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UK / West End Theater Reviews

The latest reviews and critic recommendations from UK / West End.

BWW Review: MARNIE, London Coliseum

BWW Review: MARNIE, London Coliseum

by Aliya Al-Hassan — November 19, 2017

After a season that saw some triumphant returns of classic operas, such as the magnificent revival Jonathan Miller's The Barber of Seville, the ENO has taken another gamble on bringing a brand new production to the stage of the London Coliseum.

BWW Review: TIGER BAY THE MUSICAL, Wales Millennium Centre

BWW Review: TIGER BAY THE MUSICAL, Wales Millennium Centre

by Kerrie Nicholson — November 19, 2017

Having also played host to The Mandela Trilogy opera and new musical Only The Brave, it seems that the Wales Millennium Centre seems to be making a name for itself when it comes to mounting new productions.

BWW Review: RACHEL TUCKER, Shoreditch Town Hall

BWW Review: RACHEL TUCKER, Shoreditch Town Hall

by Nicky Sweetland — November 18, 2017

Following a hugely successful UK tour and an engagement at the acclaimed Feinstein's/54 Below in New York, West End star Rachel Tucker has become a celebrated solo performer.

BWW Review: THE SUPPLIANT WOMEN, Young Vic

BWW Review: THE SUPPLIANT WOMEN, Young Vic

by Charlie Wilks — November 17, 2017

Remaining true to the traditions of Aeschylus's time, The Suppliant Women company consists of three professional actors, a professional musician and a recruitment of locals - who have trained and rehearsed in a choral-like manner, to create a 50-piece ensemble that roars on the Young Vic stage.

BWW Review: THE DARK ROOM, Theatre503

BWW Review: THE DARK ROOM, Theatre503

by Gary Naylor — November 16, 2017

The Dark Room raises important issues but its lack of nuance and relentless emotional pain delivered at top volume and top speed, detract from its dramatic potential.

BWW Review: HARD RAIN: BARB JUNGR SINGS DYLAN AND COHEN, Live At Z del

BWW Review: HARD RAIN: BARB JUNGR SINGS DYLAN AND COHEN, Live At Z del

by Debbie Gilpin — November 16, 2017

Celebrated performer Barb Jungr put this collection of songs together a couple of years ago (alongside long-time collaborator and pianist, Simon Wallace) and has been taking the songs across the UK and the US, amongst other places, as well as appearing on the bill of the Art of Protest cabaret at th

BWW Review: NETWORK, National Theatre

BWW Review: NETWORK, National Theatre

by Marianka Swain — November 14, 2017

News as showbiz, entire networks and even a reality TV President fuelled by articulating popular rage, and gradual corporate dehumanisation: we are now living Paddy Chayefsky's satirical dystopia.

BWW Review: LAID, Soho Theatre

BWW Review: LAID, Soho Theatre

by Charlie Wilks — November 11, 2017

Every day a woman lays an egg, and then faces a decision: does she raise it or eat it? Natalie Palamides is a name I had never heard of before, but after this, there is no way I'm ever going to forget her.

BWW Review: MACBETH, Bussey Building

BWW Review: MACBETH, Bussey Building

by Gary Naylor — November 10, 2017

A pared back but wholly successful production that places the storytelling and poetry at the centre of the storm of hubristic violence.

BWW Review: CORIOLANUS, Barbican

BWW Review: CORIOLANUS, Barbican

by Charlie Wilks — November 9, 2017

Set in a city where the gap between the rich and poor widens every day, Coriolanus opens the RSC's Rome season in London.

BWW Review: RULES FOR LIVING, Rose Theatre

BWW Review: RULES FOR LIVING, Rose Theatre

by Aliya Al-Hassan — November 9, 2017

With the release of the Christmas advert from Marks And Spencer, we can all rest assured that the festive season is drawing ever near.

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