Terrence McNally

Terrence McNally has written 41 shows including The Lady of the Carnellias (Playwright), Maggie May (Playwright), And Things That Go Bump in the Night (Playwright), Here's Where I Belong (Bookwriter), Sweet Eros/ Witness (Playwright), Adaptation/ Next (Playwright), Where Has Tommy Flowers Gone? (Playwright), Broadway, Broadway (Bookwriter), The Rink (Bookwriter), It's Only a Play (Playwright), Urban Blight (Bookwriter), The Lisbon Traviata (Playwright), Bad Habits (Playwright), Lips Together, Teeth Apart (Playwright), Kiss of the Spider Woman (Bookwriter), A Perfect Ganesh (Playwright), Love! Valour! Compassion! (Playwright), Love! Valour! Compassion! (Playwright), Master Class (Playwright), By the Sea, By the Sea, By the Beautiful Sea (Playwright), Ragtime (Bookwriter), Corpus Christi (Playwright), The Visit (Bookwriter), The Full Monty (Bookwriter), A Man of No Importance (Bookwriter), Frankie And Johnny In The Clair De Lune (Playwright), Short Talks on the Universe (Playwright), The Stendhal Syndrome (Playwright), Dedication or The Stuff of Dreams (Playwright), Catch Me If You Can (Bookwriter), Chita Rivera: The Dancer's Life (Bookwriter), The 24 Hour Plays 2006 (Playwright), Some Men (Playwright), Deuce (Playwright), The Ritz (Playwright), Golden Age (Playwright), Mothers and Sons (Playwright), In Your Arms (Story), Anastasia (Book Writer), Fire and Air (Playwright), Pride Plays (Author).

Best Revival of a Play (Tony Awards) for Frankie and Johnny in the Clair de Lune, Special Tony Awards for Lifetime Achievement in the Theatre (Tony Awards), Outstanding Book of a Musical (Drama Desk Awards) for Anastasia, Outstanding Book of a Musical (Broadway or Off-Broadway) (Outer Critics Circle Awards) for Anastasia, Outstanding Revival of a Broadway or Off-Broadway Play (Drama League Awards) for It's Only a Play, Lifetime Achievement Award (The Lortels), Best Book of a Musical (Tony Awards) for The Visit, Legend of Off Broadway Honorees (), Best Play (Tony Awards) for Mothers and Sons, Outstanding Play (Drama Desk Awards) for Some Me, The Helen Hayes Tribute, sponsored by Jaylee and Gilbert Mead (Helen Hayes Awards) for , Outstanding Book of a Musical (Drama Desk Awards) for A Man of No Importance, Best Book of a Musical (Tony Awards) for The Full Monty, Outstanding Book of a Musical (Drama Desk Awards) for The Full Monty, Best Book of a Musical (Drama Desk Awards) for Ragtime, Best Musical (New York Drama Critics Circle Awards) for Ragtime, Best Book of a Musical (Tony Awards) for Ragtime, Best Play (Tony Awards) for Master Class, Outstanding Play (Drama Desk Awards) for Love! Valour! Compassion! , Outstanding Play (Drama Desk Awards) for Love! Valour! Compassion!, Best American Play (New York Drama Critics Circle Awards) for Love! Valour! Compassion!, Playwriting (Obie Awards) for Love! Valour! Compassion!, Best Play (Tony Awards) for Love! Valour! Compassion!, The Pulitzer Prize for Drama (The Pulitzer Prize) for A Perfect Ganesh, Best Musical (New York Drama Critics Circle Awards) for Kiss of the Spider Woman, Best Book of a Musical (Tony Awards) for Kiss of the Spider Woman, Outstanding New Play (Drama Desk Awards) for Lips Together, Teeth Apart, Outstanding Body of Work (The Lortels), Outstanding New American Play (Drama Desk Awards) for The Ritz and Distinguished Plays (Obie Awards) for Bad Habits.

Terrence McNally has received numerous prestigious awards throughout his career. He earned Special Tony Awards for Lifetime Achievement in the Theatre as well as the Lifetime Achievement Award from The Lortels. He was honored as a Legend of Off Broadway and received The Helen Hayes Tribute, sponsored by Jaylee and Gilbert Mead, from the Helen Hayes Awards. McNally won the Outstanding Book of a Musical from the Drama Desk Awards for A Man of No Importance and The Full Monty. He also received the Best Book of a Musical from both the Drama Desk Awards and the Tony Awards for Ragtime. His play Master Class won Best Play at the Tony Awards. Love! Valour! Compassion! earned him Outstanding Play twice from the Drama Desk Awards, Best American Play from the New York Drama Critics Circle Awards, Playwriting honors from the Obie Awards, and Best Play at the Tony Awards. Kiss of the Spider Woman won Best Musical from the New York Drama Critics Circle Awards and Best Book of a Musical at the Tony Awards. Lips Together, Teeth Apart was recognized with Outstanding New Play from the Drama Desk Awards. Additionally, he was awarded Outstanding Body of Work by The Lortels and Distinguished Plays by the Obie Awards for Bad Habits.