Caite Hevner

Caite Hevner has designed scenery, projections and created video for musicals, plays, events and virtual events. Her designs have been seen on Broadway, off-Broadway, across the United States, and internationally.

Broadway projection design credits include Derren Brown: Secret, Cort Theatre; In Transit, Circle in the Square; Harry Connick Jr. - A Celebration of Cole Porter, Nederlander Theatre.

Off-Broadway and New York highlights include Bella Bella (MTC); Collective Rage (MCC); Derren Brown: SECRET (Atlantic Theater Company); My Mother Has 4 Noses (The Duke on 42nd Street); Tail! Spin! (Lynn Redgrave Theater); DISCORD (Primary Stages); Game Play (Ars Nova); The Elephant in Every Room I Enter and Jukebox Jackie (La MaMa); Tales from My Parents’ Divorce (The Civilians); Who’s Your Baghdaddy, or How I Started the Iraq War (St. Luke’s Theatre); Triassic Parq (Soho Playhouse); My Base and Scurvy Heart, Miss Lilly Gets Boned, and Billy Witch (Studio 42); Parade and The Scarlet Pimpernel (Manhattan Concert Productions/ Lincoln Center); Orwell in America (59E59); La Scala di Seta and Il Cambiale di Matrimonio (The Juilliard School); as well as concerts produced by Carnegie Hall.

Regional and international designs include Roe (Goodman Theatre); Waterfall (Pasadena Playhouse, 5th Avenue Theater); How to Succeed in Business Without Really Trying (The Kennedy Center); Sunday in the Park with George (Guthrie Theater); Smokey Joe’s Café (Arena Stage); Crowns (McCarter Theatre, Long Wharf Theatre); Start Down (Alliance Theatre); All The Way and The Great Society (Alley Theatre, Dallas Theater Center); Lookingglass Alice (Baltimore Center Stage); How I Learned to Drive (Cleveland Play House); Paint Your Wagon (MUNY); A Little More Alive (Barrington Stage Company); The Book of Joseph (Everyman Theatre); The Rise and Fall of Marcus Monroe (Edinburgh Fringe Festival); She the People (Second City/Woolly Mammoth Theatre); Surviving Twin (Playmakers Rep); Dracula: A Comedy of Terrors (Maltz Jupiter Theatre); Home Street Home (Z Space San Francisco); Le Nozze di Figaro (Opera Saratoga, North Carolina Opera); Il Postino and The Witches of Venice (Opera Saratoga).

Special events and productions include Stranger Things: The Drive-Into Experience (with Mesmer) and shows across the fleets of Princess Cruises and Norwegian Cruise Line. Caite has designed and created the video content for the Scholastic Art and Writing Awards since 2014, held annually at Carnegie Hall. Since 2018, Caite has served as the projection coordinator for the annual live performance of Broadway Bares, which raises funds for Broadway Cares/Equity Fights AIDs. She is the US Projection Coordinator for the Broadway production of Harry Potter and the Cursed Child.

Virtual work includes Broadway Bares: Zoom In for Broadway Cares/Equity Fights AIDS (Video Production Manager), the Scholastic Art and Writing Awards National Ceremony in 2020 and 2021 (Director and Editor), as well as Claws Out: A Holiday Drag Musical (Designer and Editor).

Caite holds a Master of Fine Arts degree from NYU Tisch School of the Arts, a Graduate Certificate from Yale School of Drama, and a Bachelor of Fine Arts degree from Florida State University. She has served as an adjunct faculty member at Ramapo College and Fordham University, and has been a lecturer/guest speaker at many institutions including New York University, University of Maryland, University of the Arts, Webster University, San Diego State University, Florida State University, The Jim Moran Institute for Global Entrepreneurship, and Berklee College of Music. Caite has taught master classes including with the Broadway Teachers Workshop, and has created free courses on theatrical design available online to educators and students through Artful Resources. She has been a panelist on curated conversations with HowlRound, has appeared on several episodes of “In 1: the podcast,” and has presented at conferences including LDI, where she presented on the fusion of analog and digital art on the stage. Caite is a proud member of USA829, where she serves as co-chair of the Respectful Workplace Committee, chair of the Accountability Taskforce, and has served on Broadway, off-Broadway, and LORT negotiating committees.