Laura Jones
Review: SEA WITCH, Theatre Royal Drury Lane
Staged at the cavernous Theatre Royal Drury Lane, Sea Witch arrived with the sort of fanfare usually reserved for tried-and-tested crowd-pleasers.
Review: FALLEN ANGELS, Menier Chocolate Factory
The 2025 revival of Noel Coward's Fallen Angels at the Menier Chocolate Factory, directed by Christopher Luscombe, offers a polished, refined evening of comedy, one that reminds us why Coward's wit, even after a century, can still sparkle with mischief.
Review: HERE & NOW, New Wimbledon Theatre
Here & Now arrives at New Wimbledon Theatre with all the sparkle, nostalgia and high-camp energy you’d expect from a show built around the hits of one of Britain’s most beloved pop groups, Steps.
Review: MARY PAGE MARLOWE, Starring Susan Sarandon and Andrea Riseborough
Watching Mary Page Marlowe you feel like you're constantly trying to piece together a mosaic of one woman’s life, glimpsed in snapshots, lit by moments of clarity, yet never forming a complete picture.
Review: RICK ASTLEY'S SWINGING CHRISTMAS, Royal Albert Hall
Rick Astley returns to the Royal Albert Hall for his Swinging Christmas big band concert.
Review: A CHRISTMAS CAROL(ISH), @sohoplace
Following a hugely successful run at Soho Theatre in 2022, Nick Mohammed’s A Christmas Carol(ish), has now made its way to @sohoplace.
Review: BACKSTAIRS BILLY, Duke of York's Theatre
As the curtain rises, we’re met with a sea of pink – pink damask walls and heavy pink velvet curtains, with pink and white flowers adorning every available surface.
Review: THE CROWN JEWELS, Garrick Theatre
The Crown Jewels marks writer Simon Nye’s, who is best known as the writer for Men Behaving Badly, West End debut.
Review: THE PILLOWMAN, Duke of York's Theatre
It has been 20 years since Martin McDonagh’s play The Pillowman was first staged at the National Theatre and following a delay caused by the pandemic, it’s now returned to London for the first time since 2003.
Review: ROMEO AND JULIET, Almeida Theatre
It can be a daunted thing to bring Shakespeare’s work to life – it’s something that is so familiar to the public that it can sometimes feel tired and overdone.
Review: THE VERY BEST AND WORST OF MR SWALLOW, Duke of York's Theatre
For the first time, Nick Mohammed’s beloved alter ego Mr.
Review: OKLAHOMA!, Wyndham's Theatre
There’s been much excitement about the West End transfer of Daniel Fish’s production of Oklahoma! Following a successful run on Broadway it was inevitable that the West End would be its next stop.
Review: RICK ASTLEY'S SWINGING CHRISTMAS, Royal Albert Hall
Christmas time at the Royal Albert Hall is always magical - and what better way to get in to the festive spirit than with a big band singing classic Christmas and swing songs, fronted by none other than eighties star Rick Astley.
Review: A CHRISTMAS CAROL-ISH, Soho Theatre
What better way to get into the Christmas spirit than to indulge in arguably Charles Dickens’ best known tale, A Christmas Carol.
Interview: MY DAD WROTE A PORNO's James Cooper on Writing and Developing his First Musical, LOVESTUCK
Away from the podcast My Dad Wrote a Porno, Cooper has been creating and developing his first ever musical.
Review: REHAB THE MUSICAL, Playhouse Theatre
First premiering five years ago at the Union Theatre, Rehab the Musical draws on songwriter Grant Black’s own personal experience of rehab.
BWW Review: THE BREACH, Hampstead Theatre
Naomi Wallace’s The Breach is the first in a trilogy of plays about different communities in Kentucky.
BWW Review: THE MERCHANT OF VENICE, Sam Wanamaker Playhouse
The Merchant of Venice is vastly considered to be Shakespeare’s most controversial and problematic play and director Abigail Graham does not shy away from the tough antisemitic and racist themes covered in the bard’s text.
BWW Interview: Jamie Morton Explains How MY DAD WROTE A PORNO Went from Podcast to Stage Show
Earlier this year Jamie Morton, co-creator of popular podcast My Dad Wrote a Porno, was touring North America when the live shows were shut down due to COVID-19.
BWW Review: IAN ASHPITEL AND JONTY STEPHENS AS ERIC AND ERN, Richmond Theatre
Morecambe and Wise have been a part of my life since childhood.
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