BWW Review: COME THROUGH at the Kennedy Center is a Contemporary Triumph
Monday night's production of Bon Iver and TU Dance's Come Through at the Kennedy Center is one of the most quintessentially contemporary performances on record.
The latest reviews and critic recommendations from Washington, DC.
Monday night's production of Bon Iver and TU Dance's Come Through at the Kennedy Center is one of the most quintessentially contemporary performances on record.
'Dora: Tramontane' may be the first of a trilogy, but it has the power to stand on its own as well as part of a set.
The first words sung in A Bronx Tale, the tonally uneven and musically disappointing touring show that opened at D.
Life in the theatre is hard enough without having a diva in your show.
The only wrong notes in La Paloma at the Wall, the current InSeries production at GALA, take place when the performers stop singing and try to act the clumsy script of this adaptation of the zarazuela, La Verbena de la Paloma (1894).
Third on the list of identifying traits for St.
Middle East conflict is normally not thought of a rich source of laughter, but Hassan Abdulrazzak's 'Love, Bombs & Apples' finds a way to be amusing as well as a thought-provoking way to reconsider the conflicts.
If the cultural and historical relevance weren't enough incentive, Theater J's production of 'The Jewish Queen Lear' will make you glad for the current revitalization of Yiddish theater.
For once, being conned is all it is cracked up to be.
Peter Flynn tackles Sondheim's darkly imagined INTO THE WOODS at Ford's Theatre and the result is sensational.
Few works have inspired such a long-lasting legacy as Johann Wolfgang von Goethe's Faust.
Noel Coward's charming and witty Fallen Angels, first performed in 1925, had a bit of a sordid beginning.
A number of families packed the Kennedy Center's Eisenhower Theatre Friday for the world premiere of 'The Watsons Go to Birmingham - 1963.
The Last Supper, a Temple Independent Theater Company Performance, written and directed by Ahmed El Attar with music by Hassan Kahn premiered in the U.
'JQA' is an ambitious, delightful work that not only makes for an enjoyable theater experience, but also leaves its audiences ruminating on the deeper philosophies it explores.
While short-lived on Broadway, Keegan Theatre's regional premiere of Hands on a Hardbody, directed by Elena Velasco and Mark A.
Washington National Opera's (WNO) Eugene Onegin is exquisite! The entire evening soars like a dream with pitch-perfect performances led by the immaculate Anna Nechaeva as Tatiana.
Let me start this review with a comment by Olney's Artistic Director, Jason Loewith's comment in the program.
Sometimes a particular genre of theater isn't necessarily popular with a general audience.
When you combine Bettis' exceptionally well-written and insightful script with some of the most powerful acting you're likely to see on a DC stage this season, and some excellent direction by Jose Zayas, you have a must-see theatrical production.
This production is unique and deserves to be seen.
Confection is a spellbinding multi-sensory dance and theater performance that contemplates decadent consumption and the high cost of feeding our appetites.
Those advocating a big border wall to keep out imagined hordes of asylum seekers are overlooking the abilities of one indefatigable group they would fail to keep out: circus performers.
There's "beauty in the dark" Tino McGoldrig tells us and in 'Silent' that darkness has many, many layers.
Mean Girls, Big Little Lies, Heathers, Broad City, Thelma and Louise, Parks and Recreation, Sex and the City…These are some of the better known vehicles for female friendship that inhabit our pop culture universe.
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