Trip Cullman

Most recent credits include: The Rose Tattoo (Broadway, 2019), Choir Boy (Broadway, 2019) and Lobby Hero (Broadway, 2018). He previously directed Adam Bock's The Drunken City and Sarah Schulman's Manic Flight Reaction at Playwrights Horizons. Other New York credits include Adam Bock's Swimming in the Shallows, Leslye Headland's Bachelorette and Terrence McNally's Some Men (Second Stage); Lloyd Suh's American Hwangap, Robert Farquhar's Bad Jazz, Roland Schimmelpfennig's Arabian Night and Brooke Berman's Smashing (The Play Company); Gina Gionfriddo's US Drag (stageFARM); Bert V. Royal's Dog Sees God (The Century Center); Roberto Aguirre-Sacasa's Dark Matters (Rattlestick Theater); Jonathan Tolin's The Last Sunday in June (Century Center and Rattlestick Theater); Glen Berger's The Wooden Breeks (MCC Theater); Paul Weitz's Roulette (EST); Rinne Groff's Of a White Christmas (Clubbed Thumb); Gary Sunshine's Sweetness and Brooke Berman's Sam and Lucy (both at Summer Play Festival '04) and The Wau Wau Sisters (Ars Nova). Regional credits include the World Premiere of Lloyd Suh's American Hwangap (Magic Theatre), Six Degrees of Separation (Old Globe) the World Premiere of Richard Greenberg's The Injured Party at South Coast Rep, Keith Huff's A Steady Rain and The Petersons Project (both at New York Stage and Film), Lauren Weedman's Rash (The Empty Space, Seattle), John Guare's Six Degrees of Separation (The Old Globe, San Diego). Training: Yale School of Drama. He's currently in rehearsal for the upcoming Edgewise, a co-production with The Play Company and PS 73.