Roger Catlin is a Washington based arts writer whose work appears regularly in The Washington Post and SmithsonianMagazine.com. He has also written for Salon and Al-Jazeera and was a staff writer for The Hartford Courant in Connecticut for longer than he would like to tell you.
Talk about 'Freaky Friday.'
Brett Abelman's new play 'Switch,' at Fringe Logan Arts Space, is more like 'Freaky Pride Weekend.'
A straight D.C. couple matched up by their mutual genderqueer friend find themselves in the afterglow of intimacy having switched bodies and hence gender.
The balance of the play is exploring the abrupt switch amid Pride Weekend and trying to figure out how or whether they should try to switch back.BWW Review: Historic Return of the BALLET NACIONAL DE CUBA at the Kennedy Center June 1, 2018
It was 40 years ago this week that the Ballet Nacional de Cuba made its historic U.S. debut at the Kennedy Center. There, the remarkable Alicia Alonso was not only artistic director but star performer, who became a ballet force at the American Ballet Theatre and elsewhere despite an eye condition she had since a teenager that caused partial blindness.BWW Review: Spooky Action Theater's THE SMALL ROOM AT THE TOP OF THE STAIRS May 23, 2018
The kind of well-worn rock club set designer Matthew J. Keenan creates for the production of Laura Easton's 'The Undeniable Sound of Right Now' at the Keegan Theatre is so authentic, with its decades of rock posters, stickers and graffiti, you can almost smell the stale beer in the floorboards. The instincts not to visit the restroom rise to full force.BWW Review: Pointless Theatre Revisits THE RITE OF SPRING May 7, 2018
For being the centennial of Ingmar Bergman's birth, there seems to be very little evidence of the Swedish director's work around. It's hard to find even his best known films; his name is known to some generations only as a reference in the work of Woody Allen.BWW Review: EN EL TIEMPO DE LAS MARIPOSAS at GALA Hispanic Theatre April 17, 2018
There is something to be said about being present in historical plays. But when the characters in the Theater Alliance's powerful production 'The Raid,' begins with the characters sitting alongside the audience in the seats that ring the performance space and announce their impending demise, we realize we are in for a more visceral experience than history books often provide.BWW Review: Vibrant Adaptation of THE LATHE OF HEAVEN at Spooky Action February 20, 2018