Andrew White

Andrew White Choricius is the nom-du-web of a theater artist who has been involved in the Washington, D.C. scene in various capacities -- as actor, playwright, director, dramaturg -- for a number of years. Credits include Source, Woolly Mammoth and Le Neon Theatre. As a cultural historian and veteran of the Fulbright Program, he has devoted years of research to the performing arts of the Later Roman Empire (aka-Byzantium). In this bookish role he has translated, performed and published a variety of works from Medieval Greek. He holds a Ph.D. in Theater History, Theory and Criticism, and will soon be publishing his first full-length study on theater and ritual in Byzantium through a major university press in the UK. A Professor of Humanities, he currently teaches World Literature and World History in the greater Washington, D.C. area.


MOST POPULAR ARTICLES
LAST 30 DAYS

BWW Review: Taffety Punk & Riot Grrrls' THE TRAGEDY OF OTHELLO Offers a Brilliant, Bare-Bones BardBWW Review: Taffety Punk & Riot Grrrls' THE TRAGEDY OF OTHELLO Offers a Brilliant, Bare-Bones Bard
Posted: Sep. 29, 2019


BWW Review:  Ford's Theatre's FENCES - A Fascinating, New Take On A Wilson ClassicBWW Review: Ford's Theatre's FENCES - A Fascinating, New Take On A Wilson Classic
Posted: Oct. 4, 2019


BWW Review:  Arena Stage's JITNEY- A Joyous Celebration of August Wilson's GeniusBWW Review: Arena Stage's JITNEY- A Joyous Celebration of August Wilson's Genius
Posted: Sep. 20, 2019


LAST 365 DAYS

BWW Review:  Kennedy Center's NEOARCTIC a Feast for the SensesBWW Review: Kennedy Center's NEOARCTIC a Feast for the Senses
Posted: Feb. 14, 2019


BWW Review:  The Rude Mechanicals' UNCLE VANYA a Charming, Funny Glimpse of Country LifeBWW Review: The Rude Mechanicals' UNCLE VANYA a Charming, Funny Glimpse of Country Life
Posted: Feb. 17, 2019


BWW Review:  Folger Theatre's NELL GWYNN Features Starpower GaloreBWW Review: Folger Theatre's NELL GWYNN Features Starpower Galore
Posted: Feb. 9, 2019


BWW Review: Taffety Punk & Riot Grrrls' THE TRAGEDY OF OTHELLO Offers a Brilliant, Bare-Bones BardBWW Review: Taffety Punk & Riot Grrrls' THE TRAGEDY OF OTHELLO Offers a Brilliant, Bare-Bones Bard
Posted: Sep. 29, 2019


BWW Review:  Ford's Theatre's FENCES - A Fascinating, New Take On A Wilson ClassicBWW Review: Ford's Theatre's FENCES - A Fascinating, New Take On A Wilson Classic
Posted: Oct. 4, 2019


BWW Review:  Roundhouse Theatre's GEM OF THE OCEAN a Brilliant, Living Homage to August WilsonBWW Review: Roundhouse Theatre's GEM OF THE OCEAN a Brilliant, Living Homage to August Wilson
Posted: Dec. 5, 2018


BWW Review: Ford's Theatre's FENCES - A Fascinating, New Take On A Wilson Classic
October 4, 2019

It won't be the novelty of these plays that will continue to draw us to Wilson's compelling portraits of the Hill District in Pittsburgh; it will be his indelibly drawn characters given new life by artists putting their own personal stamp on his work. August Wilson is meant to be savored live; he can't be contained in a damned DVD box. And with local heroes like Craig Wallace and Erika Rose as the headliners, it's not to be missed.

BWW Review: Taffety Punk & Riot Grrrls' THE TRAGEDY OF OTHELLO Offers a Brilliant, Bare-Bones Bard
September 29, 2019

This production of Shakespeare's Othello has revelations galore, performed by an ensemble of actors whose comfort with the language and emotional power keep you riveted. Even if you've seen any number of Othello's beforea?'especially if you've seen a fewa?'the Riot Grrrls interpretation, as staged in the spartan Capitol Hill Arts Workshop space, gives vivid life to characters and speeches that usually get lost in the cavernous main stages across town.

BWW Review: Arena Stage's JITNEY- A Joyous Celebration of August Wilson's Genius
September 20, 2019

With this production of Jitney you're not just watching a play; you are immersing yourself in Wilson's world. And what a rich world it is, with folks dropping in and out, gossiping, swiping at each other, arguing, plotting, dreaming. You come to know and love every one of them; that love, however, tempered by the realization that Death hovers over these men and women, biding its time and waiting to swoop down and snatch his prey.

BWW Review: Theatre Prometheus' OR, gives audiences a touch of Aphra Behn in her prime
August 10, 2019

Theatre Prometheus has taken over the Capital Hill Arts Workshop space for a couple weeks, and has done Adams proud. Director Chelsea Radigan has assembled a fine cast who gives Or, its best shot. Led by the assured, charismatic Dina Soltan as Behn, you get a taste of adventure, intrigue, sex (well, yeah, it's the 60's) and plots - of the 'bang bang, you're dead' variety, not just the drama kind.

An Evening with Lola Montez
July 27, 2019

Richard Byrne's latest effort, An Evening With Lola Montez, is as intricately-constructed a play and persona as you can possibly imagine, and actor Mary Murphy personifies to perfection the low-born Irish divorcée who became a sensation through little more than grit, and a determination to rise above her wretched circumstances.

BWW Review: IF THESE BALLS COULD TALK! at Capital Fringe Festival
July 22, 2019

With a little raunch and a lot of heart, If These Balls Could Talk! gives you a glimpse of the performer's life in the big city; it's a whirlwind tour, and well worth the ride. Valentino's charisma and her ease with the audience are wonderful, evidence that we indeed have a seasoned performer who knows her way around the warm lights downstage. She also generously brings audience members up onstage to be part of the fun-so come prepared for some good-humored ribbing with your entertainment!

BWW Review: WSC Avant Bard's A MISANTHROPE a Classic Farce
June 12, 2019

Director Megan Behm has embraced the world of old French farce, and crafted a contemporary satire that is as frenetic and slap-stick as it is wickedly witty. Minnicino's rhyming couplets constantly leave you gasping for breath with laughter, and every single member of the cast has honed their characters to their sharpest comic edge. There isn't a moment, a word, or a gesture wasted, and the way the actors literally throw themselves into their roles is a pure joy to watch.

BWW Review: Flying V's WE'RE GONNA DIE An Instant Rock Cult Classic
May 28, 2019

Can a show about death and dying leave you dancing in the aisles? Well, actually it can - and blowing bubbles and tossing beach balls in the air, too. Fur real. Just come on down to Bethesda's Writer's Center for Flying V Theatre's latest offering, New York playwright Young Jean Lee's We're Gonna Die. Flying V company member Farrell Parker takes you on a young woman's gut-wrenching journey, punching back at every piece of rotten luck that comes her way.

BWW Review: Scena Theatre's PINTER REP Returns to the Great Dissident Poet with Three Classics & an American Premiere
April 10, 2019

Scena Theatre's artistic director, Robert McNamara, offers us a fresh look at some of Pinter's sparsely-written, tightly-plotted dramas-- and the American stage premiere of the postumous 'The Pres and the Officer,' which anticipates (sadly) the misrule of our current Commander in Chief.

BWW Review: The Rude Mechanicals' UNCLE VANYA a Charming, Funny Glimpse of Country Life
February 17, 2019

Maryland's own Rude Mechanicals have taken on a Chekhov classic and infused it with the irony and wry humor that-believe it or not-were just what Dr. Chekhov ordered. His play Uncle Vanya, set in a provincial farm and featuring a wide variety of clumsy, maladroit characters, is given a warm, funny, and tremendously sympathetic production.

BWW Review: Kennedy Center's NEOARCTIC a Feast for the Senses
February 14, 2019

The idea of a spectacle dedicated to global warming might seem slight, with all the charm of a 3rd grade play featuring your neighbor's daughter in a polar bear suit; but Dehlholm's careful work, rooted in both the science of climate change and the raw emotions of a natural world in flux, aims high and generally hits its mark.

BWW Review: Folger Theatre's NELL GWYNN Features Starpower Galore
February 9, 2019

The performance of Alison Luff in the title role is nothing short of miraculous; her transformation from a trash-talking orange-monger to a star of the stage is unforgettable, and for theatre-goers to neglect this rare gem would border on criminal negligence.

BWW Review: Roundhouse Theatre's GEM OF THE OCEAN a Brilliant, Living Homage to August Wilson
December 5, 2018

Timothy Douglas' production of Wilson's Gem of the Ocean is as rich an experience as you could possibly ask for; set at the turn of the twentieth century, it offers a lesson in the trials of Pittsburgh's African-American community at a pivotal time in the Hill district's history. More importantly, it is an examination of a violent, exploitative past from which we, as a nation, have yet to emerge.

BWW Review: Flying V's SHEILA AND MOBY Refuses to Grow Up--And it's Good News!
November 4, 2018

Sheila and Moby is a Flying V classic, and a surprisingly layered, complex look at the messy business of growing up - whether you think you have or not.

BWW Review: Havana's Teatro El Publico Takes a Fassbinder Homage, THE BITTER TEARS OF PETRA VON KANT, and Fascinates
May 18, 2018

Teatro El Publico's production of Petra von Kant, which regrettably only saw two performances at the Kennedy Center's Family Theatre, is both a thoughtful exploration of humanity and a classic actor's vehicle. Featuring leggy poseurs, lavish costumes, wild hairstyles (thanks to a small vault's worth of wigs), the show is a fascinating character study, and a showcase for some of Cuba's most brilliant theatrical talent.

BWW Review: Forum Theatre's NAT TURNER IN JERUSALEM an Unforgettable, Luminous Production
March 21, 2018

Serene in his knowledge of what he has done, and why he had to do it, Jon Hudson Odom's performance of Nat Turner never wavers; the man is determined to die the death of a martyr-unrepentant, unafraid, certain of his reward.

BWW Review: Flying V Theatre's Revue of songs by JONATHAN COULTON a Sheer Delight
February 6, 2018

Flying V's 'Jonathan Coulton' delivers a rich evening of songs delivered with passion and more than a touch of wry-to-broad humor. A perfect antidote to those mid-winter blues!

BWW Review: Keegan Theatre's AN IRISH CAROL a fine, Dublin Take on Dickens' Classic
December 18, 2017

As seasonal offerings go, An Irish Carol is perfect for those who love the narrative arc of Dickens' original, and who could use the spiritual uplift, but who are sick to death of Marleys in chains, let alone all those cheery Fezziwigs. Down-to-earth, but with heart, it shines to remind us that there is often decency hiding behind the most gruff of exteriors.

BWW Review: National Theatre of Norway's PRIVATE CONFESSIONS a Searing, Unforgettable Celebration of Ingmar Bergman's Genius
December 8, 2017

Bergman's protege Liv Ullmann directed the film version of Private Confessions in 1996, and now with the arrival of the centennial of Bergman's birth, Ullmann has returned to the scene of Bergman's heartbreak, with added depth and humanity.

BWW Review: Quotidian Theatre's A COFFIN IN EGYPT Gives Horton Foote's Texas a Memorably Hard Look
November 21, 2017

If you think the late Texas-born playwright Horton Foote and his fictional home town of Harrison, Texas are little more than genteel curiosities, think again. In Quotidian Theatre's season-opening production of Foote's A Coffin in Egypt, we are confronted with a life that is complex, dark and unapologetic. The cordial but tough-willed Myrtle Bledsoe (played by Quotidean stalwart Jane Squier Bruns) is a well-heeled widow way past the age when she would care what anybody thinks.



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