Laura Jones

The 2025 revival of Noel Coward's Fallen Angels at the Menier Chocolate Factory, directed by Christopher Luscombe, offers a polished, refined evening of comedy, one that reminds us why Coward's wit, even after a century, can still sparkle with mischief. This is the first London production in 25 years, and it arrives with a cast that honours the play’s flirtatious, farcical spirit while also ensuring the characters retain warmth and vulnerability.

Here & Now arrives at New Wimbledon Theatre with all the sparkle, nostalgia and high-camp energy you’d expect from a show built around the hits of one of Britain’s most beloved pop groups, Steps. Set in a seaside supermarket, the musical blends tongue-in-cheek humour with heartfelt moments, delivering a production that’s equal parts fun, flamboyance and genuine warmth.

Watching Mary Page Marlowe you feel like you're constantly trying to piece together a mosaic of one woman’s life, glimpsed in snapshots, lit by moments of clarity, yet never forming a complete picture. Under Matthew Warchus’s direction, in his final season as Artistic Director at the Old Vic, the production stages Tracy Letts’s play non-chronologically, across 11 scenes spanning seven decades, that show Mary at various ages. 

Rick Astley returns to the Royal Albert Hall for his Swinging Christmas big band concert. Backed by the superb band, Astley delivers a mix of classic jazz, seasonal favourites, and a certain hit of his own, creating a festive evening full of timeless Christmas cheer.

Following a hugely successful run at Soho Theatre in 2022, Nick Mohammed’s A Christmas Carol(ish), has now made its way to @sohoplace.

As the curtain rises, we’re met with a sea of pink – pink damask walls and heavy pink velvet curtains, with pink and white flowers adorning every available surface. This is the Garden Room at Clarence House (brilliantly designed by Christopher Oram), and the year is 1979.

The Crown Jewels marks writer Simon Nye’s, who is best known as the writer for Men Behaving Badly, West End debut. This historical heist, based on a true story, centres around King Charles II and the plot to steal the crown jewels and features a cast made up of some of the best British comedians including Al Murray (in his stage debut), Mel Giedroyc and Neil Morrissey.

It has been 20 years since Martin McDonagh’s play The Pillowman was first staged at the National Theatre and following a delay caused by the pandemic, it’s now returned to London for the first time since 2003.

It can be a daunted thing to bring Shakespeare’s work to life – it’s something that is so familiar to the public that it can sometimes feel tired and overdone. And yet Rebecca Frecknall’s production of Romeo and Juliet at the Almeida is a wonderful retelling of a Shakespearean classic.  

For the first time, Nick Mohammed’s beloved alter ego Mr. Swallow is setting off across the UK on tour with The Very Best & Worst of Mr. Swallow. And what better way to kick off your very first tour than with a sold-out London show?

There’s been much excitement about the West End transfer of Daniel Fish’s production of Oklahoma! Following a successful run on Broadway it was inevitable that the West End would be its next stop.

Christmas time at the Royal Albert Hall is always magical - and what better way to get in to the festive spirit than with a big band singing classic Christmas and swing songs, fronted by none other than eighties star Rick Astley. 

What better way to get into the Christmas spirit than to indulge in arguably Charles Dickens’ best known tale, A Christmas Carol. You might think you’ll be spending the evening watching Ebenezer Scrooge redeem himself after realising the error of his ways, but Mr Swallow’s A Christmas Carol-ish is a much more fun take on a Christmas classic.

Away from the podcast My Dad Wrote a Porno, Cooper has been creating and developing his first ever musical. BroadwayWorld caught up with him to talk about the process, what he's learnt and what's next for the brand new musical Lovestuck. We also have an exclusive first look at one of the songs from the show.

First premiering five years ago at the Union Theatre, Rehab the Musical draws on songwriter Grant Black’s own personal experience of rehab.

Naomi Wallace’s The Breach is the first in a trilogy of plays about different communities in Kentucky. Receiving its UK premiere at the Hampstead Theatre, Wallace’s play focuses on four teenagers who live in Louisville, Kentucky – siblings Jude (Shannon Tarbet) and Acton (Stanley Morgan) and Acton’s friends Hoke (Alfie Jones) and Frayne (Charlie Beck).

The Merchant of Venice is vastly considered to be Shakespeare’s most controversial and problematic play and director Abigail Graham does not shy away from the tough antisemitic and racist themes covered in the bard’s text.

Earlier this year Jamie Morton, co-creator of popular podcast My Dad Wrote a Porno, was touring North America when the live shows were shut down due to COVID-19. Outside of the podcast world, Morton also co-runs a musical comedy cabaret night in London called Round to Rita’s.

Morecambe and Wise have been a part of my life since childhood. I've spent countless hours sat watching their shows, looking up their sketches on YouTube and always making sure to watch any documentaries. I've always felt disappointed that I never got to see my favourite comedians live on stage.

The Taming of the Shrew is arguably one of Shakespeare's most controversial comedies. In Maria Gaitandi's production, designer Liam Bunster has helped to transform the Sam Wanamaker Playhouse with raised platforms and ladders, with the cast using them constantly throughout. Although you occasionally lose sight of the performers as they climb onto the various platforms, it makes the production unique from anything else I've seen in the space.