BWW Review: ANASTASIA is a Sure Bet at Kennedy Center
Directed by Darko Tresnjak, 'Anastasia' is not to be missed at Kennedy Center. A strong story with an equally strong cast to bring it to life, coupled with some great music by one of Broadway's best writing teams, makes it a sure bet....
BWW Review: Thought-Provoking and Stunning KING JOHN at Folger Theatre
Political legitimacy and enduring human connections are at the forefront of a gorgeous and spare King John at the Folger Theatre. In the assured hands of Helen Hayes Award-winning director Aaron Posner, and with a dynamic and gifted cast, the production makes a powerful case for bringing King John o...
BWW Review: VENUS IN FUR at 4615 Theatre Company
'Venus in Fur' is a vivid and wonderful production that taps into themes of gender norms, sexuality, and power, and features a fantastic cast. It's certainly an experience you'll want to indulge in. Seating is extremely limited, but that's part of the charm....
BWW Review: THE AGITATORS at Mosaic Theater Company
We do not know the exact date, time, or words spoken, but in that moment when Susan B Anthony met Frederick Douglass, two paths merged and two movements would never be the same....
BWW Review: LONG WAY DOWN at the Kennedy Center
Long Way Down delves deeply into the circumstances surrounding urban gun violence, and the impacts which it has on those left in its bloody wake....
BWW Review: SWEENEY TODD at Kensington Arts Theatre
Craig Pettinati's staging of Sweeney Todd at the Kensington Arts Theatre is bursting with bright, young talent that promises theater traditions will be faithfully kept by a new generation. Most of the cast members are likely a decade or two younger than the 1979 Broadway debut of Stephen Sondheim's ...
BWW Review: Broadway Goes Center Stage with LITTLE SHOP OF HORRORS at Kennedy Center
All things considered, this presentation offers a fabulous time at the theater....
BWW Review: Theater J's ACTUALLY is, Actually, Very Thought-Provoking
Theater J's new production of Actually, which opened on Monday night, provides new voices to the issue of campus safety and sexual assault. Anna Ziegler's script undoubtedly has important things to say-and Actually is a crucial piece which dives into the intricacies of campus safety. It's tough mate...
BWW Review: THE FEVER at Woolly Mammoth is a Positive, Communal Experience
600 Highwaymen's THE FEVER, which has made its way to Woolly Mammoth for a limited run after a national and international tour, is a collaborative piece requiring full audience participation. I can't say much about its content, as the slightest spoiler would either ruin the effect or fail to do the ...
BWW Review: SING TO ME NOW at Rorschach Theatre
Sing to Me Now, produced by Rorschach Theatre, is a beautifully rendered and promising new work, carefully balancing weight and humor, performed by a steady and engaging cast.
Director Jenny McConnell Frederick capably brings out the best in the world premiere work by Iris Dauterman. Sing to Me Now...
BWW Review: Companhia de Dança Deborah Colker Returns to Kennedy Center with DOG WITHOUT FEATHERS (Cão Sem Plumas)
One cannot deny the uniqueness of this piece and the immeasurable talent of all involved....
BWW Review: THE FALL at Studio Theatre Must Be Seen
Every now and then, a show comes along that is an undeniable "must-watch." The reasons for such a status may vary but the final verdict is unmistakable: the performance cannot be missed. With The Fall, Studio Theatre has such a scenario on their hands. This 80-minute performance, brought to D.C. by ...
BWW Review: AIDA at Constellation Theatre Company
Over the past few years DC's Constellation Theatre Company (CTC) has branched out from its mostly classical offerings by presenting a few musicals. They include the blockbusters Avenue Q and Urinetown and one lesser known entity – the Andrew Lippa version of The Wild Party. In all three cases, the...
BWW Review: HOW I LEARNED TO DRIVE at Round House Theatre
What was it like 21 years ago when Paula Vogel's 'How I Learned to Drive' premiered off-Broadway?...
BWW Review: ROOMS: A ROCK ROMANCE Returns to MetroStage with Energy and Enthusiasm
Returning to MetroStage for its tenth anniversary, ROOMS: A ROCK ROMANCE boasts an enthusiastic two-person cast and energetic backing band. It's exactly as described, a simple girl-meets-boy tale steeped in 1970s musical flair. But instead of boiling the romance down to timeless emotion, the book's ...
BWW Review: Shakespeare Theatre Company Showcases Their Best in an Impeccable Gala
When Shakespeare Theatre Company first announced their 2018/19 season, I was hesitant. The season didn't feel grand enough to serve as a proper goodbye to Michael Kahn, who has developed this company into an international institution. Having now seen their first production, The Comedy of Errors, and...
BWW Review: ANON(YMOUS) at Theatre Prometheus
Anon(ymous) is heartfelt, haunting, and timely, and serves not only as a reminder of the darkness in our world, but also of the kindness and hope we can see even in the worst of times....
BWW Review: Spooky Action's NEW GUIDELINES FOR PEACEFUL TIMES
In April 1945, the war in Europe had all but wrapped up, but it would be another month before the formal acceptance by the Allies of World War II of Nazi Germany's unconditional surrender. As such, new immigration policies had yet to be drawn up for refugees in other countries, such as Brazil, where...
BWW Review: AMERICAN REVOLUTION at The Kennedy Center
Chicago Theater Unspeakable's 'American Revolution' is unique, entertaining, and powerful, and it's not just for kids....
BWW Review: THE HUNCHBACK OF NOTRE DAME at The Arlington Players
Here is the scenario. Imagine going to a community theatre in Arlington, VA to see a show that requires a good size choir and a fourteen-piece orchestra. I imagine some of you might think that the company was crazy. I'm here to tell you that, in the case of The Arlington Players' 68th season opener ...
BWW Review: SLEEPY HOLLOW at Synetic Theater
'The Legend of Sleepy Hollow' draws from American literature and a variety of cinematic treatments. In typical Synetic fashion, however, the story is quite literally turned on its head....
BWW Review: The Washington National Opera's LA TRAVIATA is an Exquisite Revival
Even if you've never seen an opera, you know at least one or two of the tunes from Giuseppe Verdi's La Traviata, which has become one of the most popular modern representations for classical opera. While the work was jeered at the time of its premiere, this tragic tale has aged beautifully-with a lu...
BWW Review: Chilling Edgar Allan Poe Musical NEVERMORE Returns to Creative Cauldron for October
If your interest is piqued by the words "Edgar Allan Poe" and "musical" and "October", you're likely to enjoy the Matt Conner-directed NEVERMORE at Creative Cauldron. It returns seven years after its first production with a set of top-notch actors delivering verses of Poe's poetry set to Conner's ha...
Videos
























