MMI Hosts Screening of Warhol’s Screen Test #2 and Rodrigues-Soltero’s Lupe

MMI Hosts Screening of Warhol’s Screen Test #2 and Rodrigues-Soltero’s Lupe

The legendary Mario Montez, one of the most well-known and beloved figures of New York's underground film and theater scene of the 1960s and 1970s, will make a very rare personal appearance at Museum of the Moving Image, on Sunday, November 13, at 6:30 p.m., as part of the day-long program "Mario Montez, Superstar." Montez will be joined onstage by Agosto Machado, another star of the New York experimental theater scene. The discussion will take place following screenings of two of Montez's greatest performances-in Andy Warhol's Screen Test #2 and Jose Rodrigues-Soltero's Lupe.

The Puerto Rico-born performer Rene Rivera adopted the name of Mario Montez as a tribute to his favorite Latina movie star, Maria Montez, because "she does everything with fire-nothing is pretended." Mario Montez first appeared in director Jack Smith's underground classic Flaming Creatures in 1962 and later became Andy Warhol's first drag superstar, starring in twelve of Warhol's films. Montez was also a favorite of the queer theater underground, appearing in plays by Charles Ludlam and John Vaccaro of the Play-House of the Ridiculous.

"Mario Montez was a compelling screen presence with an uncanny blend of playful self-awareness and genuine vulnerability, as well as humor and endless charisma," said David Schwartz, the Museum's Chief Curator.

On November 13, Museum of the Moving Image will show one of Maria Montez's most memorable films, Arabian Nights, at 4:00 p.m. Arabian Nights is Universal's first all-color feature and one of the studio's six exotic vehicles for Maria Montez. She was known as a "queen of Technicolor" and, though lacking great acting talent, she was, according to Jack Smith, "a great personality [who] believed completely in her roles." Both Smith and Mario Montez were inspired by her glamorous presence and diva personality.

Andy Warhol's Screen Test #2 and Jose Rodrigues-Soltero's Lupe (both 1966) are two classics of the 1960s underground film scene. Screen Test #2, supposedly a screen test for a version by Robert Tavel of The Hunchback of Notre Dame, is an experiment in humiliation and vulnerability between director and actor. Lupe is a visually stunning depiction of the life and death of Mexican-born actress Lupe Velez. Montez's love for glamour and spectacle is apparent in this film, as he designed his own costumes and clearly took pleasure in his portrayal of the tragic star.

In addition to the screenings at Museum of the Moving Image, Mario Montez will introduce a screening of a newly restored print of Flaming Creatures at The Museum of Modern Art at 3:00 p.m. on Sunday, November 13, as part of a Jack Smith retrospective.

All programs take place at Museum of the Moving Image, 36-01 35 Avenue (at 37 Street), Astoria, and are included with Museum admission. Museum members may reserve advance tickets by calling 718 777 6800. This program is also available online at

Arabian Nights
Sunday, November 13, 4:00 p.m.
Dir. John Rawlins. 1942, 86 mins. With Maria Montez, Jon Hall, Sabu, Shemp Howard. Universal's first all-color feature was the first of the studio's six exotic Maria Montez vehicles. This one is complete with a dashing hero, an enslaved Sheherazade, harem beauties, the world's largest bathtub, and is an exemplary showcase for Montez's magnetic and mesmerizing personality. (Part of Mario Montez, Superstar)

An Evening with Superstar Mario Montez
Sunday, November 13, 6:30 p.m.
In this rare and special discussion program, Montez will be joined onstage by Agosto Machado, one of the stars of the New York experimental theater scene, for a conversation following the screening of two of Montez's greatest film performances, Andy Warhol's Screen Test #2 and Jose Rodriguez-Soltero's Lupe. (Part of Mario Montez, Superstar)
Screen Test #2 (Dir. Andy Warhol. 1966, 66 mins.) This hourlong Warhol film is supposedly a screen test for playwright Ronald Tavel's version of The Hunchback of Notre Dame. We hear Tavel off-screen as he goads Montez-the result is an entertaining and fascinating encounter between the writer and actor, with Montez working to maintain his dignity, humor, and most of all, glamour.
Lupe (Dir. Jose Rogriguez-Soltero. 1966, 50 mins. With Mario Montez, Charles Ludlam.) This visually dazzling celebration of the life and death of the Mexican-born actress Lupe Velez is an ecstatic explosion of color, music, and camp performance, a one-of-a-kind classic that serves as a love poem to the underground star Mario Montez who designed his own sensational costumes and took immense cultist pleasure in identifying with the tragic Chicana star.

Hours: Tuesday-Thursday, 10:30 a.m. to 5:00 p.m. Friday, 10:30 to 8:00 p.m. Saturday-Sunday, 10:30 a.m. to 7:00 p.m. Holiday hours: The Museum will be open on Mondays from 10:30 a.m. to 5:00 p.m. on December 26 and January 2. On Christmas Eve (Dec. 24) and New Year's Eve (Dec. 31), the galleries will close at 5:00 p.m. The Museum is closed on Thanksgiving (Nov. 24) and Christmas Day (Dec. 25).
Film Screenings: Friday evenings, Saturdays and Sundays, and as scheduled.
Museum Admission: $12.00 for adults; $9.00 for persons over 65 and for students with ID; $6.00 for children ages 3-18. Children under 3 and Museum members are admitted free. Admission to the galleries is free on Fridays, 4:00 to 8:00 p.m. Tickets for special screenings and events may be purchased in advance by phone at 718 777 6800 or online.
Location: 36-01 35 Avenue (at 37 Street) in Astoria.
Subway: M (weekdays only) or R to Steinway Street. Q (weekdays only) or N to 36 Avenue.
Program Information: Telephone: 718 777 6888; Website:

The Museum is housed in a building owned by the City of New York and its operations are made possible in part by public funds provided through the New York City Department of Cultural Affairs, the New York City Economic Development Corporation, the New York State Council on the Arts, the National Endowment for the Arts, the National Endowment for the Humanities, the Institute of Museum and Library Services, and the Natural Heritage Trust (administered by the New York State Office of Parks, Recreation, and Historic Preservation). The Museum also receives generous support from numerous corporations, foundations, and individuals. For more information, please visit