Cindy Marcolina
EDINBURGH 2026 Review: BIGFOOT RIPPED MY DOG IN HALF I SAW IT, Summerhall
EDINBURGH 2026 Review: REMEMBER, REMEMBER!, Pleasance Dome
Review: MACBETH, starring Sam Heughan and Lia Williams
Review: FILMS IN CONCERT: THE LORD OF THE RINGS TRILOGY, Royal Albert Hall
Review: THE PLAYBOY OF THE WESTERN WORLD, starring Nicola Coughlan and Siobhán McSweeney
Latest Articles
Review: TARTUFFE (REMIXED), starring Mark Rylance
Adapting classical theatre for a new audience is an exciting task and Darren Raymond has relocated Molière’s farce to a Nigerian-Jamaican family living in England.
Review: BLOODSPORT: AFTER HELEN OF TROY, Stratford East
After discussing gossip and patriarchy with Anne Boleyn in 1536, Ava Pickett keeps exploring the female spheres through the figure of Helen of Troy in Bloodsport.
Review: BIGFOOT RIPPED MY DOG IN HALF I SAW IT, Soho Theatre
Xhloe & Natasha triumphantly return to London after a sold-out month at the Edinburgh Festival Fringe.
Review: FOR COLORED GIRLS WHO HAVE CONSIDERED SUICIDE / WHEN THE RAINBOW IS ENUF, The Yard Theatre
Ntozake Shange’s 1976 choreopoem debuts in London on the 50th anniversary of its premiere.
Review: HOLY FOOL, Park Theatre
Rosalind Adler and Lea Sellers tackle the artistic consequences of tyranny in this sluggish, derivative, and uninteresting piece of theatre.
Review: A MONTH IN THE COUNTRY, Donmar Warehouse
Natalya Petrovna has it all: a devoted husband, a gentle life, and she has enough wealth not to care about any of it.
Review: YOU & IT, King's Head Theatre
What should have been a provocative journey into the ethics of AI becomes a shallow rumination on selfishness.
Review: A SLOW FIRE, Jermyn Street Theatre
Ultimately, it’s difficult to single out what Stephens wants to say here.
Review: BEFORE WE FORGET, Bush Theatre
Created by the 18-25 Bush Young Company alongside theatre practitioner Amber Ruby, Before We Forget is a dystopian evaluation of what the act of remembering could look like in a not-too-distant future.
Review: PEAKY BLINDERS UNDERWORLD, Arches London Bridge
It’s engaging, well-designed, fully immersive, and thoroughly considered.
EDINBURGH 2026 Review: JITTERS, Summerhall
The play delights in its ambiguities.
EDINBURGH 2026 Review: AROUND THE WORLD IN 80 TOYS, Summerhall
The mise en scène is mesmerising.
EDINBURGH 2026 Review: METEORS, Summerhall
It’s a beautifully written retrospection, full of evocative allegories and distinctive descriptions of what it feels like to lose someone you adore.
EDINBURGH 2026 Review: THEY'RE JUST SMALL TOWN (NORTHERN) LADS, Summerhall
While the first part of the show is endearing and entertaining, featuring a healthy dose of cheesy comedy and coming-of-age humour, it could be tightened.
EDINBURGH 2026 Review: WE HAD FUN, Summerhall
Carrie-Anne Ingrouille directs the production, establishing a remarkable pace that moves the action across the timeline seamlessly.
EDINBURGH 2026 Review: NESTING, Summerhall
It’s a dark, gripping, and truly affecting project.
EDINBURGH 2026 Review: THE SUBPLOT: A HYPERFIXATION ON THE TITAN SUBMERSIBLE, Summerhall
It’s an infectious, hilarious, utterly bleak theatrical adventure.
EDINBURGH 2026 Review: THE CRIMES OF PETE, Pleasance Courtyard
The regime is putting all the authors to death.
EDINBURGH 2026 Review: THIS IS NOT AMERICA: A RAZOR-EDGE NEW PLAY TO START YOUR DAY!, Pleasance Courtyard
Three brothers are being questioned after something terrible happened in Brooklyn.
EDINBURGH 2026 Review: 44 MINUTES, Assembly @ St Adrew Square
Directed by Michael DeFilippis, 44 Minutes is an unnerving provocation with an exhilarating plot twist.
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