Terrence McNally

Terrence McNally has written 41 shows including The Lady of the Carnellias (Playwright), Maggie May (Playwright), And Things That Go Bump in the Night (Playwright), Here's Where I Belong (Bookwriter), Sweet Eros/ Witness (Playwright), Adaptation/ Next (Playwright), Where Has Tommy Flowers Gone? (Playwright), Broadway, Broadway (Bookwriter), The Rink (Bookwriter), It's Only a Play (Playwright), Urban Blight (Bookwriter), The Lisbon Traviata (Playwright), Bad Habits (Playwright), Lips Together, Teeth Apart (Playwright), Kiss of the Spider Woman (Bookwriter), A Perfect Ganesh (Playwright), Love! Valour! Compassion! (Playwright), Love! Valour! Compassion! (Playwright), Master Class (Playwright), By the Sea, By the Sea, By the Beautiful Sea (Playwright), Ragtime (Bookwriter), Corpus Christi (Playwright), The Visit (Bookwriter), The Full Monty (Bookwriter), A Man of No Importance (Bookwriter), Frankie And Johnny In The Clair De Lune (Playwright), Short Talks on the Universe (Playwright), The Stendhal Syndrome (Playwright), Dedication or The Stuff of Dreams (Playwright), Catch Me If You Can (Bookwriter), Chita Rivera: The Dancer's Life (Bookwriter), The 24 Hour Plays 2006 (Playwright), Some Men (Playwright), Deuce (Playwright), The Ritz (Playwright), Golden Age (Playwright), Mothers and Sons (Playwright), In Your Arms (Story), Anastasia (Book Writer), Fire and Air (Playwright), Pride Plays (Author).

Best Revival of a Play (Tony Awards) for Frankie and Johnny in the Clair de Lune, Special Tony Awards for Lifetime Achievement in the Theatre (Tony Awards), Outstanding Book of a Musical (Drama Desk Awards) for Anastasia, Outstanding Book of a Musical (Broadway or Off-Broadway) (Outer Critics Circle Awards) for Anastasia, Outstanding Revival of a Broadway or Off-Broadway Play (Drama League Awards) for It's Only a Play, Lifetime Achievement Award (The Lortels), Best Book of a Musical (Tony Awards) for The Visit, Legend of Off Broadway Honorees (), Best Play (Tony Awards) for Mothers and Sons, Outstanding Play (Drama Desk Awards) for Some Me, The Helen Hayes Tribute, sponsored by Jaylee and Gilbert Mead (Helen Hayes Awards) for , Outstanding Book of a Musical (Drama Desk Awards) for A Man of No Importance, Best Book of a Musical (Tony Awards) for The Full Monty, Outstanding Book of a Musical (Drama Desk Awards) for The Full Monty, Best Book of a Musical (Drama Desk Awards) for Ragtime, Best Musical (New York Drama Critics Circle Awards) for Ragtime, Best Book of a Musical (Tony Awards) for Ragtime, Best Play (Tony Awards) for Master Class, Outstanding Play (Drama Desk Awards) for Love! Valour! Compassion! , Outstanding Play (Drama Desk Awards) for Love! Valour! Compassion!, Best American Play (New York Drama Critics Circle Awards) for Love! Valour! Compassion!, Playwriting (Obie Awards) for Love! Valour! Compassion!, Best Play (Tony Awards) for Love! Valour! Compassion!, The Pulitzer Prize for Drama (The Pulitzer Prize) for A Perfect Ganesh, Best Musical (New York Drama Critics Circle Awards) for Kiss of the Spider Woman, Best Book of a Musical (Tony Awards) for Kiss of the Spider Woman, Outstanding New Play (Drama Desk Awards) for Lips Together, Teeth Apart, Outstanding Body of Work (The Lortels), Outstanding New American Play (Drama Desk Awards) for The Ritz and Distinguished Plays (Obie Awards) for Bad Habits.

Terrence McNally has received numerous prestigious awards throughout his career. He was honored with Special Tony Awards for Lifetime Achievement in the Theatre and the Lifetime Achievement Award from The Lortels. He was recognized as a Legend of Off Broadway Honoree and received The Helen Hayes Tribute, sponsored by Jaylee and Gilbert Mead, from the Helen Hayes Awards. McNally won the Drama Desk Awards for Outstanding Book of a Musical for A Man of No Importance and The Full Monty, as well as Best Book of a Musical for Ragtime. He also secured the Tony Award for Best Book of a Musical for Ragtime. His play Master Class earned him the Tony Award for Best Play. McNally’s Love! Valour! Compassion! won both the Drama Desk Award and Tony Award for Outstanding Play and Best Play respectively, along with the Best American Play from the New York Drama Critics Circle Awards and a Playwriting award from the Obie Awards. Kiss of the Spider Woman earned him the New York Drama Critics Circle Award for Best Musical and the Tony Award for Best Book of a Musical. Additionally, he received the Drama Desk Award for Outstanding New Play for Lips Together, Teeth Apart. His Outstanding Body of Work was recognized by The Lortels, and he won the Obie Award for Distinguished Plays for Bad Habits.