TONY TONY TONY! Sarah had the amazing opportunity to fill in for Alan Seales & The Theatre Podcast at the 77th Annual Tony Awards press room. All the winners are brought to the press room right after they receive their Tony Awards and then all the press folx get to ask questions, it's so fun!
Dede Ayite
Dede Ayite is a costume designer whose Broadway credits include A Soldier’s Play, Slave Play, American Son, and Children of a Lesser God. Select Off-Broadway credits include Secret Life of Bees, FireFlies, Marie and Rosetta, Tell Hector I Miss Him (Atlantic); By The Way, Meet Vera Stark, JHAT (Signature); BLKS, Collective Rage…, School Girls… (MCC); Slave Play (NYTW); Sugar in Our Wounds (MTC); If Pretty Hurts…, Mankind, Bella: An American Tall Tale (Playwrights Horizons); The Royale (Lincoln Center); Ugly Lies the Bone (Roundabout); and brownsville song [b-side for tray] (LCT3).
Latest News on Dede Ayite:
BIO
Dede Ayite is a costume designer whose Broadway credits include A Soldier’s Play, Slave Play, American Son, and Children of a Lesser God. Select Off-Broadway credits include Secret Life of Bees, FireFlies, Marie and Rosetta, Tell Hector I Miss Him (Atlantic); By The Way, Meet Vera Stark, JHAT (Signature); BLKS, Collective Rage…, School Girls… (MCC); Slave Play (NYTW); Sugar in Our Wounds (MTC); If Pretty Hurts…, Mankind, Bella: An American Tall Tale (Playwrights Horizons); The Royale (Lincoln Center); Ugly Lies the Bone (Roundabout); and brownsville song [b-side for tray] (LCT3). Regionally, Ayite’s works has appeared at Oregon Shakespeare Festival; Williamstown Theatre Festival; Steppenwolf; American Repertory Theater, Denver Center; California Shakespeare; La Jolla Playhouse; Berkeley Repertory; Baltimore Center Stage; Arena Stage; Cleveland Playhouse; Signature Theatre; and McCarter Theatre, Hartford Stage. She has worked in television with Netflix, Comedy Central, and FOX Shortcoms. Ayite earned her MFA at the Yale School of Drama and has received an Obie, Lucille Lortel, Helen Hayes, Theatre Bay Area, and Jeff Awards, along with four Drama Desk Nominations.
Productions
Awards and Nominations
Dede Ayite, Goddess
winner
Dede Ayite, Our Town
Dede Ayite, Buena Vista Social Club
Dede Ayite, Buena Vista Social Club
Dede Ayite, Jaja's African Hair Braiding
Dede Ayite, Buena Vista Social Club
Dede Ayite, Hell's Kitchen
winner
Dede Ayite, Jaja's African Hair Braiding
Dede Ayite, Appropriate
Dede Ayite, Topdog/Underdog
winner
Dede Ayite
Dede Ayite, Slave Play
Dede Ayite, A Soldier's Play
FREQUENTLY ASKED QUESTIONS
Outstanding Costume Design (Outer Critics Circle Awards) for Goddess, Outstanding Costume Design of a Pla (Drama Desk Awards) for Our Town, Best Costume Design of a Musical (Tony Awards) for Buena Vista Social Club, Outstanding Costume Design of a Musical (Drama Desk Awards) for Buena Vista Social Club, Outstanding Costume Design (Broadway or Off-Broadway) (Outer Critics Circle Awards) for Jaja's African Hair Braiding, Outstanding Costume Design (The Lortels) for Buena Vista Social Club, Best Costume Design of a Musical (Tony Awards) for Hell's Kitchen, Best Costume Design of a Play (Tony Awards) for Jaja's African Hair Braiding, Best Costume Design of a Play (Tony Awards) for Appropriate, Outstanding Costume Design (Play or Musical) (Outer Critics Circle Awards) for Topdog/Underdog, Special Award (Drama Desk Awards), Best Costume Design of a Play (Tony Awards) for Slave Play and Best Costume Design of a Play (Tony Awards) for A Soldier's Play.
Dede Ayite has won the Outstanding Costume Design of a Play at the Drama Desk Awards for Our Town, the Best Costume Design of a Play at the Tony Awards for Jaja's African Hair Braiding, and a Special Award at the Drama Desk Awards.
Podcasts
Listen in behind the scenes with this special episode featuring media room speeches from 2024 Tony Award winners Shaina Taub, Dede Ayite, Tom Scutt, George C. Wolfe, Justin Peck, Ryan Rumery, Nikiya Mathis, Will Brill, Kara Young, Daniel Radcliffe, Kecia Lewis, Branden Jacobs-Jenkins, Sarah Paulson, Jonathan Groff, and Maleah Joi Moon.


































