Review: SOWETO GOSPEL CHOIR'S PEACE TOUR at Southern Theatre
by Paul Batterson - Oct 31, 2025
In the end, the choir’s music prevailed over any language barrier. The cavalcade of different voices kept the mostly full theatre dancing, raising their arms in agreement, and being moved by the power of things they couldn’t understand.
Kean Stage Welcomes Soweto Gospel Choir To Kean University
by Stephi Wild - Oct 2, 2025
The multi-Grammy and Emmy Award -winning SOWETO GOSPEL CHOIR returns to North America with its concert entitled “PEACE,” a joyful program of South African freedom songs, traditional spirituals and some classics.
Soweto Gospel Choir Returns to The Moss Cultural Arts Center
by Stephi Wild - Sep 16, 2025
A celebratory and culturally rich performance, the world-renowned, multi-GRAMMY and Emmy Award-winning ensemble from South Africa will perform PEACE, a program filled with joyous song to delight the entire family.
Barbara Walters Documentary Sets ABC Network Premiere
by Josh Sharpe - Sep 10, 2025
The network premiere of “Barbara Walters Tell Me Everything,” the feature-length documentary produced by Brian Grazer and Ron Howard’s Imagine Documentaries, will take place on Walters’ birthday, Thursday, Sept. 25 (9:01-11:00 p.m. EDT), on ABC.
Review: Neil Diamond Musical A BEAUTIFUL NOISE Arrives at OC's Segerstrom Center
by Michael Quintos - Aug 1, 2025
Overall, A BEAUTIFUL NOISE—now on stage at Segerstrom Center for the Arts in Costa Mesa through August 10, 2025—comes off as guaranteed musical candy for Neil Diamond devotees, thanks to its current form as a polished, tidy, nostalgia-baiting jukebox musical loaded with familiar hits, sprinkles of sparkle, and enough vocal authenticity to make fans of his music swoon. The impressive performances—from the lead vocals to the 'Beautiful Noise' ensemble's hypnotic, lyrical dance moves—bring a measurable level of enjoyment. But as a deep-dive drama? It's, well… just fine. The show's narrative stakes are satisfactory, but a bit paper-thin. While certainly clever in concept, the book often sacrifices real, emotional complexity for palatable, crowd-pleasing moments, and this therapy-session-as-framing-device never truly develops into the kind of character exploration one hopes for in a definitive bio-musical.