Theatre Journalist Mary Lincer has written 154 articles for BroadwayWorld since 2019, covering Washington, DC Theatre.
Mary Lincer (MA, Theatre Arts, Penn State) has directed more than 30 shows for schools and small professional theatres in Washington, DC and State College, PA. She was one of 30 teachers selected for the National Endowment for the Humanities Institute, Shakespeare: The State of the Art. She’s worked as a Dramaturg for Arena Stage and has written study guides for The Kennedy Center as well as Troika, NetWorks, and OFT-ON Productions. She wrote the brochure for the 75th Anniversary of the Warner Theatre. She’s introduced classic films on camera locally on WNVT and written theatre reviews for The Washington Blade. From 2004-2009, she taught theatre history and acting for musical theatre with US Performing Arts Camps. During 2002, Lincer served as a nominator for The Helen Hayes Awards and subsequently served as a judge from 2004-2006 and again from 2008-2009. She has coached professional actors since 1993 and frequently offers monologue and Shakespeare workshops along with Scene Study and musical theatre classes with The Actors’ Center of Washington.
When 5 year old Yasmin Elhady arrived in America around 1990 with her Libyan and Egyptian Muslim parents, a Catholic charity staffed by nuns helped the family settle in.
The cast of John Doe don't know they're in a play about the effects and impacts of death on survivors; they're all in “just keep living” mode, and, thanks to Angelle Whavers (wise playwright), their experiences form a kind of map of getting through stuff.
The world première of November 4 has opened just after the 30th anniversary of the assassination of Israeli Prime Minister Yitzhak Rabin on November 4, 1995.
Lizzie: The Musical, more a rock concert than a musical theatre piece, includes quantities of facts and plenty of unproven notions about Lizzie Borden, whose acquittal of the murder of her parents in 1892 up in Massachusetts has remained in the national consciousness ever since.
According to an interview Richard Thomas gave to DC Theater Arts, Hal Holbrook's estate asked him to consider playing Mark Twain in the one-man show that Holbrook compiled for himself back in 1954 when he was 29.