US history lewdly revised as American Pie-grade comedy
4 / 10
And how meaningful can any of it be if the writer, by their admission, has undertaken “no research” into Mary Todd Lincoln’s life story? Satire and black comedy as genres are built to accommodate social observation and acid critique, but there is none of that here. You learn next to nothing of how Mary may have been held back or shaped by history in this apparently “revisionist” version. Instead, you get the dramas of the men around her, from Abraham’s hidden homosexuality to his ex-lover (Dino Fetscher) and current squeeze (Oliver Stockley). Mary is simply repulsive and every other character laughs at her behind her back.
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