Broadway is getting more of Shakespeare's Moor. Denzel Washington and Jake Gyllenhaal lead Othello, a play that has not been seen on Broadway since 1982. Kenny Leon directs the epic revival.
William Shakespeare’s Othello has left a profound legacy as one of the most powerful explorations of jealousy, betrayal, and the complexities of human relationships in literature. First performed in 1604, the play remains a cornerstone of dramatic art, revered for its psychological depth, poetic language, and timeless themes.
Through the tragic arc of Othello, Desdemona, and Iago, Shakespeare delves into issues of race, gender, power, and manipulation, making it perpetually relevant across centuries. Its influence extends beyond the stage, inspiring countless adaptations in theater, opera, film, and literature.
Tony and Academy Award winner Denzel Washington stars as ‘Othello,’ the noble Moor of Venice and commanding warrior general. Opposite him, Tony and Academy Award nominee Jake Gyllenhaal portrays ‘Iago,’ the ambitious lieutenant and masterful manipulator. Spurned for promotion, Iago’s relentless quest for vengeance against Othello and his wife, Desdemona, plunges them into a shocking web of deception and betrayal.
Other stars to play the iconic enemies in past productions include Laurence Fishburne and Kenneth Branagh, Laurence Olivier and Frank Finlay, and James Earl Jones and Christopher Plummer.
It pains me to say, as an admirer of thorny texts and risk-taking celebrities onstage, that “Othello” offers scant reward, even if your only sacrifice were time — and even that is arguably too precious. What does “Othello” have to say about “the near future,” where a projection at the outset places us? It’s a question that, by its own admission, the first Broadway revival in more than 40 years needs to contend with. But this staging from director Kenny Leon offers little provocation to suggest it’s even worth asking.
The show, instead, belongs to Gyllenhaal, an actor of singular intensity who makes a meal out of Iago’s desperate two-facedness. He opens the show with a hypnotic screed against “The Moor” he so loathes – a denigration of blackness (of soul and skin) in Shakespeare’s time titled just enough to resonate more clearly in ours, and never ceases to mesmerize. At turns preening, desperate, boastful, plaintive, easily convincing in his maneuverings of the guileless lieutenant Cassio (Snow White’s Andrew Burnap), as well as gullible townsman Roderigo (Anthony Michael Lopez), Desdemona and Othello, Gyllenhaal’s Iago is the one truly fun performance to watch throughout the show’s nearly three-hour runtime.
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| 2016 | Off-Broadway |
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| 2017 | West End |
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Broadway Revival Production Broadway |
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| Year | Ceremony | Category | Nominee |
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| 2025 | Drama League Awards | DISTINGUISHED PERFORMANCE | Jake Gyllenhaal |
| 2025 | Drama League Awards | DISTINGUISHED PERFORMANCE | Denzel Washington |
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