying about the new play...
Disruption, a new play by Andrew Stein, directed by Hersh Ellis, just opened at The Romulus Linney Courtyard Theatre at The Pershing Square Signature Center. Check out what the critics are saying about the new play...
From the director of Jersey Boys, this exhilarating production charts the highs and lows of Johnny and June’s extraordinary relationship. A story of devotion, temptation, resilience and redemption, it captures the whirlwind romance that saw them endure personal struggles, professional triumphs and the pressures of life in the spotlight, emerging as one of music’s most enduring partnerships.
Carrie-Anne Ingrouille directs the production, establishing a remarkable pace that moves the action across the timeline seamlessly. Emma Houston and Tessa Redman join the writers in the cast, shifting between the characters’ mates and more allegorical roles. The result is an exciting brand of storytelling that encourages a thought-provoking and eye-opening conversation.
Rosco is back at the Fringe following two smash hit shows in 2024 and 2025. A new show about human evolution, brain and body connections and hamsters. Also he’ll be asking the question... what makes him tick?
Rosalie Minnitt’s much anticipated return as Clementine begins at full throttle, with a high energy visual montage of screen images accompanied by a strikingly conflicting collection of messages about feminism, piousness, illiteracy and diary entries.
With his latest hour of stand-up comedy, Paddy Young proves himself as a master of his craft.
Two puppeteers cast giant shadows to conjure a hilarious occult mystery. Teenage sceptic Vi is forced to live with her grandmother, who claims to be the 200-year-old mystic and spiritual guru Madam Blavatsky. When Vi's friends begin to disappear, she reluctantly teams up with Granny to uncover a conspiracy of séances, unhinged cultists and suspiciously interested government agents. A visually striking dark comedy. Based on a possibly true story. Learn real magic. Summon demons. Impress your friends. Sceptics welcome. Spirits optional.
Performing at the Edinburgh Festival Fringe for the fifth year in a row, Ania Magliano shows us all why she is one of Britain's greatest stand-ups going today.
What did our critic think of SPAMALOT at Denver Center For The Performing Arts?
David Marino is setting a new standard in musical nightclub entertainment.
Ahir Shah turns personal growth, mortgage anxiety, and familial devotion into an exquisite, deeply moving masterclass in stand-up comedy.
High-protein hypermasculinity collides with biting comedic realism in Patrick Bone Productions’ sharp, delightfully weird Fringe play.
Acid’s Reign at Pleasance Courtyard is a riotous drag-pop triumph, anchored by phenomenal performances, brilliant patter numbers, and inventive costume design
Madame Chandelier merges retro chiptunes with soaring, charmingly sung arias in a fun, accessible Fringe morning show for families.
I’ve loved the music of 17-time Grammy Award winner Alicia Keys for more than two decades, but the award-winning musical Hell’s Kitchen gave her songs new meaning and possibilities. After opening on Broadway in April 2024, the musical ran for nearly two years at the Shubert Theatre, playing 767 regular performances and 23 previews before closing in February 2026. Now, the musical is hitting the road, bringing Keys’ music and a story inspired by her own upbringing in Manhattan’s Hell’s Kitchen to audiences across North America.
It’s a dark, gripping, and truly affecting project. Its comic side doesn’t overpower the tragedy, but it brings light to an otherwise dreary subject.
It’s an infectious, hilarious, utterly bleak theatrical adventure. Smyth is effortlessly entertaining: her passion is contagious and her research is precise. A master storyteller, her magnetism relies on a delicious brand of dark humour. A big chunk of netizens will find this a most tickling production. But Smyth doesn’t merely present her data with an amusing and witty streak: The Subplot is a meditation on mortality.
If you want to spend an evening laughing, and love Monty Pythonesque humour, hurry out to see ICT Rep’s The Explorer’s Club at the Welsbacher Theatre at the WSU Metroplex!
Singer-trumpeter Benny Benack III brought hipster cool and serious jazz chops to The Pocket, leading a stellar trio of Emmet Cohen, bassist Joseph Ranieri, and drummer Joe Saylor through a swinging Tony Bennett centennial set.
At The Green Room 42, SONGS FOR SURVIVAL JOBS transformed the realities of working artists into an evening of humor, honesty, and impressive vocals, highlighting the perseverance behind every creative dream.
When a recommendation comes from the creators of The Play That Goes Wrong, expectations are high, and The Librarians: A Very Serious Comedy! delivers with razor-sharp physical farce and biting office politics.
