Andrew White

Andrew White Choricius is the nom-du-web of a theater artist who has been involved in the Washington, D.C. scene in various capacities -- as actor, playwright, director, dramaturg -- for a number of years. Credits include Source, Woolly Mammoth and Le Neon Theatre. As a cultural historian and veteran of the Fulbright Program, he has devoted years of research to the performing arts of the Later Roman Empire (aka-Byzantium). In this bookish role he has translated, performed and published a variety of works from Medieval Greek. He holds a Ph.D. in Theater History, Theory and Criticism, and will soon be publishing his first full-length study on theater and ritual in Byzantium through a major university press in the UK. A Professor of Humanities, he currently teaches World Literature and World History in the greater Washington, D.C. area.


MOST POPULAR ARTICLES
LAST 30 DAYS

BWW Review: Hub Theatre's THE HAPPIEST PLACE ON EARTH Rounds out an Excellent SeasonBWW Review: Hub Theatre's THE HAPPIEST PLACE ON EARTH Rounds out an Excellent Season
Posted: Jul. 25, 2017


BWW Review: Shakespeare Theatre's OTHELLO Still Stunning, FreshBWW Review: Shakespeare Theatre's OTHELLO Still Stunning, Fresh
Posted: Aug. 19, 2017


LAST 365 DAYS

BWW Review:  Aura Curiatlas Physical Theatre's A LIFE WITH NO LIMITS Celebrates Stephen HawkingBWW Review: Aura Curiatlas Physical Theatre's A LIFE WITH NO LIMITS Celebrates Stephen Hawking
Posted: Mar. 1, 2017


BWW Review:  Elevator Repair Service's THE SELECT:  THE SUN ALSO RISES an Exuberant Celebration of Hemingway's ClassicBWW Review: Elevator Repair Service's THE SELECT: THE SUN ALSO RISES
Posted: Mar. 2, 2017


BWW Review: American Ballet Theatre's Exquisite SWAN LAKEBWW Review: American Ballet Theatre's Exquisite SWAN LAKE
Posted: Jan. 30, 2017


BWW Review:  Roundhouse & Olney's ANGELS IN AMERICA:  MILLENNIUM APPROACHES an Artistic and Historic TriumphRoundhouse & Olney's ANGELS IN AMERICA: MILLENNIUM APPROACHES
Posted: Sep. 15, 2016


BWW Review:  Washington Ballet's BALANCHINE, RATMANSKY, THARP a Brilliant Evening of Dances Old and NewBWW Review: Washington Ballet's BALANCHINE, RATMANSKY, THARP a Brilliant Evening of Dances Old and New
Posted: Apr. 28, 2017


BWW Review: Shakespeare Theatre's OTHELLO Still Stunning, FreshBWW Review: Shakespeare Theatre's OTHELLO Still Stunning, Fresh
August 19, 2017

For all the pathos in this, one of Shakespeare's greatest tragedies, director Ron Daniels has found a way to create and unexpectedly festive atmosphere. There is, refreshingly, room to laugh knowingly even as Iago weaves his evil plot.

BWW Review: Hub Theatre's THE HAPPIEST PLACE ON EARTH Rounds out an Excellent SeasonBWW Review: Hub Theatre's THE HAPPIEST PLACE ON EARTH Rounds out an Excellent Season
July 25, 2017

If you're looking for new, compelling, finely-crafted plays, look no further than the Hub Theatre. Their recently-concluded run of Philip Dawkins' autobiographical tour-de-force The Happiest Place on Earth is more evidence, as if any were needed, that they are a company to be reckoned with on the Washington theatre scene. Not only do they have an unerring eye for innovative scripts, they know how to give their playwrights the high-value productions they deserve.

BWW Review:  Happenstance Theater's BON VOYAGE!  A HAPPENSTANCE ESCAPADE a Perfect Summer ConfectionBWW Review: Happenstance Theater's BON VOYAGE! A HAPPENSTANCE ESCAPADE a Perfect Summer Confection
July 19, 2017

Happenstance's ensemble is chock full of talents, and when combined in a show like this it is impossible not to smile the whole way through. For kids you have slapstick, bad puns and the occasional chance for audience participation (we can make it rain, people). For adults you have visual puns from classic art, statues, and familiar French tunes that never go out of fashion.

BWW Review:  Unexpected Stage's OBLIVION a Spirited, Thought-Provoking Meditation on Modern LifeBWW Review: Unexpected Stage's OBLIVION a Spirited, Thought-Provoking Meditation on Modern Life
July 17, 2017

Oblivion is about the emptiness that plagues modern life, and the desperate attempts we make to fill that emptiness with something, anything, regardless of how illusory. Director Christopher Goodrich has assembled a dynamite cast, and the intimate environment at the River Road Unitarian Universalist's Fireside Room brings us into close contact with four truly vivid characters.

BWW Review:  Round House Theatre's HOW I LEARNED WHAT I LEARNED a Brilliant Celebration of August WilsonBWW Review: Round House Theatre's HOW I LEARNED WHAT I LEARNED a Brilliant Celebration of August Wilson
June 14, 2017

How I Learned What I Learned was originally intended as a way for August Wilson to share the many colorful, real-life characters that informed his work. With Wilson's passing, others have stepped up to represent on his behalf; and Roundhouse is blessed to have Eugene Lee, a veteran of many of Wilson's plays, to perform the master dramatist's life story.

BWW Review:  Flying V Theatre's THE SECRET HISTORY OF THE UNKNOWN WORLD a Fantastical Evening of Stage CombatBWW Review: Flying V Theatre's THE SECRET HISTORY OF THE UNKNOWN WORLD a Fantastical Evening of Stage Combat
June 13, 2017

Flying V has become the premiere forum for stage fights in the DC area, and the creativity in their 'Flying V Fights' series has never been more awesome or delightful. This year's entry, 'The Secret History of the Unknown World,' sees co-directors (and co-founders) Jason Schlafstein and Jonathan Ezra Rubin presiding over an evening of mayhem devoted to the bizarre, alternative worlds that have obsessed us on page and on film over 100 years.

BWW Review:  Washington Ballet's BALANCHINE, RATMANSKY, THARP a Brilliant Evening of Dances Old and NewBWW Review: Washington Ballet's BALANCHINE, RATMANSKY, THARP a Brilliant Evening of Dances Old and New
April 28, 2017

The Washington Ballet's latest program, on view through this weekend, is especially rich with the work of three great choreographers on display; this talented ensemble has never looked more lively and inspired, and it is a joyful evening not to be missed.

BWW Review:  Maly Drama Theatre's Unforgettable, Explosive THREE SISTERS at the Kennedy CenterBWW Review: Maly Drama Theatre's Unforgettable, Explosive THREE SISTERS at the Kennedy Center
April 28, 2017

What makes the Maly production of Three Sisters so compelling is Lev Dudin's ability to show how Chekhov's small-town characters, mired in the mores and beliefs of 1890's provincial Russia, anticipate our own thwarted dreams. Surprises abound, as we discover the inner fire that burns in people we thought we knew as humble, down-home folk. And they become shockingly familiar and contemporary in the process.

BWW Review:  Urban Bush Women's WALKING WITH 'TRANE a Brilliant Celebration of Dance as JazzBWW Review: Urban Bush Women's WALKING WITH 'TRANE a Brilliant Celebration of Dance as Jazz
April 10, 2017

There is be nothing on the stage more exhilarating, exasperating and joyful than the sight of an entire company completely committed, all on the edge-dancing literally on the edge of success, on the edge of failure. "Walking with 'Trane (2015)" reminds us what a vital contribution Urban Bush Women company has made to the American performing arts.

BWW Review: Kennedy Center Hosts Palestinian Artist Raeda Taha's WHERE CAN I FIND SOMEONE LIKE YOU, ALI?BWW Review: Kennedy Center Hosts Palestinian Artist Raeda Taha's WHERE CAN I FIND SOMEONE LIKE YOU, ALI?
March 27, 2017

For years the word "Palestinian" has been synonymous with terror; it hasn't occurred to the mainstream media that beyond the headlines, and just out of the camera's view, are families-many of them now fatherless-struggling to survive and maintain their identity in a world that has grown increasingly hostile to their very existence. Raeda Taha's brilliant autobiographical one-woman show, 'Where Can I Find Someone Like You, Ali?,' provides us with a narrative that is as timely as it is necessary.

BWW Review:  WSC Avant Bard's THE GOSPEL AT COLONUS a Brilliant RevivalBWW Review: WSC Avant Bard's THE GOSPEL AT COLONUS a Brilliant Revival
March 10, 2017

Lee Breuer's The Gospel at Colonus took Sophocles' meditation on mortality, sin and redemption and brought it solidly into the American mainstream. This production of The Gospel at Colonus, revived by WSC Avant Bard under the inspired direction of Jennifer l. Nelson, is one of the most joyous experiences in live theatre you are likely to see.

BWW Review:  Elevator Repair Service's THE SELECT:  THE SUN ALSO RISES an Exuberant Celebration of Hemingway's ClassicBWW Review: Elevator Repair Service's THE SELECT: THE SUN ALSO RISES an Exuberant Celebration of Hemingway's Classic
March 2, 2017

Elevator Repair Service, a New York company with a decided literary turn, has brought its lengthy but satisfying staging of Hemingway's first novel, 'The Sun Also Rises,' to Shakespeare Theatre Company's Landsburgh stage for a healthy Washington run. For Hemingway fans, this is reason enough to make a pilgrimage downtown; for theatre enthusiasts, even those who wouldn't normally touch Hemingway with a 10-foot-pole, the sheer exuberance and creativity of the ensemble should be a huge draw.

BWW Review:  Aura Curiatlas Physical Theatre's A LIFE WITH NO LIMITS Celebrates Stephen HawkingBWW Review: Aura Curiatlas Physical Theatre's A LIFE WITH NO LIMITS Celebrates Stephen Hawking
March 1, 2017

It's especially gratifying to see companies like Aura Curiatlas Physical Theatre return to Washington with a fascinating new work, A Life With No Limits, dedicated to the life and ideas of the Nobel physicist Stephen Hawking. Aura Curiatlas has developed a unique, intensely physical brand of performance without words, incorporating circus and dance techniques into narratives that are eye-popping in their execution and touching in their meaning.

BWW Review:  Boston Playwright Theatre's THE HONEY TRAP a Brilliant DebutBWW Review: Boston Playwright Theatre's THE HONEY TRAP a Brilliant Debut
February 23, 2017

Last weekend I visited one of my friends in the great theatre town of Boston; while there I got to see an exciting new play that by rights should be produced here in the Washington area, and soon. A new playwright, Leo McGann, born and raised in Belfast, has written 'The Honey Trap' and it is a work as mature and necessary as any I have seen--and over the years I've seen quite a lot.

BWW Review:  Shakespeare Theatre's KING CHARLES III a Necessary Play For Our TimesBWW Review: Shakespeare Theatre's KING CHARLES III a Necessary Play For Our Times
February 15, 2017

Times like these call for plays that directly address our anxieties; and Mike Bartlett's King Charles III is about as timely and necessary a play as we're likely to see. For all its indulgent verbal sprawl the Shakespeare Theatre Company has served Washington theatre audiences superbly, with a stellar cast and a politically taut drama written in the finely-tuned pentameter that once made, well, Shakespeare himself so famous.

BWW Review:  Mosaic Theatre's HOODED, OR BEING BLACK FOR DUMMIES a Compelling Journey of IdentityBWW Review: Mosaic Theatre's HOODED, OR BEING BLACK FOR DUMMIES a Compelling Journey of Identity
February 2, 2017

Tearrance Arvelle Chisholm's new play Hooded, or Being Black for Dummies, receiving its world premiere with Mosaic Theatre Company, examines the dangers of identity, prejudice and identity politics from a variety of angles. This is an unforgettable, complex study in identity that for all of its tricks and turns is one of the more psychologically, spiritually rich plays you are likely to see on the stage.

BWW Review: American Ballet Theatre's Exquisite SWAN LAKEBWW Review: American Ballet Theatre's Exquisite SWAN LAKE
January 30, 2017

As with all classic ballets in order to bring it to the stage you must breathe new life into it, and create a narrative that balances fidelity to the original with the genius of the modern choreographer. Not to mention the unique talents and personalities of each dancer. Kevin McKenzie, ABT's Artistic Director, brings this 19th-century classic into the 21st century with great sensitivity, but also with a sense of fun and celebration.

BWW Review: Next Stop's MUCH ADO ABOUT NOTHING Warm Winter FareBWW Review: Next Stop's MUCH ADO ABOUT NOTHING Warm Winter Fare
January 24, 2017

Adventurous theatre-goers, take note: a short drive beyond the Beltway, just off the Dulles Access Road, sits Next Stop Theatre Company, a troupe with a growing reputation for solid acting; their current production of Shakespeare's Much Ado About Nothing is an excellent introduction to the growing theatre scene in Herndon, Reston and beyond-a scene which will become much closer as the Silver Line makes its progress to Dulles Airport.

BWW Review:  Pinky Swear's LIZZIE Rocks the Revenge MusicalBWW Review: Pinky Swear's LIZZIE Rocks the Revenge Musical
January 16, 2017

Just in time for those winter, presidential inaugural blues, Pinky Swear Productions comes along offering the ultimate rock-scream therapy session with Lizzie, a musical dedicated to America's most famous real-life axe-murderer. Not for the faint-of heart, this is a musical that by rights should be featured in this Saturday's women's march, a reminder that women are perfectly capable of getting in their digs (or whacks, as the case may be) when pushed to the edge.

BWW Review:  Pointless Theatre's KING UBU A Riotous Middle Finger for the HolidaysBWW Review: Pointless Theatre's KING UBU A Riotous Middle Finger for the Holidays
December 19, 2016

If you've had enough of the holiday cheer and are in desperate need of a chaotic romp, you could do a whole lot worse than Pointless Theatre's whimsical production of Alfred Jarry's anarchic satire, King Ubu. Decked out in costumer Ivania Stack's fuzzy, teddy-bear pajamas, the cast crackles with the energy of the cocky, petulant high-schooler that Jarry once was. The result is a 2-hour tour of Shakespeare as interpreted by a drug-addled adolescent.



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