A dying woman calls her grandson and asks him to write a play about their family. “But I want you to promise me something,” she says. “Make it as bitter and vitriolic as possible." In this searing, funny and deeply personal play, the author of last season's Prayer for the French Republic recreates thirty years of family fights, monstrous behavior, enormous cruelty, and enduring love.
Tonally, the play dances between comedy and tragedy, with the family matriarch’s battle with the bottle leading the way. Director Trip Cullman navigates this balance with scenes of tearful outbursts working alongside humorous bits. In some scenes, though, the dance feels out of step. And for audience members with alcoholics in the family tree, the play’s comedic treatment may come across as off-putting.
Playwright Harmon himself seems to inhabit the character Josh, pulling strings and shifting time not only from scene to scene and exchange to exchange but sometimes within the words of a sentence. The sense of where and when and what, though, remains clear from moment to moment. The cast is abetted in this by the unseen hand of director Trip Cullman (who also guided Choir Boy and Harmon’s Significant Other). We Had a World proceeds without a forced moment, without a time lag, without a moment where attention starts to lap.
| 2025 | Off-Broadway |
MTC Off-Broadway Premiere Off-Broadway |
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