Discover the best reviewed Broadway shows by top critics on BroadwayWorld.
Lincoln Center Theater's The Whoopi Monologues, a reimagining of Whoopi Goldberg’s iconic show, just opened last night at the Mitzi E. Newhouse Theater. Check out what the critics had to say...
Perelman Performing Arts Center's world premiere production of Giulia: The Poison Queen of Palermo just opened! The production, which will now conclude performances on Sunday August 2, features book, music and lyrics by Jennifer Nettles, direction by Mary Zimmerman, and choreography by Austin Mccormick. Giulia: The Poison Queen of Palermo is produced by special arrangement with Adam Zotovich. Let's see what the critics have to say...
Critics have spoken on Disney's live-action Moana, directed by Thomas Kail with songs by Lin-Manuel Miranda. See what reviewers think of the remake.
CRAZYSEXYCOOL – THE TLC MUSICAL is now officially open at Arena Stage. See what the critics are saying about the production in BroadwayWorld's Review Roundup.
Birthright, the new play by Tony Award winner Jonathan Spector, is now in previews at MCC Theater. Directed by Teddy Bergman and featuring a starry ensemble cast, the production traces the evolving relationships of six friends in a story that explores community, history, and the ties that bind.
Read reviews for A Walk on the Moon, the new musical inspired by the acclaimed 1999 film, directed by Tony Award nominee Sheryl Kaller and featuring a book and additional lyrics by original screenwriter Pamela Gray, music and lyrics by Tony Award and Grammy Award nominee AnnMarie Milazzo, and choreography by Josh Prince.
Perhaps the biggest change was the audience. In the 1980s, AC/DC was the rebellious band parents warned their children about. Now, the band is the spectacle parents bring their children to experience. It was a little unnerving to hear a mother asking, “Timmy, would you like a cookie?” before the band opened with “If You Want Blood, You’ve Got It.”
Like the prism at the center of Newton's famous experiments, 'Isaac's Eye' at OnStage Playhouse refracts history into something far more colorful than a simple biography.
I loved Dave Molloy’s inventive and captivating a cappella musical Octet at Raven Theatre so much that here I am, reviewing it a second time in short succession now that it’s moved to the Goodman’s Owen Theatre. Director Keira Fromm leads an ensemble of eight that shines just as brightly in the Owen as they did at Raven’s more intimate space.
tick, tick... BOOM! arrives in São Paulo for a limited engagement at Teatro Viradalata following a successful run in Rio de Janeiro. Produced by Play It! Produções, the Brazilian staging stars Matheus Boa, Camille Dutra, and Diego Montez under the direction of Luiza Lewicki, Julia Varga, and Marcela Pires, with musical direction by Caio Loureiro. Jonathan Larson's autobiographical musical follows an aspiring composer approaching his 30th birthday as he struggles to balance artistic ambition, personal relationships, and the realities of adulthood. Since its acclaimed Off-Broadway debut, the show has become a contemporary musical theater favorite and inspired the Oscar-nominated 2021 film directed by Lin-Manuel Miranda and starring Andrew Garfield. The São Paulo production features an intimate staging and a live four-piece band performing Larson's iconic score.
Another exposure as Cleveland Heights’s Cain Park outstanding production directed by Victoria Bussert the present Director of Oberlin College’s Musical Theater program, which featured Gregg Violand, who will be featured, later this season, in Porthouse’s BRIGADOON.
¿Qué pasa si nunca has visto un musical? ¿Y si siempre has pensado que 'eso no es para ti'? Con Musical para Dummies, BroadwayWorld Spain quiere demostrar que detrás de cada gran musical hay una historia capaz de enganchar a cualquiera.
AM LIVE ha iniciado el proceso de selección de intérpretes para su próximo espectáculo musical de Navidad sobre hielo. Las audiciones se celebrarán los días 22 y 23 de julio y el plazo de inscripción permanecerá abierto hasta el 19 de julio.
La Orquesta y Coro de RTVE pondrá el broche final a Veranos de la Villa 2026 con el estreno mundial de SIEMPRE ABBA, un concierto sinfónico gratuito que reimaginará los grandes éxitos del mítico grupo sueco.
Maine State Music Theatre celebrates Mid-summer with a dazzling production of Disney’s FROZEN, brilliantly directed and choreographed by Marc Robin. The delightful extravaganza transforms the Pickard Theater into a magical kingdom where the young and the young at heart can revel in the beloved fairytale performed by an outstanding cast in an opulent production that is certain to hold audiences spellbound.
What did our critic think of PARANORMAL ACTIVITY at Emerson Colonial Theatre?
This play had been a powerful emotional experience, one I would have delightedly seen again, even before I’d mastered the fact pattern.
In the end, this is not so much of a takedown of one specific person as of a way of being a person. To shrink down to that person’s size is to lose out on life. In this good and carefully-written play, D’Amour makes that clear.
There are a lot of good laughs there.
What did our critic think of THE HUNCHBACK OF NOTRE DAME at Gaslight-Baker Theatre?
Whether he's Broadway World's New Prince of Cabaret or Queen (his own term) of the Night, Glenn is sure to entertain.
Miss Maybell & Her Ragtime Romeos celebrated the release of Under the Midnight Moon with an infectious set of newly unearthed ragtime, blues, and early jazz. Brilliant musicianship, irresistible energy, and forgotten songs made for a fabulous set.
We need plays like Aurin Squire's “My Favorite Psychopath” to remind us that when it comes to shameless, yellow journalism, we have nobody to blame but ourselves. Squire offers us a finely-crafted portrait of digital-age journalism in all its messiness, and director Céline Rosenthal has created a truly riveting, disturbing evening of theatre which should trouble us all, long after we’ve headed home.
Karamonk is a delightful, imaginative piece of theatre that showcases Bianca Flanders' exceptional storytelling, beautiful singing voice and remarkable ability to bring an array of colourful characters to life. Clever visual presentation and intimate atmosphere.
What a treat to return to one of my favorite theaters. Whenever I visit Penguin Rep, I know I can expect a production that is thoughtful, engaging and impeccably staged. Their seasons are consistently filled with fresh, compelling works, making every visit a rewarding theatrical experience.
While the US celebrates its 250th anniversary (with not much to cheer about), those bel canto specialists under Will Crutchfield at Teatro Nuovo are reveling in the 200th year since Italian opera (or at least opera in Italian) came to this country. And not a moment too soon.
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