Mary Lincer

What did our critic think of MULAN at Opera House/Kennedy Center?

What did our critic think of EVITA at Shakespeare Theatre/Harman Hall? The two hour show packs 17 years of her life into a constantly moving, theatrical matrix including social, political, and women's fashion history which can often be quite affecting because Pimentel's acting finds simple moments of true emotion amid the bustle and action.

What did our critic think of SWEAT at Keegan Theatre? No matter what year an audience sees Lynn Nottage's (her second Pulitzer) Sweat, something will be going wrong someplace for some part of the American workforce.

What did our critic think of CAMBODIAN ROCK BAND at Kreeger/Arena Stage?

What did our critic think of SONNETS FOR AN OLD CENTURY at Spooky Action?

What did our critic think of THE HUMOURS OF BANDON at The Atlas Performing Arts Center?

What did our critic think of THE CRUCIBLE at Eisenhower Theater? Choreographer Helen Pickett does in her ballet The Crucible just exactly what Arthur Miller attempted in his 1953 play, her source. Both try to make a new language to express the Salem witch trials of 1692 because those events were too extraordinary for regular English or garden-variety ballet.

What did our critic think of HERE THERE ARE BLUEBERRIES at Tectonic Theater Project @ Shakespeare Theatre's Harman Hall?

What did our critic think of OPEN at Nu Sass?

What did our critic think of FINDING NEIL PATRICK HARRIS at Nu Sass? Whether or not Edmund Gwenn (he played Santa in Miracle on 34th St.) verifiably said on his deathbed that dying is easy but comedy is hard doesn't change the truth, and Donna Hoke's ninety-minute play Finding Neil Patrick Harris proves it. Somewhat thoughtful nevertheless, Finding Neil Patrick Harris considers promises, friendship, competition, the nature of both comedy and happiness, along with the role that being a fan of a TV celebrity can have in a life. Staged by Nu Sass in its 30-seat space, the scene changes run the risk of exhausting the actors, but there really is nowhere to put a stagehand.

What did our critic think of SHOUT SISTER SHOUT! at Ford's Theatre? Four lady singers dominate in the very best way SHOUT SISTER SHOUT!, a musical biography of Sister Rosetta Tharpe (1915-1973). at Ford's Theatre through May 13. Sister Rosetta began singing in church alongside her mother, Katie Bell, who traveled and preached in the rural South before women could vote.

What did our critic think of GLORIA: A LIFE at Theater J?

What did our critic think of BLUE at Eisenhower Theater?

What did our critic think of INTO THE WOODS at Opera House/Kennedy Center?

What did our critic think of GISELLE at Opera House/Kennedy Center? Giselle, like Hamlet for actors, Carmen for mezzo-sopranos, and Mrs. Lovett for musical theatre singer/actors of a certain age, brings audiences to the theatre to get to know the skills of the latest acclaimed ballerina. (Previous Giselles include: Makarova, Fracci, Julie Kent, Gelsey Kirkland, Alonso, Markova, Misty Copeland, Fonteyn, Virginia Johnson, Pavlova.) Ukrainian-Russian choreographer Alexei Ratmansky, former director of the Bolshoi Ballet, current artist in residence for American Ballet Theatre, soon to be artist in residence for New York City Ballet, has brought three ballerinas to dance Giselle with a company of exiled, excellent Ukrainian dancers to the Kennedy Center through February 5.

What did our critic think of JANE ANGER at Shakespeare Theatre?

What did our critic think of THE PIANIST OF WILLESDEN LANE at Theatre J?

What did our critic think of TOOTSIE at Capital One Hall?

What did our critic think of JUST FOR US at Woolly Mammoth?

What did our critic think of THE LOOK OF LOVE at Eisenhower Theater?