Aliya Al-Hassan

Aliya Al-Hassan


MOST POPULAR ARTICLES
LAST 30 DAYS

BWW Review: WAIT UNTIL DARK, Richmond TheatreBWW Review: WAIT UNTIL DARK, Richmond Theatre
Posted: Sep. 6, 2017


BWW Review: THE RAILWAY CHILDREN, Richmond TheatreBWW Review: THE RAILWAY CHILDREN, Richmond Theatre
Posted: Aug. 30, 2017


LAST 365 DAYS

BWW Review: DREAMGIRLS, Savoy TheatreBWW Review: DREAMGIRLS, Savoy Theatre
Posted: Dec. 15, 2016


BWW Review: TRAINSPOTTING, The Vaults, 8 November 2016BWW Review: TRAINSPOTTING, The Vaults
Posted: Nov. 9, 2016


BWW Review: LA STRADA, Richmond TheatreBWW Review: LA STRADA, Richmond Theatre
Posted: Feb. 28, 2017


BWW Review: NOT DEAD ENOUGH, Richmond TheatreBWW Review: NOT DEAD ENOUGH, Richmond Theatre
Posted: Mar. 14, 2017


BWW Review: THE ADDAMS FAMILY, New Wimbledon TheatreBWW Review: THE ADDAMS FAMILY, New Wimbledon Theatre
Posted: May. 17, 2017


BWW Review: WAIT UNTIL DARK, Richmond TheatreBWW Review: WAIT UNTIL DARK, Richmond Theatre
September 6, 2017

Wait Until Dark first opened on Broadway in 1966, but many know it from the 1967 Hollywood film, where the lead role of Susy went to Audrey Hepburn, who was nominated for an Academy Award and a Golden Globe for the role.

BWW Review: THE RAILWAY CHILDREN, Richmond TheatreBWW Review: THE RAILWAY CHILDREN, Richmond Theatre
August 30, 2017

The Railway Children holds a special place in Britain's heart; E Nesbit's well-loved tale was first published in 1905, but most of us know it from Lionel Jeffries' iconic 1970 film, which also made a star of the teenage Jenny Agutter. This new production, faithfully adapted by Dave Simpson, has given a wider national audience the chance to see this classic tale brought to the stage.

BWW Review: DANGLING, Southwark PlayhouseBWW Review: DANGLING, Southwark Playhouse
August 12, 2017

There is a profound darkness to Abigail Hood's new play, Dangling, both in look and in content. A bleak depiction of sexual abuse, mental illness and disturbing family secrets, it looks at stories of two girls who go missing, their circumstances and what happens to those left behind.

BWW Review: OLIVER TWIST, Regent's Park Open Air TheatreBWW Review: OLIVER TWIST, Regent's Park Open Air Theatre
July 24, 2017

There is much about Charles Dickens' Classic tale Oliver Twist to recommend it to children; the comic pomposity of Mr Bumble, the sinister actions of Fagin, the cheekiness of the Artful Dodger and, of course, the adventures and eventual salvation of poor orphan Oliver.

BWW Review: BODIES, Royal CourtBWW Review: BODIES, Royal Court
July 14, 2017

How far would you go to have a baby? What and who would you overlook to make it happen? Vivienne Franzmann has never shied away from controversial subjects in her plays. The 2012, critically acclaimed play The Witness explored the exploitative nature of photojournalism and Pests was based on heroin addiction. In Bodies she turns her attention to the morality surrounding overseas surrogacy.

BWW Review: JANE EYRE, Richmond TheatreBWW Review: JANE EYRE, Richmond Theatre
June 13, 2017

Before the world had an understanding of the word feminism, Charlotte Bronte was delivering a masterpiece tutorial in female independence and emancipation. Jane Eyre demonstrates that being plain and poor is no barrier to a desire for knowledge and the quest for love and liberation. The story is of an unloved orphan girl, sent to boarding school by her callous aunt. Despite a cold and harsh life, Jane eventually becomes a teacher at the school and then moves to become a governess, working for the darkly brooding Mr Rochester. The couple fall in love, but must try to overcome sinister secrets and internal battles about ethics, morality and justice.

BWW Review: THE BOY IN THE STRIPED PYJAMAS, Richmond TheatreBWW Review: THE BOY IN THE STRIPED PYJAMAS, Richmond Theatre
June 7, 2017

Northern Ballet has a reputation for pioneering contemporary, narrative ballet, but this may be its most challenging subject to date. The Boy In The Striped Pyjamas has been a book and later a film, both of which have seen their fair share of controversy. In a tale praised and criticised in equal measure, nine year old Bruno, son of a Nazi commander, befriends Shmuel, a Jewish boy, through the fence of an extermination camp who wears what looks like pyjamas. When Shmuel's father goes missing inside the camp Bruno slips into the camp to help find him, with inevitably tragic results.

BWW Review: AN OCTOROON, Orange Tree TheatreBWW Review: AN OCTOROON, Orange Tree Theatre
May 25, 2017

An Octoroon is a person who has one-eighth black heritage. In 1850s Louisiana, that meant they are automatically unclean and, ultimately, a slave. Branden Jacobs-Jenkins radically reimagines Dion Boucicault's 1859 play based upon a tragic and rather melodramatic love story between white plantation owner George and his uncle's illegitimate daughter Zoe. Entwined in this is the apparent financial ruin of the plantation, which leads to a series of racially motivated violent events.

BWW Review: THE ADDAMS FAMILY, New Wimbledon TheatreBWW Review: THE ADDAMS FAMILY, New Wimbledon Theatre
May 17, 2017

Since its first publication as a comic strip in 1938, The Addams Family has seen many incarnations, but did not become a musical until it launched on Broadway in 2010. Now the quirky comedy based on Jersey Boys writers Marshall Brickman and Rick Elice's book, combined with Tony Award nominated Andrew Lippa's brilliantly crafted music and lyrics, sees its UK premiere.

BWW Review: FOOTLOOSE, Richmond TheatreBWW Review: FOOTLOOSE, Richmond Theatre
May 16, 2017

There seem to be something consistently appealing about the music of the 1980s; acts such as Rick Astley and Bananarama seem to attract more concert-goers today than they did in their heyday. It makes sense, therefore, for a revival of a musical featuring such classic hits as 'Holding Out For A Hero' and 'Let's Hear It For The Boy' would appeal to the current zeitgeist.

BWW Review: FRACKED!, Richmond TheatreBWW Review: FRACKED!, Richmond Theatre
May 10, 2017

Alistair Beaton has solid form as a political satirist as writer on Spitting Image and author of The Trial of Tony Blair. In Fracked! he turns his hand to the political hot potato of drilling for shale gas in the sedate countryside village of Fenstock. It is a story pitting the malign forces of corporate company Deerland Energy against the virtues of the reasonable and just campaign against them, spearheading by protesting pensioner Elizabeth Blackwood.

BWW Review: EVERYTHING BETWEEN US, Finborough TheatreBWW Review: EVERYTHING BETWEEN US, Finborough Theatre
May 2, 2017

In a captivating UK premiere, Sandra is preparing to take her seat on the first day of the Truth and Reconcilliation Commission for Northern Ireland at Stormont, when her estranged sister Teeni bursts in on a wave of racist and expletive-ridden anger. Everything Between Us is David Ireland's award-winning play, which follows the sisters for the next 70 minutes, as they wrestle with their own relationship, a brutal history of political violence and the seeming impossibility of resolution.

BWW Review: WONDERLAND, New Wimbledon TheatreBWW Review: WONDERLAND, New Wimbledon Theatre
May 4, 2017

Billed as a new musical adaptation of Lewis Carroll's beloved books, Wonderland sees Alice as a deflated and disappointed 40 year old, living in a grimy tower block with her teenage daughter Ellie. Upon the unexplained appearance of a white rabbit, they descend, via the tower block lift, into Wonderland with their neighbour Jack

BWW Review: CITY OF GLASS, Lyric HammersmithBWW Review: CITY OF GLASS, Lyric Hammersmith
April 29, 2017

If City of Glass was a modern art installation, it would undoubtably be worth five stars. It is one of the most visually impressive productions I have ever seen on a London stage.

BWW Review: AFTER YOU, Live at ZedelBWW Review: AFTER YOU, Live at Zedel
April 24, 2017

After You is the first musical to be performed at The Crazy Coqs venue, deep under Piccadilly Circus at Brasserie Zedel in London's West End. Childhood friends and musical collaborators Katie Lam and Alex Parker were commissioned to create a musical specifically for the venue and the result is a time-honoured story of strangers meeting and an irresistible connection being sparked.

BWW Review: ALICE'S ADVENTURES UNDERGROUND, The VaultsBWW Review: ALICE'S ADVENTURES UNDERGROUND, The Vaults
April 26, 2017

Following the sell-out run in 2015 at The Vaults deep under Waterloo Station, Les Enfants Terribles' and ebp bring their Olivier award nominated Alice's Adventures Underground back to celebrate the 150th anniversary of Lewis Carroll's beloved book. Less like a gentle retelling of the story and more like experiencing falling down the rabbit hole yourself, Alice's Adventures Underground is a more grown up way to immerse yourself in this fantastic story.

BWW Review: ABIGAIL'S PARTY, Richmond TheatreBWW Review: ABIGAIL'S PARTY, Richmond Theatre
April 25, 2017

Mike Leigh wrote his most famous play, Abigail's Party, 40 years ago, as a reaction to the boom in consumerism after the war and as a general commentary at the absurdism of class aspiration. Set in a suburban 70s house, Beverly and her staid estate agent husband Laurence are hosting that most potentially awkward of scenarios; a drinks party with the neighbours. Nurse Angela and brooding Tony join socially self conscious Sue, whose daughter Abigail is having her own party down the road.

BWW Review: THE CRUCIBLE, Richmond TheatreBWW Review: THE CRUCIBLE, Richmond Theatre
April 13, 2017

Arthur Miller's The Crucible was written in response to the McCarthy-era in America, as an allegory for the witch hunts against supposed communists. The presidential order resulted in an obsession with exposing the 'red under the bed', destroying friendships and disrupting communities with fear and suspicion. Today, it appears more timely than ever, as we again find ourselves living in an era of heightened fear and anxiety. The play resonates as current warning against hysteria, the threat of religious fundamentalism and even the potential danger of fake news.

BWW Review: GABRIEL, Richmond TheatreBWW Review: GABRIEL, Richmond Theatre
April 1, 2017

In a plot more than a little reminiscent of Daphne du Maurier, Gabriel seesJeanne Becquet is trying to keep her young daughter and Jewish daughter-in-law safe under the ever-increasing threat of the Nazis in German-occupied Guernsey in 1943. When a young manwashes up on the shore near the house, it is not clear who he is or where he comes from. Fluent in both German and English, it becomes increasingly clear that his presence in her house is incredibly dangerous and one wrong move could spell disaster for Jeanne and those closest to her.

BWW Review: DOG ENDS, Tabard TheatreBWW Review: DOG ENDS, Tabard Theatre
March 24, 2017

Last seen in 1984 as BBC's Play for Today, Dog Ends establishes a scenario familiar to many; George is growing weary of looking after his frail elderly father and his beloved dog. Set in an ordinary home, the play looks at a social impact of an ageing population and the possible solutions that may be attempted to alleviate this pressure on the NHS and society.



1