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Broadway: What the Constitution Means to Me, Latin History for Morons. Recent work: Hadestown (National Theater; Citadel; NYTW); Hurricane Diane (NYTW); Othello, Twelfth Night (Shakespeare in the Park); The Lucky Ones (Ars Nova); You'll Still Call Me By Name (Sonya Tayeh/Jacob's Pillow); Tiny Beautiful Things, Dry Powder (The Public); Amy and the Orphans, On the Exhale (Roundabout Theatre Company); Antlia Pneumatica, Grand Concourse (Playwrights Horizons). Princess Grace, Lilly awards; Drama Desk, Lortel nominations; Obie Award for Sustained Excellence.
Rachel Hauck, Good Night, Oscar
Rachel Hauck, Hadestown
Rachel Hauck, Hadestown
Rachel Hauck, Hadestown
Rachel Hauck, Hadestown
Rachel HauckOrange, Hat & Grace
Rachel Hauck, This Wide Night
Rachel Hauck has been nominated for several awards in the field of scenic design. She received a nomination for Best Scenic Design of a Play at the Tony Awards for her work on "Good Night, Oscar." She was also nominated for Outstanding Set Design for a Musical at the Drama Desk Awards and Outstanding Scenic Design at the Outer Critics Circle Awards, both for the musical "Hadestown." Additionally, Hauck received a nomination for Best Scenic Design of a Musical at the Tony Awards for "Hadestown." She was nominated for Outstanding Scenic Design at The Lortels for "Hadestown," as well as Outstanding Set Design at the Drama Desk Awards for "Orange, Hat & Grace." Hauck also received a nomination for Outstanding Scenic Design at The Lortels for "This Wide Night."
Rachel Hauck has won the Tony Award for Best Scenic Design of a Musical for her work on "Hadestown".
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