Aliya Al-Hassan
Review: BILLY BUDD, Glyndebourne
Review Roundup: Ben Platt in MIDNIGHT AT THE NEVER GET at The Menier Chocolate Factory
Review Roundup: What Did the Critics Think of Cole Escola's OH, MARY!?
Review Roundup: What Did the Critics Think of THE HUNGER GAMES: ON STAGE?
Review: DRACULA, Starring Cynthia Erivo, Noël Coward Theatre
Review Roundup: Did TRAINSPOTTING THE MUSICAL Evoke A Lust For Life?
Cult heroes of youth culture; Renton, Sick Boy, Begbie, Spud, Tommy, and Kelly are back, alongside an ensemble cast and a live band.
Review: ARIADNE AUF NAXOS, Glyndebourne Festival
Richard Strauss's opera within an opera, Ariadne aux Naxos, is a curious beast: a hybrid of spoken word and singing, a mix of musical influences and themes which ask whether high art can ever mix with popular entertainment.
Review: SWAN LAKE, State Ballet of Georgia, London Coliseum
After their appearance at the London Coliseum in 2024, the State Ballet of Georgia return to the capital with a brand new version of Swan Lake.
Review: LOCAL, Finborough Theatre
What does home mean to you? Is it the place, the people, the bricks and mortar? Liz Richardson's autobiographical one-woman show is a gentle look at what home means to your identity and how the environment of your childhood can influence your later life.
Review Roundup: Simon Stone's THE ORESTEIA, Now Open At The Bridge Theatre
A contemporary family wakes up in a Greek myth and can’t seem to find a way out of their hellish destiny.
Review Roundup: Was Sam Ryder Heavenly in JESUS CHRIST SUPERSTAR?
The legendary rock opera by lyricist Tim Rice composer Andrew Lloyd Webber, the premiere of Jesus Christ Superstar redefined the Broadway musical and 40 years later it remains a beloved classic.
Review: JESUS CHRIST SUPERSTAR, Starring Sam Ryder
Ten years after Tim Sheader's hit version of Jesus Christ Superstar entranced audiences under the stars in Regent's Park, it is back in a much-hyped revival at the London Palladium.
Review: EUGENE ONEGIN, The Grange Festival
Love, jealousy, arrogance, death and rejection, Tchaikovsky's opera Eugene Onegin has all the trappings of a grand opera, but in essence is a simple story.
Review: THE GUILTY, Starring Russell Tovey, Donmar Warehouse
If you suffer from If you suffer from any kind of anxiety or nervousness, I would advise caution when booking the latest show at the Donmar Warehouse.
Review: BILLY BUDD, Glyndebourne
It is 75 years since Benjamin Britten's Billy Budd first appeared on stage: a collaboration between himself and novelist EM Forster to adapt Herman Melville’s novella.
Interview: 'My Father's Choreography Has A Clear Sense Of Ceremony': Set Designer Charlotte MacMillan on Revisiting A SLEEPING BEAUTY
Ahead of English National Ballet’s performances of Sir Kenneth MacMillan’s The Sleeping Beauty at the Royal Albert Hall, set designer Charlotte MacMillan discusses drawing on centuries of theatre design, using projection to create a sleeping palace suspended in time, and what it means to help br
Review: LA BOHÈME, The Grange Festival
Puccini's tear-jerker La bohème is always a crowd-pleaser for any opera festival.
Review: GIULIO CESARE, The Grange Festival
A new version of Handel's 1724 opera Giulio Cesare is always an exciting prospect.
Review: WAR HORSE, National Theatre
Nearly twenty years since its original run at the National Theatre and after worldwide success, Joey has come home.
Review: THE P WORD, Bush Theatre
What a joy it is to see Olivier Award-winning The P Word returning to the Bush Theatre, along with original cast members Esh Alladi and Waleed Akhtar.
Review: BEETLEJUICE: THE MUSICAL, Prince Edward Theatre
For musical fans, it's been a long time coming, but the wait is finally over.
Review: I'M SORRY, PRIME MINISTER, Richmond Theatre
Former Prime Minister Jim Hacker and former Cabinet Secretary Sir Humphrey are reunited in poignant and nostalgic fashion in Jonathan Lynn's I'm Sorry, Prime Minister, the final chapter for two characters so beloved from the TV series that made them British institutions.
Interview: English National Ballet Artistic Director, Aaron S. Watkin, on EMERGING DANCER 2026
Ahead of English National Ballet’s Emerging Dancer 2026, Artistic Director Aaron S.
Review: IL TURCO IN ITALIA, Glyndebourne
Il Turco In Italia may not be Rossini's most famous work, but if there is any justice, this wonderful revival of Mariame Clément's 2021 Festival production will bring this opera to much wider attention.
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Tickets From $89
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