BWW Review: Roundhouse Theatre's GEM OF THE OCEAN a Brilliant, Living Homage to August Wilson
Timothy Douglas' production of Wilson's Gem of the Ocean is as rich an experience as you could possibly ask for; set at the turn of the twentieth century, it offers a lesson in the trials of Pittsburgh's African-American community at a pivotal time in the Hill district's history. More importantly, i...
BWW REVIEW: HOW TO KEEP AN ALIEN at Solas Nua
How far would you go to be with the one that you love? Sonya Kelly's autobiographical How to Keep an Alien, now being presented by Solas Nua, explores this question with warmth, humor, and a tour-de-force performance from DC acting goddess Tonya Beckman. This production marks the first time Kelly ha...
BWW REVIEW: CHRISTMAS AT THE OLD BULL & BUSH at MetroStage
Some pieces of theater require your undivided attention because of some deep underlying message that the playwright doesn't want you to miss. This is not the case for MetroStage's return holiday engagement of Catherine Flye's Christmas at The Old Bull & Bush and that's totally ok. This British Varie...
BWW Review: A CIVIL WAR CHRISTMAS: AN AMERICAN MUSICAL at 1st Stage
1st Stage's A Civil War Christmas, directed by Deidra Lawan Starnes with musical direction by Markus Williams, is a riveting musical helmed by a strong diverse cast of twelve actors and beautifully done production design....
BWW Review: BEAUTIFUL: THE CAROLE KING MUSICAL at The National Theatre
With a stellar cast and fantastic costumes and sets, 'Beautiful' serves as the perfect escape into a world of fun, music, and sentimentality. It's a lovely show with an empowering message, and you'll walk out ready to turn back around and see it again. Or, at the very least, go home and play the cas...
BWW REVIEW: INDECENT at Arena Stage
There are some plays in the history of Broadway that you just scratch your head as to why they didn't have a longer run. Paula Vogel's Indecent is definitely one of those plays. It opened to rave reviews on Broadway, won the Tony Award for best direction and only ran 128 performances. The award win ...
BWW Review: The In Series Presents OPERETTA WONDERLAND: THE MAGIC OF VICTOR HERBERT at the D.C. Scottish Temple
Operetta Wonderland: The Magic of Victor Herbert, directed by Brian J. Shaw with musical direction by Carlos C. Rodriguez, showcases Herbert's musicality through a selection of both his popular and lesser-known songs. This production features the rich vocals of Kelly Curtin, Cara Gonzalez, Elise Jen...
BWW REVIEW: FANCY NANCY: SPLENDIFEROUS CHRISTMAS at Adventure Theatre
We all know how stressful the holidays can be, especially finding the perfect gift for friends and family. But what about the perfect accoutrement, - that's a fancy word now isn't it - for the top of your Christmas tree? Yes, the tree topper can make or break any holiday celebration and you won't fi...
BWW Review: Striking AN INSPECTOR CALLS at Shakespeare Theatre Company
Until director Stephen Daldry rediscovered J.B. Priestley's 'An Inspector Calls,' it had been relegated to dull British backwaters as ho-hum sub-Agatha Christie drawing room fare....
BWW REVIEW: WALT DISNEY ANIMATION STUDIOS: A DECADE IN CONCERT at Kennedy Center
Any one of us that has ever seen an animated feature or short produced by the Walt Disney Animation Studios knows that the music is always a big component in making the film a success. Let's face it, aren't you all still singing 'Let it Go' from Frozen even though the film is now five years old? Son...
BWW Review: Creative Adaptation of Children's Book HOW TO CATCH A STAR Charms at the Kennedy Center
I had two main questions about the world premiere Kennedy Center commission of HOW TO CATCH A STAR: would it match the original children's book's ability to appeal to kids and adults alike, and would it be as visually charming as Oliver Jeffers's illustrations? I'm pleased to report that the answer...
BWW Review: THE CHOIR OF MAN Provides an Ode to Pub Culture at Kennedy Center
Overall, if you are willing to overlook a few of the gimmicks, you can have a good time at the show. Even if it may not appeal to the most jaded of theater nerds, it is a feel-good kind of audience show. I can't fault any production that entices the audience to sit back and listen to some great mu...
BWW Review: Washington Concert Opera Serves Up a Seductive SAPHO
If you have ever attended an opera and thought 'all of these sets and costumes are so incredibly distracting' then Washington Concert Opera would be right up your alley. Stripping away the grandiose of an opera production, WCO presents their works in their most raw form: with just an orchestra, a ch...
BWW Review: World Premiere ALL SAVE ONE at Washington Stage Guild
'All Save One' is Greg Jones Ellis' world premiere play about a 1950s Hollywood in which a Oscar Wilde-type playwright is ensconced in Hollywood, with a front marriage to a film star, a longtime relationship with a man who has become his secretary, and temptations right outside the window of his bea...
BWW Review: CRY IT OUT at Studio Theatre
Admittedly, I am not a parent - nor have I ever had the desire to be one. As a 30-something, I've never had to navigate through the family vs. career challenges depicted in Molly Smith Metzler's play CRY IT OUT, now playing at Studio Theatre. Yet, even without the ability to personally relate to t...
BWW Review: ANYTHING GOES at Arena Stage
Arena Stage's Anything Goes is pitch perfect for a world-weary DC audience....
BWW Review: BILLY ELLIOT THE MUSICAL at Signature Theatre
For something completely different this holiday season, you might want to consider Signature Theatre's latest offering. Billy Elliot the Musical is not your standard holiday fare by any means. Sure, there are big production numbers, but the story features important underlying themes of labor tension...
BWW Review: CINDERELLA at Imagination Stage
The story of Cinderella has been presented in many forms throughout the history of entertainment. Each has enchanted audiences of all ages. There was the classic Disney cartoon, the Rodgers and Hammerstein television adaptation that has since become a stage musical, a few television remakes, an...
BWW Review: IN THIS HOPE: A PERICLES PROJECT at The Welders: A Playwrights' Collective
In This Hope takes risks, and it is beautiful to watch a performance that is unique to you and your fellow audience members take shape in real time....
BWW Review: DON GIOVANNI at Virginia Opera
Mozart's Don Giovanni is a must in every opera goer's repertoire. If you are looking for a first encounter with the Don, you could be in no more responsible hands than the Virginia Opera. The material and musical mastery are deliciously indulgent in equal measure. Director Lillian Groag's rendition ...
BWW Review: Washington National Opera's SILENT NIGHT is a Timely Tribute to Veterans
One hundred years after the armistice of The Great War, it is still crucial to honor the memory of all who fought to create a better world for the future. Washington National Opera's production of Silent Night, which opened on Saturday night at the Kennedy Center, is a glorious celebration of the br...
BWW Review: AS YOU LIKE IT at The Keegan Theatre
Overall, Keegan Theatre's musical rendition of 'As You Like It' is whimsical and fun, with some light social commentary of love and acceptance. Despite some rough edges, the production is an enjoyable experience....
BWW Review: Scena Theatre Puts a Hollywood Spin on Oscar Wilde's WOMAN OF NO IMPORTANCE
Now playing at the Atlas Performing Arts Center is an all-female, 1930s Tinseltown take on Oscar Wilde's WOMAN OF NO IMPORTANCE, directed by Robert McNamara. It's an undeniably creative angle to approach Wilde, in the vein of Scena's previous gender-bending production of THE IMPORTANCE OF BEING EARN...
BWW Review: Flying V's SHEILA AND MOBY Refuses to Grow Up--And it's Good News!
Sheila and Moby is a Flying V classic, and a surprisingly layered, complex look at the messy business of growing up - whether you think you have or not....
BWW Review: Ragamala Dance Company's WRITTEN IN WATER at the Kennedy Center
Just because a work is new doesn't mean that it isn't able to honor the classic sources that paved the way for its creation. This idea is underscored in the Ragamala Dance Company's elegant and well-executed performance of Written in Water, which relies on the ancient Indian board game Paramapadam (...
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