Cindy Marcolina
Review: -320°F, Sadler's Wells
Hideki Noda reintroduces his idiosyncratic blend of movement and drama in a production that’s grounded by a strong philosophical framework and soars with brilliantly theatrical imagination.
Review: CYRANO DE BERGERAC, Starring Adrian Lester, Noël Coward Theatre
Edmond Rostand’s classic comes back to the West End with a new adaptation by Simon Evans and Debris Stevenson.
Review: THE MISANTHROPE, starring Sandra Oh
If Molière was preoccupied with censorship and retaliation, Crimp shows an obsession for cancellation.
Review: MEAT CUTE, The Other Palace
Turning 30 has always been portrayed by the media as a dead end, especially for women.
Review: SLAUGHTERHOUSE-FIVE, Southwark Playhouse
Kurt Vonnegut’s anti-war sci-fi is probably one of the most censored novels of the 20th century.
Review: THE TEMPEST, Starring Kenneth Branagh
Kenneth Branagh has returned to Stratford-upon-Avon to tread the boards of the Royal Shakespeare Theatre, where we last saw him 33 years ago as the Prince of Denmark directed by Adrian Noble.
Review: MEGAN HILTY, Theatre Royal Drury Lane
It might still be some time until Death Becomes Her hits London, but the West End was ablaze with its spirit this past weekend, when Megan Hilty graced the stage of the Theatre Royal Drury Lane.
Review: END OF THE RAINBOW, starring Jinkx Monsoon
Hollywood legend Judy Garland is preparing to take the stage at the infamous Talk of the Town theatre-restaurant in 1968.
Review: STAGE KISS, Hampstead Theatre
Art imitates life, and life imitates art in Sarah Ruhl’s 2014 play Stage Kiss.
Review: THE LAST MAN, Southwark Playhouse Elephant
A virus has decimated the entire population, turning them into zombies.
Review: THE WASP, Southwark Playhouse
An awkward school reunion between childhood friends turns into a seething, horrid thriller in Morgan Lloyd Malcolm’s play The Wasp.
Review: ESCAPED ALONE, The Coronet Theatre
Caryl Churchill meets ‘il dolce far niente’ in this reimagined production of her 2016 play Escaped Alone.
Review: FILMS IN CONCERT: THE LORD OF THE RINGS TRILOGY, Royal Albert Hall
It takes just under ten hours to appreciate J.
Review: UCCELLINI (LITTLE BIRDS), The Coronet Theatre
Ghosts, death, and the local fauna join the living in a house in the middle of the woods.
Review: THE RESISTIBLE RISE OF ARTURO UI, starring Mark Gatiss
A corrupt lot steeped in scandal puppeteers the economy.
Review: BETWEEN THE RIVER AND THE SEA, Royal Court Theatre
“I’m just here to talk about my divorce,” says Yousef Sweid right after a preamble about the reception of political productions.
Review: HEART WALL, Bush Theatre
Kit Withington writes a lightweight exegesis of grief, briefly touching upon what it means to grow up and leave home.
Book Review: STAGE COMBAT: ARMED (RAPIER & DAGGER) by Roger Bartlett, Nick Hern Books
“This book is about portraying a safe and dramatically effective staged fight using rapier and dagger,” so begins Roger Bartlett’s latest volume.
Review: FLYBY, Southwark Playhouse
The Last Five Years meets Gravity to introduce their unfortunate lovechild.
Review: ROMEO & JULIET, starring Sadie Sink & Noah Jupe, Harold Pinter Theatre
Robert Icke is back in the West End with another star-studded classic in tow.
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