Video: Britney Coleman Sings 'Love, You Didn’t Do Right By Me' in IRVING BERLIN’S WHITE CHRISTMAS
by Joshua Wright - Dec 11, 2025
Watch Britney Coleman as Betty Haynes performing 'Love, You Didn’t Do Right By Me' from Broadway at Music Circus' production of Irving Berlin's White Christmas. The production stars Jason Gotay, Britney Coleman, Michael Starr, Keely Beirne, Nathaniel Stampley, Aniya Simone, Andrew Eckert, Gerry McIntyre, and Omari Tau, with Vicki Lewis.
SDCF Reveals 2024-2025 Joe A. Callaway Winners And Finalists
by Chloe Rabinowitz - Oct 30, 2025
SDCF has revealed the recipients of the 2024–2025 Joe A. Callaway Awards: Zhailon Levingston, recognized for Excellence in Direction for Table 17, and Darrell Grand Moultrie, recognized for Excellence in Choreography for Goddess.
Review: HAIR Sizzles to end the Summer at Broadway At Music Circus
by Courtney Symes - Aug 25, 2025
A revolutionary rock musical directed by the legendary Glenn Casale is just what we needed to cap off the summer at Broadway at Music Circus. Hair, a 1960s celebration written by Gerome Ragni and James Rado and music by Galt MacDermot, returns to the round after ten years in a life-affirming spectacle of free-spirited energy.
Review: THE MOUSETRAP at Berkshire Theatre Group
by Marc Savitt - Jul 27, 2025
In the vernacular of the production, everything about it is quite satisfactory. Solid performances, handsome and functional staging, etc. It is all quite lovely. This production overall, however, fails to breakthrough. Christie’s script and characters are, as many of her works multifaceted and deliciously intertwined. As we get to know more about each of them over the course of the just short of two and a half hours (with one 15-minute intermission) information that makes all potential suspects much in the way the popular 1974 film Murder On The Orient Express did. This production is flat and rather two dimensional. Although the audience laughed in all the right places, we were never really drawn in. We watched the action play out before us, but the multitude of wait-what, and a-ha moments seemed to fall short not crossing the proscenium to connect with the audience members in the way they should. I will say that for me personally, , Matt Sullivan’s performance as Mr. Paravicini achieved the level of mysterious particularly well.