Cindy Marcolina
Review: SOME WOMAN, Starring Anne-Marie Duff, National Theatre
Review: THE HAUNTING OF HILL HOUSE, Richmond Theatre
Review: MACBETH, starring Sam Heughan and Lia Williams
Review: FILMS IN CONCERT: THE LORD OF THE RINGS TRILOGY, Royal Albert Hall
Review: THE PLAYBOY OF THE WESTERN WORLD, starring Nicola Coughlan and Siobhán McSweeney
Latest Articles
Review: ROLEPLAY, Soho Theatre
How can you be true to yourself when feminism is a commodity, your brand is everything, and sex is only the means to an end? Regrettably, Reilly doesn’t add much to the conversation.
Review: THE PIANIST, Park Theatre
While both the film and the autobiography have entered our cultural heritage as testimonies of the Nazi era – the poverty it brought, its violence, its misery – this new rendition inhabits a different realm.
Review: HIGH SCHOOL MUSICAL, starring KayCee Stroh and Harry Judd
Though the originating Disney team doesn’t seem to be involved, the vibe of the film is perfectly maintained.
Review: SOME WOMAN, Starring Anne-Marie Duff, National Theatre
The National Theatre continue their commitment to new writing with a piece by Helen Edmundson.
Review: GHOSTS, Jermyn Street Theatre
Helene Alving is about to inaugurate an orphanage dedicated to the memory of her late husband, an austere, unfaithful, and unpleasant man.
Review: HEATED RIVALRY: THE UNAUTHORIZED MUSICAL PARODY, Underbelly Soho
Heated Rivalry: The Unauthorized Musical Parody is simply hilarious.
Review: THE HAUNTING OF HILL HOUSE, Richmond Theatre
Shirley Jackson’s 1959 gothic novel skyrocketed back to recognition in 2018 when it inspired Mike Flanagan’s Netflix sensation of the same name.
Review: AFFLUENZA, starring Noah Schnapp, Riverside Studios
Stranger Things alum and alleged Zionist Noah Schnapp is top billed, though he is selling a show that has him on stage for under a third of its running time.
Review: DE PROFUNDIS, The Coronet Theatre
The Berliner Ensemble returns to The Coronet Theatre to present a solo show that charts the cruelty of men.
Review: BULL, Park Theatre
Deafinitely Theatre reiterate that creative captioning and BSL integration don’t only make theatre more accessible, they can also be brilliant artistic choices.
Review: EXTREMISM,The Cockpit Theatre
Anders Lustgarten’s play may have been written in 2017, but its core subject could be lifted off today’s newspapers.
Review: THE TAMING OF THE SHREW: A KINKY RETELLING, Bread And Roses Theatre
Perhaps the trickiest, most controversial work in Shakespeare’s arsenal, The Taming of the Shrew comes to the Lambeth Fringe in a peculiar rewrite.
Review: THE URMETAZOAN, Hampstead Theatre
In a rental in Florida, Abigail is helping Alice to pack: the Nobel Prize winner and decorated scientist is leaving Earth to further space research.
Review: CURRENT/Y, The Coronet Theatre
Some theatre shows defy the very nature of their definition.
Review: DARKLING, Bush Theatre
It’s the mid-80s and India is changing.
Review: TARTUFFE (REMIXED), starring Mark Rylance
Adapting classical theatre for a new audience is an exciting task and Darren Raymond has relocated Molière’s farce to a Nigerian-Jamaican family living in England.
Review: BLOODSPORT: AFTER HELEN OF TROY, Starring Michelle Dockery, Stratford East
After discussing gossip and patriarchy with Anne Boleyn in 1536, Ava Pickett keeps exploring the female spheres through the figure of Helen of Troy in Bloodsport.
Review: BIGFOOT RIPPED MY DOG IN HALF I SAW IT, Soho Theatre
Xhloe & Natasha triumphantly return to London after a sold-out month at the Edinburgh Festival Fringe.
Review: FOR COLORED GIRLS WHO HAVE CONSIDERED SUICIDE / WHEN THE RAINBOW IS ENUF, The Yard Theatre
Ntozake Shange’s 1976 choreopoem debuts in London on the 50th anniversary of its premiere.
Review: HOLY FOOL, Park Theatre
Rosalind Adler and Lea Sellers tackle the artistic consequences of tyranny in this sluggish, derivative, and uninteresting piece of theatre.
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