So there is a little bit of a paint-by-numbers quality to the way Diaz structures the story. (Though arguably, many artists have similar stories of early love, figuring out who they are in relationship to their parents, and a beloved mentor who shows up just when they need them most.) Yet the moments of raw emotionality and joy underpinning the show generally carry us through, thanks in no small part to Camille A. Brown’s terrific choreography and the tear-the-roof-off vocals provided by Drake and Caughell.
Beyond that, Diaz’s book, Michael Greif’s direction, and Camille A. Brown’s choreography often feel chaotic. The plot flits frequently between the story lines, never grounding us in specific moments or characters. I enjoyed hearing Keys’s big hits, but many of the other songs are awkwardly placed. Unfortunately, HELL’S KITCHEN lacks the vibrancy and specificity of its New York City setting. Hard-core Keys fans will probably still want to see this — but you’ll have to be in it for the songs, not the story.
| 2023 | Off-Broadway |
Public Theater Off-Broadway Premiere Production Off-Broadway |
| 2024 | Broadway |
Original Broadway Production Broadway |
| 2025 | US Tour |
US Tour |
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