BWW Review: PARLIAMENT SQUARE, Bush Theatre
One day Kat gets out of bed, says goodbye to her sleeping family and gets on the train to London, to commit an act that will change her world forever.
UK / West End Theater Reviews
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BWW Review: LA SOIREE at Aldwych Theatre
If you're on the hunt for some unorthodox entertainment this Christmas, you could do much worse than a trip to see La Soir e.
BWW Review: GOATS, Royal Court
Fascinated by war's absurdity, playwright and documentary filmmaker Liwaa Yazji started journaling into her notebook all that she saw around her.
BWW Review: BEAUTIFUL - THE CAROLE KING MUSICAL, Edinburgh Playhouse
Embarking on its first UK tour, 'Beautiful' examines Carole King's remarkable transformation from schoolgirl to superstar, her relationship with husband and song-writing partner Gerry Goffin, and their close friendship and playful rivalry with fellow song-writing duo Cynthia Weil and Barry Mann.
BWW Review: SYLVIA, Royal Opera House
Frederick Ashton's Sylvia was last seen as part of the Royal Ballet's repertoire back in 2010.
BWW Review: LEGALLY BLONDE, Festival Theatre, Edinburgh
The stage adaptation of the hit 2001 comedy film 'Legally Blonde' embarks on a second UK tour and doesn't disappoint, with excellent lead performances from Lucie Jones, Rita Simons and Bill Ward.
BWW Review: SLEEPING BEAUTY: THE ROCK 'N' ROLL PANTO, Theatr Clwyd
It's that time of year again.
BWW Review: KING TUT A PYRAMID PANTOMIME, King's Head Theatre
The Charles Court Opera Company's eleventh panto continues their tradition of bold re-interpretations and bad jokes.
BWW Review: MIRACLE ON 34TH STREET, Bridge House Theatre
As usual, come the festive season, there is a plethora of shows on offer to begin the merriment - and if a pantomime or version of A Christmas Carol isn't for you, there is still plenty of choice.
BWW Review: A CHRISTMAS CAROL, Old Vic
There are many reasons why Charles Dickens' A Christmas Carol has been adapted endlessly.
BWW Review: GOOD GIRL, Old Red Lion Theatre
Riding high from its huge success at Edinburgh, Good Girl returns to the Old Red Lion, before transferring to the VAULT Festival in 2018.
BWW Review: FIVER, Live At Z del
The latest production from New.
BWW Review: PRIVATES ON PARADE, Union Theatre
Privates on Parade is often amusing, but time has not treated its approach to issues kindly, even for those unoffended by the casual racism and misogyny typical of its era.
BWW Review: CINDERELLA, Belgrade Theatre, Coventry
Cinderella must be the most performed of all the pantomimes in the UK, and is probably the most well-loved.
BWW Review: BARBER SHOP CHRONICLES, National Theatre
Inua Ellams' dynamic new play debuted last June, to critical acclaim.
BWW Review: WILD BORE, Soho Theatre
Three women place their naked bums on a table and speak through them into a microphone.
BWW Review: CINDERELLA, Hackney Empire
Hackney Empire can be counted on to deliver a hilarious and naughty panto every year, but Cinderella also has heart.
BWW Review: UNCLE VANYA, Manchester HOME
Uncle Vanya at its simplest is a bleak take on the human condition.
BWW Review: BAD ROADS, Royal Court
A journalist ventures to the front line in search of a story.
BWW Review: EVERYBODY'S TALKING ABOUT JAMIE, Apollo Theatre
There's been a real buzz of anticipation around the West End with the impending opening of Everybody's Talking About Jamie.
BWW Review: ORDINARY DAYS, Drayton Arms Theatre
Ordinary Days captures the ups and downs of romance in a big city with fine singing and warm, winning performances.
BWW Review: THE SECRET THEATRE, Sam Wanamaker Playhouse
Terrorist plots, underfunded government departments, unjustifiable military action - all very modern worries, I'm sure you'll agree.
BWW Review: SVETLANA ZAKHAROVA - AMORE, London Coliseum
Three very different dances united by the stellar qualities of Bolshoi superstar Svetlana Zakharova.
BWW Review: THE HOUSE OF BERNARDA ALBA, Cervantes Theatre
This is a great, complex, problematic, Shakespearean, mythic, disturbing, provocative play.
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