Skip to main content Skip to footer site map

Andrew White

Andrew White Choricius is the nom-du-web of a theater artist who has been involved in the Washington, D.C. scene in various capacities -- as actor, playwright, director, dramaturg -- for a number of years. Credits include Source, Woolly Mammoth and Le Neon Theatre. As a cultural historian and veteran of the Fulbright Program, he has devoted years of research to the performing arts of the Later Roman Empire (aka-Byzantium). In this bookish role he has translated, performed and published a variety of works from Medieval Greek. He holds a Ph.D. in Theater History, Theory and Criticism, and will soon be publishing his first full-length study on theater and ritual in Byzantium through a major university press in the UK. A Professor of Humanities, he currently teaches World Literature and World History in the greater Washington, D.C. area.


Review: Washington Stage Guild's MAJOR BARBARA Shines as Only Shaw Can
November 21, 2022

The Washington Stage Guild's current production of Shaw's Major Barbara runs rings around a whole world of ideas, metaphysical, physical, you name it, with Emelie Faith Thompson positively shining in her turn as the title character

Review: Shakespeare Theatre's MUCH ADO ABOUT NOTHING a Dazzlingly Brilliant Farce
November 17, 2022

Simon Goodwin's new production of Much Ado About Nothing pulls out all the stops. Visually joyful, with antics and sight-gags galore, this is just the break from election anxiety this town needs. We've been waiting a long time for this one (COVID delayed the premiere by a bit, as you can imagine), and boy was the wait worth it!

Review: Best Medicine Rep's THE TRIP a Wonderful Way to Say Goodbye to Summer
September 12, 2022

Best Medicine Rep Theater is offering a lovely remedy for the post-Summer Blues, with their production of Crystal V. Rhodes' 'The Trip.' Yvonne Paretzky has assembled a crack cast, and directed them to a briskly-paced evening of entertainment.

BWW Review: Capital Fringe Festival's MARY a Touching Examinaiton of a Teacher's Life
July 17, 2022

Jo Williamson's one-woman show, 'Mary,' is by turns a desultory affair, a tale of a high school English teacher with a varied career pattern, and a variety of relationships with men. 

BWW Review: Chisa Hutchinson's Brilliance on Display in Contemporary American Theater Festival's WHITELISTED
July 12, 2022

Inspired by Jordan Peele's blockbuster horror film 'Get Out,' Hutchinson has crafted a Dickensian morality play with 'Whitelisted,' set in a predictably bland, hoity-toity, newly-renovated white lady's apartment in Bedford-Stuyvesant.

BWW Review: CATF's THE FIFTH DOMAIN a New, Warp-Speed Cyber-Thriller
July 11, 2022

With Victor Lesniewski's cyber-drama 'The Fifth Domain,' CATF steps boldly into a genre that is in its relative infancy. Focused on the world of code, on computer hacking, and on the shadowy world of international cyber-espionage, Lesniewski contemplates the darkest potential behind the infernal machines that now rule our lives.

BWW Review: Contemporary American Theater Festival's SHEEPDOG A Gritty, Moving Tour-de-Force
July 11, 2022

Sarah Ellen Stephens delivers a passionate, nuanced performance as Amina, a black Cleveland police officer whose relationship with a fellow, white officer is dealt a huge blow when a late-night confrontation with a suspect leads to a shooting, under murky circumstances. Playwright Kevin Artigue does an admirable job of laying out the complexities, leaving enough room for all of us to contemplate how easily even the best of intentions can implode.

BWW Review: USHUAIA BLUE an Immersive, Deep Environmental Dive at CATF
July 11, 2022

Jessi D. Hill's production of 'Ushuaia Blue' offers us a performance piece that is part tone poem, part personal tragedy, part environmental meditation. Shifting with ease from one time and place, and from one frame of mind, to another, the cast offers us a glimpse of how our understanding of global climate change needs to expand-beyond the microscopes and bathyscaphes, beyond the labs, beyond those cute penguins, and out onto the ever-more-endangered ice of Antarctica.

BWW Review: BABEL at the Contemporary American Theatre Festival--A Play Unstuck In Time
July 11, 2022

Jacqueline Goldfinger's 'Babel' was written in, and for, a different time and a different nation. Although designed as a comedy, watching its action unfold in the Marinoff Theatre at this year's Contemporary American Theatre Festival, in Shepherdstown, West Virginia, it's striking how the end of Roe vs. Wade, and the already-engaged battle over women's bodies nationwide, can force an entirely different reckoning from the audience.

BWW Review: CATF's THE HOUSE OF THE NEGRO INSANE is a Riveting, Mind-Blowing Experience
July 11, 2022

Terence Anthony's offering at this year's Contemporary American Theater Festival, 'The House of the Negro Insane,' will sweep you up in a tornado of emotions and deliver a few gut-punches as well, with riveting characters whose challenges make our own problems look as trivial as that fly landing on your picnic blanket. A polished piece of playwriting, this piece-now finally launched, after the long COVID hiatus-should find its place on stages across the country.

BWW Review: Olney Theatre's THE JOY THAT CARRIES YOU a Touching Journey Towards Renewal
May 21, 2022

'The Joy that Carries You' is a touching and touchingly thoughtful journey, one which many might recognize in their own. But Secka and Stoller also make this a celebration of the relationships which until (only) very recently were taboo. Thank goodness we're no longer at the stage where seeing two women choosing each other as life-partners is a shock; we can now see them as human beings. But we also know that relationships like this are still fraught with a unique form of anxiety, between the women themselves but especially with their families.

BWW Review: Washington Stage Guild's MEMOIRS OF A FORGOTTEN MAN a Timely Reflection on the Past
May 10, 2022

The Washington Stage Guild has finally had the opportunity to stage D. W. Gregory's searing study of innocence, hardened cynicism and totalitarian self-delusion, 'Memoirs of a Forgotten Man.' In spite of the long hiatus from its premiere four years ago (pre-COVID), the play continues to challenge us, throwing the mirror up to our flawed natures.

BWW Review: Contemporary American Theatre Festival's Listening Party for REDEEMED Yet Another Afternoon of Gripping Drama
May 10, 2022

Recently, CATF supporters gathered to hear one of playwright Chisa Hutchinson's latest pieces, a radio drama that was co-produced with the Vermont's Dorset Theatre Festival. Over a fine, inventively crafted lunch at one of Shepherdstown's newest restaurants, Alma Bea (near the railroad tracks, just a couple blocks from the town's main drag), we were all given headphones and were instantly immersed in a tense, emotionally-wrenching drama 'Redeemed.'

BWW Review: Shakespeare Theatre Company's MOCK TRIAL puts 'Much Ado' on the Witness Stand
April 12, 2022

Last night, the Sidney Harman Theatre was just sitting there, minding its own business. Who knew it would be invaded by a small squadron of lawyers, hell-bent on mayhem, in a full-frontal assault on the integrity of one of Shakespeare's most innocent (if naïve) characters?

BWW Review: Synetic Theater's SERVANT OF TWO MASTERS a Raucous Hilarious Showcase
April 9, 2022

If there were any doubt in your mind that theatre is back, as thrilling and death-defying as ever, make your plans now to see Synetic Theatre’s take on the old Italian classic “Servant of Two Masters.”  Fasten your seat belts, you’ll be on a roller-coaster of virtuosity, wordless and breathless, for a solid hour and a half. 

April 5, 2022

It's a new day in Shepherdstown, indeed; after a 2-year hiatus from live theatre, the Contemporary American Theater Festival is returning with a panoply of performances to choose from: six fascinating plays, workshops and coffees with the artists, and a cabaret or two to complement the mainstage events.

BWW Review: Mosaic Theatre's DEAR MAPEL A Compelling, Personal Journey
February 6, 2022

Any time you can spend with a master storyteller is time well spent; and when the storyteller is Psalmayene 24, you know you're in for a rewarding, though-provoking evening. This time, digging into his past, with all the joys and pain that growing up involves, audiences can look forward to a performance that is by turns dazzling, drop-dead hilarious, but with moments of darkness that remain all too familiar.

BWW Review: Olney Theatre Center's A CHRISTMAS CAROL: A GHOST STORY OF CHRISTMAS Shines Especially Bright This Season!
December 6, 2021

When we first enter the Mulitz-Gedelsky Theater Lab at Olney, we see a thrust stage decked out with a wide variety of Victorian-style bric-a-brac, strategically tossed about by Scenic Designer Jacob A. Climer. Forget the tree and the lights, forget the boxes with tacky wrapping, I’ll take the pile of stuff here any time--it's Christmas all over again! 

BWW Review: Mosaic Theater's BIRDS OF NORTH AMERICA a Subtle, Moving Testament to Our Times
November 1, 2021

The scenes in Birds unfold over a decade in the life of father and daughter, marked by accumulating leaves and, of course, accumulating tensions, as each of them face moments of crushing disappointment, binoculars in hand, alternately consoling and infuriating each other.

BWW Review: Happenstance Theater's 'THE PICNICS: A NITWIT DYPTICH' Short and Oh, So Sweet!
September 27, 2021

'The Picnics: A Nitwit Dyptich,' makes a perfect dessert to an evening of binge-watching your favorite historical drama, a perfect hors-d'oeuvre before diving into that meaty documentary series. At 14 minutes, it's also just the right, bite-size for a mid-day snack. Which is, actually, kinda what it's about...