Cindy Marcolina
Latest Articles
Review: GHOSTS, Jermyn Street Theatre
Helene Alving is about to inaugurate an orphanage dedicated to the memory of her late husband, an austere, unfaithful, and unpleasant man.
Review: HEATED RIVALRY: THE UNAUTHORIZED MUSICAL PARODY, Underbelly Soho
Heated Rivalry: The Unauthorized Musical Parody is simply hilarious.
Review: THE HAUNTING OF HILL HOUSE, Richmond Theatre
Shirley Jackson’s 1959 gothic novel skyrocketed back to recognition in 2018 when it inspired Mike Flanagan’s Netflix sensation of the same name.
Review: AFFLUENZA, starring Noah Schnapp, Riverside Studios
Stranger Things alum and alleged Zionist Noah Schnapp is top billed, though he is selling a show that has him on stage for under a third of its running time.
Review: DE PROFUNDIS, The Coronet Theatre
The Berliner Ensemble returns to The Coronet Theatre to present a solo show that charts the cruelty of men.
Review: BULL, Park Theatre
Deafinitely Theatre reiterate that creative captioning and BSL integration don’t only make theatre more accessible, they can also be brilliant artistic choices.
Review: EXTREMISM,The Cockpit Theatre
Anders Lustgarten’s play may have been written in 2017, but its core subject could be lifted off today’s newspapers.
Review: THE TAMING OF THE SHREW: A KINKY RETELLING, Bread And Roses Theatre
Perhaps the trickiest, most controversial work in Shakespeare’s arsenal, The Taming of the Shrew comes to the Lambeth Fringe in a peculiar rewrite.
Review: THE URMETAZOAN, Hampstead Theatre
In a rental in Florida, Abigail is helping Alice to pack: the Nobel Prize winner and decorated scientist is leaving Earth to further space research.
Review: CURRENT/Y, The Coronet Theatre
Some theatre shows defy the very nature of their definition.
Review: DARKLING, Bush Theatre
It’s the mid-80s and India is changing.
Review: TARTUFFE (REMIXED), starring Mark Rylance
Adapting classical theatre for a new audience is an exciting task and Darren Raymond has relocated Molière’s farce to a Nigerian-Jamaican family living in England.
Review: BLOODSPORT: AFTER HELEN OF TROY, Starring Michelle Dockery, Stratford East
After discussing gossip and patriarchy with Anne Boleyn in 1536, Ava Pickett keeps exploring the female spheres through the figure of Helen of Troy in Bloodsport.
Review: BIGFOOT RIPPED MY DOG IN HALF I SAW IT, Soho Theatre
Xhloe & Natasha triumphantly return to London after a sold-out month at the Edinburgh Festival Fringe.
Review: FOR COLORED GIRLS WHO HAVE CONSIDERED SUICIDE / WHEN THE RAINBOW IS ENUF, The Yard Theatre
Ntozake Shange’s 1976 choreopoem debuts in London on the 50th anniversary of its premiere.
Review: HOLY FOOL, Park Theatre
Rosalind Adler and Lea Sellers tackle the artistic consequences of tyranny in this sluggish, derivative, and uninteresting piece of theatre.
Review: A MONTH IN THE COUNTRY, Donmar Warehouse
Natalya Petrovna has it all: a devoted husband, a gentle life, and she has enough wealth not to care about any of it.
Review: YOU & IT, King's Head Theatre
What should have been a provocative journey into the ethics of AI becomes a shallow rumination on selfishness.
Review: A SLOW FIRE, Jermyn Street Theatre
Ultimately, it’s difficult to single out what Stephens wants to say here.
Review: BEFORE WE FORGET, Bush Theatre
Created by the 18-25 Bush Young Company alongside theatre practitioner Amber Ruby, Before We Forget is a dystopian evaluation of what the act of remembering could look like in a not-too-distant future.
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