Chavkin is a director, writer and artistic director of the TEAM. Hadestown (NYTW, National Theatre, London) has been one of her greatest joys. Tony and Lortel nominations and Drama Desk Award for Dave Malloy's Natasha, Pierre & The Great Comet of 1812 (Broadway, Ars Nova, A.R.T.). London: Mission Drift (National Theatre), American Clock (Old Vic). Select New York and regional: Marco Ramirez’s The Royale (LCT; Obie Award, Drama Desk and Lortel noms.), Malloy’s Preludes (LCT3), Bess Wohl’s Small Mouth Sounds (Ars Nova and national tour) and Continuity (MTC), Carson Kreitzer’s and Matt Gould’s Lempicka (Williamstown Theatre Festival), The Royal Family (Guthrie Theatre) and multiple collaborations with Taylor Mac.
Rachel Chavkin, Hadestown
Rachel Chavkin, Hadestown
Rachel Chavkin, Hadestown
Rachel Chavkin, Natasha, Pierre and the Great Comet of 1812
Rachel Chavkin, Natasha, Pierre & The Great Comet of 1812
Rachel Chavkin, The Royale
Rachel Chavkin, The Royale
Rachel Chavkin, Natasha, Pierre and the Great Comet of 1812
Rachel Chavkin, Natasha, Pierre and the Great Comet of 1812
Rachel Chavkin, Natasha, Pierre & The Great Comet of 1812
Rachel Chavkin has written 1 shows including Hadestown (Developed by).
Rachel Chavkin has received several nominations for her outstanding work in theater. She was nominated for Outstanding Director of a Musical at the Drama Desk Awards for Hadestown and Natasha, Pierre and the Great Comet of 1812. Additionally, she received nominations for Outstanding Director of a Musical at the Outer Critics Circle Awards and Best Direction of a Musical at the Tony Awards, both for Hadestown. Chavkin was also nominated for Outstanding Director of a Play at the Drama Desk Awards and Outstanding Director at The Lortels for The Royale. Furthermore, she received a nomination for Outstanding Director at The Lortels for Natasha, Pierre and the Great Comet of 1812 and a Special Citation at the Obie Awards for Natasha, Pierre & The Great Comet of 1812.
Rachel Chavkin has won several prestigious awards, including: Outstanding Director of a Musical at the Drama Desk Awards for Hadestown; Outstanding Director of a Musical at the Outer Critics Circle Awards for Hadestown; and Best Direction of a Musical at the Tony Awards for Hadestown. Additionally, she received Outstanding Director of a Musical at the Drama Desk Awards for Natasha, Pierre and the Great Comet of 1812, as well as a Special Citation at the Obie Awards for Natasha, Pierre & The Great Comet of 1812.
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