His first Broadway credit was in 2014 as assistant director, working on The Lyons by Nicky Silver. Pinkleton’s first choreography credit on Broadway was for a revival of Sophie Treadwell’s Machinal.
He started working on the musical Natasha, Pierre & The Great Comet of 1812 in 2013 after seeing the first performance of it in 2012 at the Ars Nova theater in New York City. The director of the show, Rachel Chavkin, asked Pinkleton to help with staging the show for a bigger space, which he agreed to do. The Great Comet then had a third run at American Repertory Theater in Cambridge, Massachusetts, before finally transferring to Broadway. During its Broadway run, the show received twelve Tony Award nominations including Best Choreography for Pinkleton.
Some of his more recent work includes co-choreographing and co-directing a production of Head over Heels at the Pasadena Playhouse in Pasadena, California, along with Jenny Koons, as well as creating a cruise-ship show for Virgin Voyages titled Untitled DanceShowPartyThing with Ani Taj and Sunny Min-Sook Hitt.
In 2019, Pinkleton worked as an artist-in-residence at New York City's Pace University.
Sam Pinkleton, Oh, Mary!
Sam Pinkleton, Oh, Mary!
Sam Pinkleton, Oh, Mary!
Sam Pinkleton, Natasha, Pierre & The Great Comet of 1812
OUTSTANDING DIRECTION OF A PLAY (Drama League Awards) for Oh, Mary!, Best Direction of a Play (Tony Awards) for Oh, Mary!, Outstanding Direction of a Play (Drama League Awards) for Oh, Mary! and Best Choreography (Tony Awards) for Natasha, Pierre & The Great Comet of 1812.
Sam Pinkleton has won the Outstanding Direction of a Play award at the Drama League Awards for Oh, Mary! He also received the Best Direction of a Play award at the Tony Awards for Oh, Mary!
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