Kerrie Nicholson

Kerrie Nicholson


Access In Theatre: What It Means and Which Venues ExcelAccess In Theatre: What It Means and Which Venues Excel
Posted: Oct. 3, 2019


BWW Review: MATTHEW BOURNE'S SWAN LAKE, Bristol HippodromeBWW Review: MATTHEW BOURNE'S SWAN LAKE, Bristol Hippodrome
Posted: Mar. 13, 2019

BWW Review: A CHRISTMAS CAROL, Bristol Old VicBWW Review: A CHRISTMAS CAROL, Bristol Old Vic
Posted: Dec. 6, 2018

Access In Theatre: What It Means and Which Venues ExcelAccess In Theatre: What It Means and Which Venues Excel
Posted: Oct. 3, 2019

BWW Interview: Rebecca Lock Talks KISS ME, KATE at Sheffield CrucibleRebecca Lock Talks KISS ME, KATE at Sheffield Crucible
Posted: Nov. 21, 2018

BWW Review: BEAUTIFUL THING, Tobacco Factory TheatresBWW Review: BEAUTIFUL THING, Tobacco Factory Theatres
Posted: Oct. 21, 2018

CD Review: ONLY DREAMING, Matt CrokeCD Review: ONLY DREAMING, Matt Croke
Posted: Feb. 28, 2019

Access In Theatre: What It Means and Which Venues Excel
October 3, 2019

We are so excited to debut our Most Accessible Theatre category in the 2019 BroadwayWorld UK Awards! Here, BWW reviewer Kerrie Nicholson explains what Access means to her.

BWW Review: UNCLE VANYA, Theatre Royal Bath
July 31, 2019

In his introduction to the play in the programme, David Hare remarks that: a?oeit's not just that Vanya soaks up a bewildering variety of interpretation... it's also, that, in the theatre, it's often hard to discern exactly what it's about.a?? This elusiveness characterises this specially commissioned production at Theatre Royal Bath very well: it's sumptuously staged with some brilliant performances, yet the changes of tone don't quite blend as well as they may.

June 26, 2019

In the preface to his new book, classicist Edwin Wong asserts: 'Today, tragedy is a tired art... this book aims to restore this revered art to its rightful throne by inviting, in nine chapters, dramatists to write risk theatre'. It's a brave claim, and the foundation for an insightful and compelling read.

BEAUTY AND THE BEAST, Bristol Hippodrome
May 2, 2019

Originally premiering in 2003, David Bintley's Beauty and the Beast may be turning sixteen this year, but this beautifully haunting and evocative adaptation of the original 18th century gothic fairy-tale proves its spell is as potent as ever.

BWW Review: MATTHEW BOURNE'S SWAN LAKE, Bristol Hippodrome
March 13, 2019

When Matthew Bourne's Swan Lake received its world premiere in 1995, it ripped up the rulebook in terms of traditional dance and storytelling. It won over 30 awards internationally, including three Tonys and an Olivier Award, and paved the way for new generations of young male dancers. Returning in 2018 with a reimagining for the 21st century, this new production proves its legacy is as captivating, powerful and imaginative as it ever was.

CD Review: ONLY DREAMING, Matt Croke
February 28, 2019

In the sleeve for his debut album Only Dreaming Matt Croke writes: 'as a small boy I always loved listening to albums - I dreamt and hoped that one day I would be lucky enough to actually make one myself. Years later… here it is.' Currently playing the titular role in the West End production of Aladdin, Croke's Only Dreaming is a celebration of roles and songs he knows and loves, some roles he has played, other's perhaps to come. What is for sure though, is that the whole album shines with an infinitely likeable charm and ease.

BWW Review: A CHRISTMAS CAROL, Bristol Old Vic
December 6, 2018

True to their exciting form of challenging expectations with inventive adaptions, Bristol Old Vic's A Christmas Carol is a clever, witty and refreshing take on the beloved festive classic. At the heart of this production is the importance of rediscovering one's imagination and connecting with those you love, and how this changes perspective.

BWW Interview: Rebecca Lock Talks KISS ME, KATE at Sheffield Crucible
November 21, 2018

Rebecca Lock's previous work includes Mamma Mia!, Avenue Q, Mary Poppins and Heathers The Musical. She's currently starring as Lilli Vanessi in Kiss Me, Kate, beginning at Sheffield Crucible on 7 December.

BWW Interview: Mike Tweddle Talks BEAUTIFUL THING and Plans For Tobacco Factory Theatres
October 26, 2018

Two and a half years into his appointment, Artistic Director Mike Tweddle gives us an update on life at Bristol's Tobacco Factory Theatres.

BWW Review: BEAUTIFUL THING, Tobacco Factory Theatres
October 21, 2018

Premiering at London's Bush Theatre in 1993, and inspiring a film adaptation three years later that became a cult classic, Jonathan Harvey's Beautiful Thing is currently playing at Bristol's Tobacco Factory Theatres. Set on a council estate during the 1990s, it explores the relationship between Jamie Gangel and his next door neighbour Ste, as they struggle to come to terms with their sexuality and face the prejudices of society.

BWW Review: SHAKESPEARE IN LOVE, Theatre Royal Bath
October 12, 2018

Marc Norman and Tom Stoppard's Oscar-winning Shakespeare in Love was first adapted for the stage in 2014, and hailed as a triumph on the West End. Four years on, a new production sets out on a UK tour, and proves a delight from start to end

BWW Review: TOUCHING THE VOID, Bristol Old Vic
September 19, 2018

Continuing their thrilling Year Of Change, Bristol Old Vic brings an epic tale of survival to the stage for the first time as Tom Morris directs a breathtakingly inventive adaptation of Touching the Void.

Opinion: Reviewing With My Disability
August 22, 2018

Being a theatre critic is challenging, but I've noticed more and more frequently that being a theatre critic with the disability I have seems to be a more unique and difficult challenge…

April 18, 2018

Tennessee Williams' 1947 classic A Streetcar Named Desire explores the visceral side of human nature: violence, desire, power, loneliness and guilt. Winning the Pulitzer Prize in 1948, it's been adapted multiple times for stage and screen and is widely held as one of the greatest plays of the 20th century.

BWW Review: A PASSAGE TO INDIA, Bristol Old Vic
February 3, 2018

In a new UK tour currently playing at Bristol Old Vic, award-winning theatre company simple8 have joined forces with Northampton's Royal & Derngate to present Simon Dormandy's adaptation of E.M. Forster's novel A Passage to India.

BWW Review: SUNSET BOULEVARD, Bristol Hippodrome
January 10, 2018

Having enjoyed a wildly successful 2016 revival starring Glenn Close at the London Coliseum and a Broadway engagement in 2017, it seems fitting that Sunset Boulevard has embarked on a UK tour following a run at Leicester's Curve. With Artistic Director Nikolai Foster at the helm, this new production is a sleek, sophisticated and utterly riveting take on an Andrew Lloyd Webber classic.

BWW Review: TIGER BAY THE MUSICAL, Wales Millennium Centre
November 19, 2017

Having also played host to The Mandela Trilogy opera and new musical Only The Brave, it seems that the Wales Millennium Centre seems to be making a name for itself when it comes to mounting new productions. In its latest venture: Tiger Bay The Musical audiences are transported back to Cardiff in the 1900's, celebrating the heritage and events that shaped it into the city we know today, all woven together with a score by local composer Daf James and an array of Welsh talent in its cast.

BWW Review: JANE EYRE, Wales Millennium Centre
June 28, 2017

Originally staged at Bristol Old Vic in 2014, Jane Eyre then transferred to London's National Theatre and toured in 2015. Now on a new UK tour, this co-production shows Bronte's beloved classic magnificently refreshed and reinvented for the stage.

BWW Review: JULIUS CAESAR, Bristol Old Vic
June 15, 2017

In this new production, Bristol Old Vic and Bristol Old Vic Theatre School demonstrate that inventive design and captivating young talent is a recipe for a bold, visceral retelling of Shakespeare's political tragedy Julius Caesar.

BWW Review: PRIDE AND PREJUDICE, Theatre Royal Bath
January 18, 2017

Premiering in 2013 at Regent's Park Open Air Theatre and following a revival in 2016, Simon Reade's production of Jane Austen's beloved novel directed by Deborah Bruce has headed out on a UK tour.