Hidenori Nakajo

-HIDENORI NAKAJO (Sound Design):

A New York-based award-winning sound designer and theatrical composer. Off Broadway & NYC: Protest Song (The Club, LaMaMa), Still (Sheen Center), Molly Sweeney (Irish Rep), Still (Colt Coeur), The Life & Smiles of Marc Summers (New World Stages), The Creeps (Playhouse 46), OCTET (Signature, Obie Award, Drama Desk nom., Lucille Lortel nom., Henry Hewes Design Awards nom.), Autumn Royal (Irish Rep, Drama Desk nom., Henry Hewes Design Awards nom.), mɔːnɪŋ [morning// mourning] by Gelsey Bell (Prototype Festival), Dodi & Diana (Colt Coeur), Regional: Satellites (Dorset Theatre Festival), The Subject Was Roses (Bay Street Theatre), OCTET (Berkeley Rep), Moby Dick (A.R.T., Elliot Norton Award), Guys & Dolls (Guthrie), Still (Dorset Theatre Festival), Other World (Delaware Theater Company), Hold These Truths (People’s Light), Into the Burrow, A Peter Rabbit Tale (Alliance, GA), A Gift of Love with Adam McKnight (Alliance, GA).

Broadway Associate: Camelot, The Kite Runner, The Front Page. Broadway Assistant: The Lightning Thief, Be More Chill, Allegiance, Gigi.

Tour Associate: STEREOPHONIC (1st National Tour), The Kite Runner (North American Tour), My Fair Lady (NE Tour). Music Composition: he recently made international theatre debut as composer for New Renaissance In Paris -Pyramid of 1989 in Tokyo Japan.

Japanese theatrical productions in NYC as a bilingual Production Sound Engineer / translator / coordinator: Sailor Moon The Super Live (US Tour), Attack on Titan (City Center New York City), Ikuko Kawai & Orchestra Hibiki (Jazz at Lincoln Center), One Green Bottle by Noda Map (La MaMa) and several others for Lincoln Center Festival 2015-17. Hidenori holds BA in Broadcasting from College of Arts, Nihon University, MFA in Sound Design from Carnegie Mellon University. A member of United Scenic Artists, Local USA 829.