Lora Strum
The Scottish Ballet's Mary, Queen of Scots Trusts Its Audience
What did our critic think of THE SCOTTISH BALLET'S MARY, QUEEN OF SCOTS TRUSTS ITS AUDIENCE at David H.
Ballet Hispánico Asks Dance to Carry the Weight of Cultural Survival
What did our critic think of BALLET HISPÁNICO ASKS DANCE TO CARRY THE WEIGHT OF CULTURAL SURVIVAL at New York City Center?
Review: Ailey II Doesn't Need the Classics to Feel Like Ailey
A night of new works that feel quintessentially Ailey reveals just how dedicated this company remains to its founding ethos.
Review: “Sons of Echo” is a Masterful Exploration of the Men Behind the Bravura
The stage is set: Dancers spread out in various warm-up attire go through a traditional barre.
Quadrophenia, A Rock Ballet Aims for Teenage Turmoil, Gets Lost in Riptide
What did our critic think of QUADROPHENIA, A ROCK BALLET at New York City Center?
Review: Kyle Abraham's 20 Years of Urgency at Lincoln Center Rose Theatre
Art has long been a way to wrestle with the contradictions of human existence.
Ballet Hispánico’s CARMEN.MAQUIA: Fun But Forgettable
Ballet Hispánico’s Carmen.
Review: Gibney Company Lets Art be Art
In a moment when nearly all art has either an uber-famous name attached to it or hyper-social consciousness, art for the sake of art is refreshing.
Review: The Dance Theatre of Harlem’s Visionary Versatility
The Dance Theatre of Harlem’s (DTH) latest season, which premiered April 10th at the New York City Center and runs through April 13th, is exemplifies the company’s dedication to the Black experience and legacy.
Review: ALVIN AILEY at New York City Center is Doing its Best Work
There is no better time to be had than what The Alvin Ailey Dance Theatre offers audiences at its five-week residency at the New York City Center.
Review: Kyle Abraham Explores His Ouroboros
The one constant in life is change.
Review: Accessibility Keeps the FALL FOR DANCE FESTIVAL a Should-See Mainstay
For more than two decades, the annual choreographers showcase held at the New York City Center has featured artistry that is tremendous and, on occasion, stultifying at prices that are always unbeatable.
Review: MESSAGE IN A BOTTLE Proves that Great Dance and Music is Really All You Need
What did our critic think of 'MESSAGE IN A BOTTLE PROVES' THAT GREAT DANCE AND MUSIC IS REALLY ALL YOU NEED at New York City Center?
Review: Fifty Years Since its Founding, Ailey II Takes the Spotlight
What did our critic think of FIFTY YEARS SINCE ITS FOUNDING, AILEY II FINDS ITS SPOTLIGHT at The Joyce Theatre?
Review: ILLINOISE is Storytelling at its Very Finest
What did our critic think of Illinoise at Park Avenue Armory? Illinoise is, at its core, a story about stories, both the ones we tell ourselves and the ones we’re brave enough to share with others.
Review: Alvin Ailey Wants You to Feel Something Again
What did our critic think of ALVIN AILEY WANTS YOU TO FEEL SOMETHING AGAIN at New York City Center?
Review: 'The Jungle Book Reimagined' Takes a Dark Look at Humankind
The beloved children’s classic gets a beautifully bleak update that compels audiences to confront our climate disaster and our predatory nature.
Review: Fall for Dance Festival Falls Flat
'The New York City Center's Festival, known for its diverse programming, offered audiences a selection of works that were artful, if not a little boring.
Interview: Mark Morris is Not Here to Fix You
As the esteemed choreographer prepares to premier works new and familiar at the Joyce Theatre this August, he reflects on why art is not a “cure all” for the world’s post-COVID ills.
Review: For Ballet Hispanico Making Art is About Making Change
In celebration of its founder Tina Ramirez, the ballet company’s latest installment at the New York City Center focuses on how dance can build community and celebrate the LatinX culture to make a difference.
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