Vikki Jane Vile
Latest Articles
Review: CARLOS ACOSTA - MYTHS AND MODERN MASTERS, Royal Ballet And Opera
There are few ballet dancers who can claim to be a household name, but the former Royal Ballet Principal, Carlos Acosta, is one of them.
Review: THE SLEEPING BEAUTY, Royal Albert Hall
English National Ballet close their season, as has become tradition, at London’s glorious (but not especially well air conditioned) Royal Albert Hall.
Review: DON QUIXOTE, Sadler's Wells
Carlos Acosta’s favourite ballet full of Spanish sun and slapstick humour is a very silly story.
Review: ENGLISH NATIONAL BALLET, BODY AND SOUL, Sadler's Wells
English National Ballet’s new Sadler’s Wells programme includes just two works.
Review: TURN IT OUT WITH TILER PECK AND FRIENDS, Sadler's Wells
Perhaps New York City Ballet Principal, Tiler Peck should rename her self curated programme Turn it On
Review: AKRAM KHAN'S GISELLE, London Coliseum
It’s only four days since the sugar rush of Aaron S.
Review: THE NUTCRACKER, Royal Ballet And Opera
Ballet lovers will all have their own relationship with Sir Peter Wright’s The Nutcracker.
Review: LONDON CITY BALLET - REBIRTH, Linbury Theatre
London City Ballet have been winning fans across the country since their reforming under the direction of Christopher Marney in 2023, and in their current eclectic programme, Rebirth, it’s easy to see why.
Review: LA FILLE MAL GARDÉE, Royal Ballet And Opera
Marianela Núñez said of La Fille mal gardée during a rehearsal that it was just what the world needed right now.
Review: R:EVOLUTION, Sadler's Wells
English National Ballet’s season opener, R:Evolution offers up a varied set of challenges for the company, taking us back to the 1940s with George Balanchine and Martha Graham, to the present day with William Forsythe and David Dawson.
Review: THE FORSYTHE PROGRAMME, Sadler's Wells
Back in 2018, English National Ballet premiered Playlist (Track 1, 2) as part of their Voices of America programme.
Review: OSIPOVA / LINBURY, Royal Ballet And Opera
Natalia Osipova is not a dancer who likes to play by the rules.
Review: ROMEO AND JULIET, Royal Ballet And Opera
Sir Kenneth MacMillan’s Romeo and Juliet continues to enjoy endless popularity, this being its third run by the Royal Ballet since 2019, but when the results are as good, there’s no reason why not.
Review: CINDERELLA, Birmingham Hippodrome
Sir David Bintley’s 2010 production of Cinderella has been long overdue an outing, and based on Wednesday’s opening night at Birmingham Hippodrome it is worth the wait.
Review: NUTCRACKER, London Coliseum
It has been some time coming.
Review: CINDERELLA, Royal Ballet and Opera
This year’s festive crowd pleaser from the Royal Ballet does not feature a growing Christmas tree nor a Kingdom of Sweets.
Review: SWAN LAKE IN-THE-ROUND, Royal Albert Hall
Derek Deane’s Swan Lake has quite the reputation.
Review: ROMEO AND JULIET, Sadler's Wells
Leeds based Northern Ballet always pack a punch when they visit London every May, and this time was no different, with Massimo Moricone’s slick and captivating Romeo and Juliet.
Review: EMERGING DANCER 2024, Sadler's Wells
English National Ballet’s Emerging Dancer award returned to Sadler’s Wells after a two year absence, with a unique opportunity for the most junior members of the company to shine.
Review: NEW YORK CITY BALLET: MIXED BILL, Sadler's Wells
New York City Ballet are at Sadler’s Wells for the very first time, and returning to London for the first time since 2008 in a rare event for dance fans in the capital.
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