Broadway Show Reviews & Critics' Ratings

Villain, Interrupted is a fun show that gives the “villains” a chance to shine while also looking at the psychology in a world in which those who have powers are feared, separating the world into “us versus them”.

Criminally Untrue: An Improvised True Crime Documentary is a hilarious show that will leave you wanting more from PillowTalk Theatre. Oldfield and Treen have directed a fantastic cast of improvisers that will bring a little bit of “organised chaos” into your life, creating the crime story of the decade.

Wham Bam Thank You Mam is a collaboration straight from the minds of Frances Keyton, Su Mi and Marty Gleeson. Exploring heartache, cultural identity, and ways to stick a middle finger up at social expectation, this trio have combined an hour of captivating storytelling with some truly brilliant comedic skill. This show gives a taste of the very best that each has to offer.

George Street Playhouse (GSP) is currently presenting The 25thAnnual Putnam County Spelling Bee. It's the most fun you'll ever have going to the theatre!

Albion’s extraordinary production of Pinter’s work is grounded in Suki Peter’s sharp direction, brisk pacing and her collaboration with her actors. The performances she elicits from each of the cast members are balanced perfection. Her use of the space within Brad Slavik’s smartly appointed period set design conveys the confined intimacy one would feel in an overcrowded small rundown boarding house. Marjorie Williamson’s graphic & scenic design, Gwynneth Rausch’s props and Tracy Newcomb’s superb costume design all perfectly transport the audience back into the late 1950s.

Who’s up for a three-hour long opera about the relatively unknown pharaoh Akhenaten? With the singing in Egyptian, Hebrew and Akkadian? With no surtitles? Based on the music of minimalist composer Phillip Glass? And with an entire troupe of jugglers? Us, that's who.

While the writing is gripping and Gabrielle Nellis-Pain’s performance is excellent, there’s something missing. Catherine’s colleagues are ancient ghosts through the hallowed corridors as she puts on a sleazy, raspy voice to portray them against her well-spoken main character.

What did our critic think of FOOTLOOSE at Oak Grove?

What did our critic think of FANNIE - THE MUSIC AND LIFE OF FANNIE LOU HAMER at TheatreWorks Silicon Valley?

WPalm Canyon Theatre (PCT) and Del Shores have a long, strong bond with each other. His sidewalk star is even strategically placed in front of the theatre. It seems that every year PCT produces one of his plays, frequently Sordid Lives. This year they are presenting Daddy’s Dyin’, Who’s Got the Will?, his second play which was first produced in 1990.  I’ve known the title for years – it’s the sort of title you don’t soon forget – but this is the first time I have seen it produced.  I personally think it is a better structured play than the more popular Sordid Lives, and the opening night audience at PCT howled with laughter from the very first entrance.hat did our critic think of DADDY'S DYIN', WHO'S GOT THE WILL? at Palm Canyon Theatre?

Les Miserables returned to Indianapolis, again, in excellent fasion, propagating its underlying message that theater can suppress the multitudes. It can be ambitious and weighty, thematically sacred, and blatantly tear-jerking.

Ms. Anderson’s work is an excellent example of voices that need to be heard. It takes on the segregation fight not with a high-level history book approach, but from the very ground level, the people fighting the fight and feeling the scars of battle.

What did our critic think of HITS! THE MUSICAL at Southern Theatre?

It's a courageous musical to perform, especially in Florida, especially this year. Kudos to all!

Taylor Iman Jones wrote songs for healing and they were a tonic for the 54 Below patrons.

You are going to die. It’s a certainty, but it’s also the title of the latest play by This is Not Culturally Significant writer Adam Scott-Rowley. Performed entirely naked, You Are Going To Die is a show about everything and nothing. You can read as much or as little as you wish in it. What does it deal with? We’d love to know - we came out of it with more questions than answers. It feels like a social experiment or an impenetrable piece of performance art. It might just be simply throwing stuff at a wall to see what sticks.

Coin Toss Collective are an exceptionally creative young company. Freak Out! highlights a problem that wouldn’t cross the mind of the average British person who lives in the inland. They deliver an amusing, chaotic farewell to East Anglia. Who would’ve thought that a show about coastal erosion would be so cool!

Laura Mead writes with prudish humour while Keith Swainston directs her, Ned Wakeley (Dan), and Scott Henderson in a production that’s almost as uninteresting as Katie and Dan’s sex life. Mead’s script is as traditional as the missionary position, but wishes to be as funny as an inappropriate joke at a funeral. She gives her character a silver tongue and wit for days, and she’s great at delivering too, but the plot is awkwardly stale in its predictability.

This approach has the story losing focus and looks like a plain attempt at quirkiness. Ultimately, while they mention how difficult it is to have only one hour, the piece comes off as struggling to fill those 60 minutes. All in all, the spirit of Burnout is strong and the creatives behind it have all the right ideas. Perhaps a stronger grasp on a more developed plot might help this naive call to arms.

Who needs the Oscars for a movie-themed night when Eva Noblezada is doing her MOVIES show?