Aidan O'Connor
Latest Articles
Review: THE NOTEBOOK at The National Theatre
The Notebook at The National Theatre remarkably utilizes Allie & Noah’s lifelong love as an emotional smokescreen for the underlying calamity, time.
Review: HOW TO DIE IN JAPAN at District Fringe
If nothing else in this world, we all have one thing in common – everyone is born, and everyone will die.
Review: WHAT BECAME OF US at Signature Theatre
How does our memory distinguish the aspects of the life we live that make up our remembered life, our conscious legacy? Is the entirety of that remembered life truthful? How does it inform our relationships?What Became of Us at Signature Theatre doesn’t necessarily answer any of these questions, i
Review: SUFFS at The National Theatre
The women’s suffrage movement in the United States spanned 72 years, finally concluding in 1920 when women gained the right to vote.
Review: PIPPIN at Signature Theatre
Certain facets of the human condition are foundational to our very existence – change, connection, desire.
Review: THE WASHINGTON BALLET'S CINDERELLA at The National Theatre
The story of Cinderella is a classic known and beloved across the world for its rags-to-riches plot.
Review: EVERYTHING, DEVOURED at Sitar Arts Center
Picture former United States President Ronald Reagan as a demon drag queen summoned to the Chicago apartment of a group of twenty somethings.
Review: MUCH ADO ABOUT NOTHING at Faction Of Fools Theatre Company
Faction of Fools’ production of the beloved piece chaperones fresh connotation to the prose via masked physical comedy.
Review: TRAVESTY at Woolly Mammoth Theatre Company
Many of us, if we’re lucky, will find physical spaces in a disingenuous world that embody our essence, the core of who we truly are.
Review: SAFETY NOT GUARANTEED at Signature Theatre
Nostalgia is a funny thing.
Review: THE SEA BEYOND THE OCEAN at The Kennedy Center
How far would you go to keep your loved ones happy? To ensure the very thing that binds you when all else fails, has a satisfactory ending? In the Kennedy Center’s World Premiere Commission, The Sea Beyond the Ocean, 9-year-old Scooter (Ty’Ree Hope Davis) tests those limits to help his sick fath
Review: DRACULA: A COMEDY OF TERRORS at Atlas Performing Arts Center
What did our critic think of DRACULA: A COMEDY OF TERRORS AT CONSTELLATION THEATRE COMPANY at Atlas Performing Arts Center?
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Tickets From $59
Tickets From $59
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