Roger Catlin is a Washington based arts writer whose work appears regularly in The Washington Post and SmithsonianMagazine.com. He has also written for Salon and Al-Jazeera and was a staff writer for The Hartford Courant in Connecticut for longer than he would like to tell you.
The current worldwide refugee crisis is the right time to recall the tragedy of the U.S.S. St. Louis, the German ocean liner that set sail in 1939 with 937 Jews seeking new homes. Cruelly denied entry to Cuba, the U.S. and Canada, the refugee ship had to turn back to Europe where hundreds of the once hopeful passengers subsequently perished in the Holocaust.BWW Review: Bold I'LL GET YOU BACK AGAIN at the Round House Theatre October 13, 2017
In its 30 seasons as a community-based, portable opera company, the In Series organization has appeared on a number of local stages, in colleges, revamped movie houses and contemporary theater spaces.BWW Review: Factory 449's Powerful LELA & CO September 25, 2017
At its core, Mollye Maxner's 'Still Life with Rocket' is one of those complex, emotional theatrical dramas that grow out of an uneasy reunion, where cracks in the family unit become increasingly and tragically clear. After its secrets are revealed, there's a climax from which no one can return.BWW Review: In Series Revives Opera OBERON June 12, 2017
As Capitol Hill seems to talking nonstop about the state of American health care at a time when it all might change, a couple of one-man plays at the Capitol Hill Arts Workshop was breaking down the issues in terms that are immediate, emotional and human.BWW Review: Oliver Sacks Adaptation THE MAN WHO at Spooky Action May 23, 2017
Half the fun of going to see plays at Spooky Action Theatre is seeing how they've transformed the basement of the Universalist National Memorial Church for each production. Sometimes they completely obscure its identity; other times they embrace very nook.BWW Review: Cautionary TIMON OF ATHENS at Folger Theatre May 17, 2017
Ian Merrill Peakes begins and ends his role as 'Timon of Athens' standing in the center of Folger Shakespeare Theatre's stage. At the start, he's basking in his glory as a prosperous master of the universe, happily dispersing his gold; in the end he's alone, torn down, penniless emotionally, at the mercy of gods, or fate, or something quite different than the riches that once defined him.BWW Review: The Klunch's LAURA BUSH KILLED A GUY May 8, 2017
Randy Baker drew from his own upbringing in Asia to craft his play 'Forgotten Kingdoms,' getting a world premiere at Rorschach Theatre, where he is co-artistic director.BWW Review: Raucous OR, at Round House Theatre April 19, 2017