Stephen Sondheim’s ‘cool, and impossibly chic’ (New York Times Critic’s Pick) final work is directed by two-time Tony Award-winner Joe Mantello with book by Tony Award-nominee David Ives.
There is an immediate, and fundamental, problem: not only are these shallow idiots – here a bunch of vacuous urbanites in search of a place to have brunch – too thinly drawn to feel properly human, but there’s not a single compelling or convincing relationship between them. Obviously, the piece is highly stylised in an effort to replicate Bunuel’s off-the-wall aesthetic. But – in a slick, soulless production by director Joe Mantello – as theatre, it makes pretty thin gruel, leaving us as hungry and dissatisfied as the show’s perpetually frustrated posse.
Tony Award-winning director Joe Mantello throws body, soul, and a huge amount of cash into making this oddity work – David Zinn’s astonishingly lavish set design magics up an array of rooms that ought to be preserved in the Met, gorgeously gilded and mirrored, melting into each other and then into the bright, blinking white of nothingness when these friends’ meaningless lives melt away. It’s flip, funny, and undeniably stylish. But essentially unsatisfying, too.
| 2023 | Off-Broadway |
The Shed Off-Broadway Premiere Production Off-Broadway |
| 2025 | West End |
West End |
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