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Debbie Gilpin

Debbie Gilpin


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LAST 365 DAYS

BWW Interview: Robert Myles reflects on The Show Must Go Online PhotoRobert Myles reflects on The Show Must Go Online
Posted: Nov. 15, 2020


BWW Interview: Audrey Brisson talks THE FLYING LOVERS OF VITEBSK at Bristol Old Vic PhotoInterview: Audrey Brisson talks THE FLYING LOVERS OF VITEBSK
Posted: Nov. 26, 2020


Get All The Latest Updates With Our 2020 Olivier Awards Live Blog! PhotoGet All The Latest Updates With Our 2020 Olivier Awards Live Blog!
Posted: Oct. 25, 2020


BWW Review: JOE BONAMASSA, Royal Albert Home PhotoReview: JOE BONAMASSA, Royal Albert Home
Posted: Aug. 25, 2020


BWW Interview: Audrey Brisson talks THE FLYING LOVERS OF VITEBSK at Bristol Old Vic
November 26, 2020

Following the success of their Romantics Anonymous livestream, Wise Children are back at Bristol Old Vic with an early Christmas present for theatre-lovers: a limited run of Kneehigh’s The Flying Lovers of Vitebsk. Audrey Brisson returns to the role of Bella Chagall; she talked to us about her love for Bristol Old Vic and other fond theatrical memories from her career so far.

BWW Interview: Robert Myles reflects on The Show Must Go Online
November 15, 2020

As the series draws to a close, completing 40 shows within eight months, actor and director Robert Myles looks back on the successes of The Show Must Go Online and the rise of Zoom theatre. The Tempest ​​​​​​​will be the final show in the Shakespeare series that began at the end of March.

Get All The Latest Updates With Our 2020 Olivier Awards Live Blog!
October 25, 2020

Even coronavirus can't stop the Olivier Awards ceremony - today is the day we've all been waiting for since its postponement back in April, as all the winners are finally revealed to the world.

BWW Review: JOE BONAMASSA, Royal Albert Home
August 25, 2020

Joe Bonamassa is no stranger to the Royal Albert Hall, having played there six times in his career to date a?" so it seemed only right that he join the Royal Albert Home concert line-up before the current series makes way for two weeks of the BBC Proms. Bonamassa has performed extensively from a young age, opening for BB King aged 12 with his band Smokina?? Joe Bonamassa, and joining forces with the sons of Miles Davies, Robby Krieger, and Berry Oakley to form the band Bloodline before he turned 18.

BWW Review: KAISER CHIEFS, Royal Albert Home
May 31, 2020

It was an important year for me, 2004. I started sixth form (no more school uniform!) and the Kaiser Chiefs burst onto the music scene. I discovered them through Soccer AM and my borderline obsession with the music channels on Sky, their pop-punky beats, smart lyrics, and incredible energy grabbing me by the throat and forcing me to pay attention. Sixteen years later and t'Chiefs are still going strong a?' as is my love of the band.

BWW Review: SEA SHAMBLES, Royal Albert Home
May 20, 2020

Following on from their 2018 Space Shambles, the Cosmic Shambles Network was due to make a return to the Royal Albert Hall for Sea Shambles a?' a celebration of the Blue Planet by way of science, music, and comedy. Instead, a re-jigged version took place as part of the Stay At Home Festival this weekend; a blue whale-like show of around three-and-a-half hours, an exceptional range of contributors were featured, including the likes of Lemn Sissay, Dr Helen Scales, Josie Long, and (naturally) Prof Brian Cox.

Looking Back At Emma Rice's A MIDSUMMER NIGHT'S DREAM
April 23, 2020

It's hard to believe that it's been four years since Emma Rice made her debut at Shakespeare's Globe, beginning her brief tenure as artistic director with the Wonders season and her own production of A Midsummer Night's Dream. As a Shakespeare fan (I was one of those rare beings: someone who actually enjoyed studying his plays at school), I'd been meaning to go to the Globe for some time but had never quite got round to it a?' and I'd never seen anything by Emma Rice before. How times change.

“Theatre is the love of my life”: Emma Rice Shares Her Thoughts in WISE CHILDREN'S DETENTION
April 10, 2020

Following a short run in Bristol at the beginning of the year, Wise Children's Romantics Anonymous was due to head across the Atlantic for an American tour a?' and their new tour of Malory Towers was also on the verge of opening in Cumbria. All their plans were thrown into disarray, however, when first America and then the UK started to close the theatres (the Romantics Anonymous set, as well as the sound and lighting equipment, is currently stranded in LA). To try and come to terms with this loss, to a?oestay sanea??, and to plug the gap during the shutdown, Emma Rice and the team have begun a series of livestream editions of the Wise Children podcast.

BWW Review: IT'S TRUE, IT'S TRUE, IT'S TRUE, Culture to your couch
April 3, 2020

a?oeI'm not the one that's on trial here.a?? Artemisia Gentileschi has brought fellow artist Agostino Tassi to court, accusing him of raping her a?" but, naturally, it's her decisions and actions that are being called into question, seemingly seeking to justify his actions if not disprove them entirely. Sadly, this is a familiar story to women the world over. This specific incident forms the basis of Breach Theatre's It's True, It's True, It's True; originally due to be playing at the Barbican's Pit Theatre at this time (prior to an Off Broadway run), it has been made available to watch online in the wake of its cancellation.

Barbican Theatre: What You Need To Know
March 11, 2020

Chamberlin, Powell & Bon's brutalist design is an instantly recognisable part of London's architecture; the grade II listed building formed the inspiration for the film adaptation of JG Ballard's novel High-Rise. Formerly the home of the Royal Shakespeare Company, the Barbican Theatre was also the original London home of long-running musical Les Misérables before its transfer to the West End.

BWW Review: A NUMBER, Bridge Theatre
February 20, 2020

Back in 2002, when Caryl Churchill's A Number premiered at the Royal Court, genetics was the hot new topic. The Human Genome Project was on the verge of being completed and a few years earlier Dolly the sheep had been cloned, leading to very real discussions about whether or not humans could end up being cloned. It was still science fiction, of course, as demonstrated a few years later when South Korean claims of harvesting viable stem cells from a cloned human embryo were found to be false. Nonetheless, Churchill's play featuring a father and his cloned sons must have captured the imagination of audiences.

BWW Review: POET IN DA CORNER, Royal Court
February 5, 2020

a?oeGrime changed my life, more than my two first class degrees, it gave me permission.a?? Debris Stevenson is back at the Royal Court with a limited of her grime theatre show Poet in da Corner, prior to a UK tour. Inspired by the acclaimed breakthrough album from her idol Dizzee Rascal (Boy in da Corner), it charts Stevenson's journey from dyslexic teen trapped in a Mormon household to independent and self-aware woman; this is a story told from the heart, in the best way she knows how.

BWW Review: THE GIFT, Theatre Royal Stratford East
January 30, 2020

How do you see yourself? What seems like a fairly straightforward question can actually be far more complex than you might think a?" and if your own lived experience deviates even slightly from what other people expect, you may find yourself repeatedly fielding the same queries as both sides seek to justify their positions. In Janice Okoh's new play, The Gift, Princess Sarah Bonetta tries to balance her new role as wife with her passion for teaching, whilst modern-day structural engineer Sarah fends off a try-hard neighbour. Tea with Queen Victoria could be exactly what they both needa??

BWW Interview: Carly Bawden talks ROMANTICS ANONYMOUS at Bristol Old Vic
January 16, 2020

Emma Rice's Wise Children are back, bringing her acclaimed production Romantics Anonymous to the Bristol Old Vic for a limited run. Carly Bawden, who plays Angélique in the show, talks chocolatiers, suffragettes, and her passion for new writinga??

BWW Review: GIRL FROM THE NORTH COUNTRY, Gielgud Theatre
December 17, 2019

Following a critically acclaimed run at the Old Vic, with a subsequent West End transfer, Conor McPherson's Girl From The North Country has been remounted with an almost completely new cast. It had a short run at the Royal Alexandra Theatre in Toronto, and is now back in London for a limited engagement at the Gielgud Theatre prior to residencies of Upstart Crow and the hotly anticipated transfer of Broadway's To Kill A Mockingbird.

BWW Review: SWIVE, Sam Wanamaker Playhouse
December 13, 2019

Few English reigns have been quite as theatrical as that of Elizabeth I; from her fine gowns and jewellery to the youthful (or so she thought) wigs and makeup, she preserved her position as monarch by creating the characters of Gloriana and the Virgin Queen. This theatricality feeds into Ella Hickson's new play Swive, as a less familiar version of Elizabeth addresses the audience, tweaks history, and even plays with our expectations of the auditorium's surroundings.

BWW Review: THREE SISTERS, National Theatre
December 11, 2019

When confronted with the name Chekhov, hot Russian summers and country houses are probably what immediately spring to mind. It's all change for Inua Ellams' new adaptation at the National Theatre, as events are transported to Nigeria on the brink of civil war; the play is set between 1967 and 1970, as the Igbo in Biafra make a bid for total freedom following the country's independence from the UK. Nadia Fall directs this enlightening and heartbreaking new production.

BWW Review: UBU – A SINGALONG SATIRE, Shoreditch Town Hall
December 7, 2019

Welcome to Lovelyville. President Nick Dallas has just been re-elected, and all seems right with the world - until the disruptive force of Mr and Mrs Ubu make their appearance, that is. Completely at odds with the tone of the town from the moment they open their mouths, they are unable to sit back and try to make things work in their current situation. Cue an outrageous assassination attempt and a grab for power in which the crowd is powerless to intervene. Ambitious, cowardly, strange-looking leaders with poor public-speaking skills - haven't we seen this somewhere before..?

BWW Review: FAIRVIEW, Young Vic
December 6, 2019

This is no ordinary play. Though it begins in a fairly conventional manner, setting up for a hearty family drama, there are little things to pick up on which tell you that something's not quite right a?' it's unsettling and you can't quite put your finger on it, but you know that the play has something up its sleeve. Playwright Jackie Sibblies Drury says in the programme, a?oeOh, to not spoil Fairview I can basically tell you nothing!a?? a?' that makes it a challenge to review, but having now witnessed it I have to endorse her statement. You must step into the unknown with this one.

BWW Review: AMELIE, The Other Palace
December 4, 2019

a?oeTimes are hard for dreamersa?? but that won't stop Amélie Poulain. Falsely diagnosed with a heart condition as a child, she was home-schooled by her mother and kept at a distance by her germophobe father, forcing her to retreat into her imagination for amusement and company. Fast forward to August 1997 and she's working in a café in Paris, keeping herself to herself until she finds a box of childhood trinkets and becomes determined to reunite them with their owner. This sets her off on a mission to meddle in other people's lives a?' and maybe even change her own if she'll ever talk to Nino, who's fascinated by the identity of the mysterious photo booth man.



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