Hugh has designed the lighting for more than 160 productions and worked for most of the UK's national companies and extensively on Broadway. He has received three Olivier Awards for Best Lighting Designer: in 2004 for Pacific Overtures (Donmar); in 2000 for The Graduate (West End) and The Cherry Orchard (National Theatre); and in 1998 for The Unexpected Man (RSC) and The Blue Room (Donmar). In New York he received TONY® award nominations for Mary Stuart and Spamalot.
His most recent work includes: Ghost the Musical (West End); The Wizard of Oz (West End); Matilda (RSC); Deathtrap (West End); La Bête (West End & Broadway); Shrek (London & US Tour); The Late Middle Classes (Donmar); The Real Thing (Old Vic); Arabian Nights (RSC); A Steady Rain (Broadway); Tanz der Vampire (Vienna & Berlin).
Hugh VanstoneBack to the Future
Hugh Vanstone, The Height of the Storm
Hugh Vanstone, A Christmas Carol
Hugh Vanstone, A Christmas Carol
Hugh Vanstone, Groundhog Day
Hugh Vanstone, Matilda
Hugh Vanstone, Matilda the Musical
Hugh Vanstone, Ghost
Hugh Vanstone, Ghost The Musical
Hugh Vanstone, Matilda The Musical
Hugh Vanstone, Ghost: The Musical
Hugh Vanstone, Ghost The Musical
Hugh Vanstone, Mary Stuart
Hugh Vanstone, Mary Stuart
Hugh Vanstone, Monty Python's Spamalot
Hugh Vanstone, Monty Python's Spamalot
Hugh Vanstone, Monty Python's Spamalot
Hugh Vanstone, Pacific Overtures
Hugh VanstoneThe Cherry Orchard
Hugh Vanstone, The Unexpected Man
Hugh Vanstone, The Unexpected Man
Hugh VanstoneThe Blue Room
Hugh VanstoneHamlet
Hugh Vanstone, Art
Outstanding Lighting Design (Broadway or Off-Broadway) (Outer Critics Circle Awards) for Back to the Future, Outstanding Lighting Design (Outer Critics Circle Awards) for The Height of the Storm, Outstanding Lighting Design (Outer Critics Circle Awards) for A Christmas Carol, Best Lighting Design of a Play (Tony Awards) for A Christmas Carol, Best Lighting Design (Olivier Awards) for Groundhog Day, Best Lighting Design (BroadwayWorld Awards) for Matilda, Best Lighting Design of a Musical (Tony Awards) for Matilda the Musical, Best Lighting Design (BroadwayWorld Awards) for Ghost, Best Lighting Design (Olivier Awards) for Ghost The Musical, Best Lighting Design (Olivier Awards) for Matilda The Musical, Outstanding Lighting Design (Play or Musical) (Outer Critics Circle Awards) for Ghost: The Musical, Best Lighting Design of a Musical (Tony Awards) for Ghost The Musical, Outstanding Lighting Design in a Play (Drama Desk Awards) for Mary Stuart, Best Lighting Design of a Play (Tony Awards) for Mary Stuart, Best Lighting Design (Olivier Awards) for Monty Python's Spamalot, Outstanding Lighting Design (Outer Critics Circle Awards) for Monty Python's Spamalot , Best Lighting Design of a Musical (Tony Awards) for Monty Python's Spamalot, Best Lighting Design (Olivier Awards) for Pacific Overtures, Best Lighting Designer (Olivier Awards) for The Cherry Orchard, Outstanding Lighting Design (The Lortels) for The Unexpected Man, Outstanding Lighting Design (Drama Desk Awards) for The Unexpected Man, Best Lighting Designer (Olivier Awards) for The Blue Room, Best Lighting Designer (Olivier Awards) for Hamlet and Best Lighting Designer (Olivier Awards) for Art .
Hugh Vanstone has won several prestigious awards for his lighting design work. He received the Outstanding Lighting Design award from the Outer Critics Circle Awards for A Christmas Carol, The Height of the Storm, and Ghost: The Musical. He won the Best Lighting Design of a Play at the Tony Awards for A Christmas Carol. Additionally, he earned the Best Lighting Design award from the BroadwayWorld Awards for both Matilda and Ghost. His accolades also include the Best Lighting Design award at the Olivier Awards for Pacific Overtures, The Cherry Orchard, and The Blue Room. Furthermore, Hugh Vanstone was honored with the Outstanding Lighting Design award at the Drama Desk Awards for The Unexpected Man.
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