Guest Author
Your Theatre Career Is Not a Ladder. It’s a Network.
Guest Post: 'I Didn't Come From Opera, I Came From Everywhere Else': Artist Mariam Wallentin On Collaborative Storytelling In ENO's ANGEL'S BONE
Guest Blog: 'We’re On The Cusp Of Losing New Writers': Writer Hannah Doran on Her Papatango Award-Winning Play, THE MEAT KINGS! (INC) OF BROOKLYN HEIGHTS
Why Two River Theatre Is Shifting to 7:30 PM Curtains
Guest Blog: Actor Duane Gooden on His Journey To Becoming MAMA GOOSE
Latest Articles
Guest Post: 'Language Is A Bridge, Not A Wall': Artists Of The Voila! Theatre Festival 2026
Ahead of the festival, artists from The Gummy Bears’ Great War, How to Cry in a House Full of Children, The Radical Wedding Engine and Legend of Kaliakra share their personal reflections on language, identity and storytelling, exploring how theatre can transcend cultural boundaries, bring communit
Guest Post: Ajay Chowdhury on Dogs, Destiny And Directing DOG MOM At Southwark Playhouse
I am a person who wears multiple hats - tech entrepreneur (I co-founded Shazam), crime writer (I write the Kamil Rahman series of crime novels) and theatre director (I am currently directing and co-producing Dog Mom at the Southwark Playhouse).
Guest Post: Theatre Re’s Artistic Director Guillaume Pigé On 15 Years Of THE NATURE OF FORGETTING
It is quite rare to be given the privilege of spending so much time with a single piece of work, returning to it again and again to question it, challenge it and enrich it through encounters with new performers, collaborators and audiences across the world.
Guest Post: 'I Didn't Come From Opera, I Came From Everywhere Else': Artist Mariam Wallentin On Collaborative Storytelling In ENO's ANGEL'S BONE
The Swedish cross-genre artist tells BroadwayWorld about working with Kip Williams, moving the production from Manchester's Aviva Studios to the London Coliseum, and the toll of performing Angel's Bone's darkest scenes.
Interview: The Team Behind HARRY POTTER AND THE CURSED CHILD On A Decade Of Magic
As Harry Potter and the Cursed Child celebrates a decade of magic, the show is now looking forward to a new chapter when it re-opens as a one-part production on 9 October.
Guest Post: 'I Want The Audience To Do The Transforming': Tim Crouch On 21 Years Of AN OAK TREE
BroadwayWorld sends me some guidelines for writing a blog.
Guest Post: Director Steven Kavuma On Black Boyhood, Isolation Rooms And Bringing CLASSROOM CHRONICLES To The National Youth Theatre
These boys can sing, act and dance.
Your Theatre Career Is Not a Ladder. It’s a Network.
How can theatre professionals build lasting careers? SETC Executive Director Joanna Sheehan Bell explores networking, professional connections, and the value of staying engaged with the theatre community.
Guest Post: Director Matilda Ziegler On Returning To Ödön von Horváth's JUDGMENT DAY
My daughter, Faye Ziegler and I are mad about this play and have wanted to revive it for years.
Guest Post: HIGH SCHOOL MUSICAL Costume Designer Sophia Pardon On Her Dream Project
For my fourteenth birthday, I got to see High School Musical on stage, followed by a backstage tour of East High.
Guest Post: 'I Hope Audiences Feel Deeply For Noor': Writer Stephanie Street On A SMALL AND QUIET LIGHT
Writer Stephanie Street's a small and quiet light is based on the life of Noor-un-Nisa Inayat Khan (1914-1944), an extraordinarily courageous woman who paid the ultimate price for her heroic fight against fascism during the Second World War.
Guest Post: Simon Reade On Adapting Patrick Hamilton's TWENTY THOUSAND STREETS UNDER THE SKY
Patrick Hamilton (1904-1962) wrote his semi-autobiographical trilogy as a dark celebration of the seedy, smoggy, smutty London he inhabited in the late 1920s.
Guest Post: Artistic Director Paul O'Mahony On Staging THE TEMPEST As A Semi-Opera
Artistic director of Out of Chaos theatre company, Paul O’Mahony talks about The Tempest in 2026 and the possibilities opened up by reinventing it as a semi-opera.
Guest Post: Author Jack Jewers On Celebrating Theatre Royal Drury Lane In New Book SEETHING LANE
Few streets are as redolent with the history of British theatre as Drury Lane, in the heart of Covent Garden.
Interview: Joshua Sullivan, Tamia Renée Alexandra & Kai Spackman On 10 Years Of HARRY POTTER AND THE CURSED CHILD
As Harry Potter and the Cursed Child celebrates its landmark 10th anniversary in the West End this week, the ‘younger’ cast members are proving that the magic of the production extends far beyond its breathtaking stagecraft.
Interview: David Ricardo Pearce, Naana Agyei-Ampadu & Thomas Aldridge On 10 Years Of HARRY POTTER AND THE CURSED CHILD
As Harry Potter and the Cursed Child celebrates its landmark 10th anniversary in the West End, BroadwayWorld caught up with three of the primary actors to celebrate the era and the wonder.
Guest Post: Director Marlie Haco On Gendered Violence, Exploitation, And Reviving FIREBIRD At Southwark Playhouse
Since the 2010s, grooming gangs have remained a recurring feature of the British news cycle.
Guest Post: 'How Do We Find The Next Generation Of Playwrights?': Young Writers Associate Beth Flintoff On The Royal Court's Nationwide Young Playwrights Award
The Young Playwrights Award is a free, open-access competition for any teenager in the UK interested in writing a play, spearheaded by Beth Flintoff (Associate Playwright & Young Writers Associate at the Royal Court Theatre).
Guest Post: 'Plays About Kenya Are Hard To Come By': Actor Grace Saif On Activism, Politics And Representation in A FINE IDEA
Here in the UK, the Finance Bill 2024 Gen Z Protests in Kenya were a moment that came and passed by unnoticed.
Guest Post: Alexander Campbell, Artistic Director of the Royal Academy of Dance
For as long as I’ve been a performer, I’ve been fascinated by what makes a performance compelling.
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