Cheryl Markosky

The Pandemic and its consequences, especially on 20- and 30-somethings, are explored in the BBC's world premiere of U.Me: The Complete Musical.

Play Inside’s Love, Conditionally ­– a new, immersive, series of short (around 15 minutes) audio recordings made in the UK and Palestine ­– is made with interactive listeners in mind.

Were you one of the lucky few who managed to bag a ticket for the one-night-only, star-studded gala revue, StephenSondheim’s Old Friends, on May 3, 2022?

With the AI (artificial intelligence) summit at Bletchley Park this week, Machinal at the Ustinov Studio, Theatre Royal Bath, couldn’t be more timely.

All aboard for a new rendering of The Girl on the Train at Salisbury Playhouse, with clever background projection to lift a journey that doesn’t quite make its connection.

Relocating James Graham’s exhilarating Dear England after a successful run at its home at the National Theatre to the West End’s Prince Edward Theatre was a wise decision.

Samuel Collings, from Hammersmith in West London, is one of the UK’s most versatile actors and can be found on stage, screen, radio and voicing audiobooks. He spoke with BroadwayWorld about his journey into acting, being part of a 'perfect couple' and the relvance of the story today.

If the multi award-winning TV drama Succession taught us anything, it’s that no one can take Brian Cox’s place. Fans of the Scottish actor will be pleased to know that he commands centre stage – with Logan Roy-esque verve – in Trevor Nunn’s The Score, a new play by actor-playwright OIiver Cotton at Theatre Royal Bath.

There are meaty themes, moments of humour and insight, and the standard of professionalism you’d expect from a Royal Shakespeare Company production first staged in Stratford in 2013 and now playing at the Lyric Hammersmith. But somehow Tanika Gupta’s script doesn’t quite take off.

They say two’s company and three’s a crowd. And nothing could be truer in this visceral new production of Othello in Studio 3 at the Riverside Studios, where we are rewarded with three Iagos.

A still very debonair Nigel Havers as dashing Elyot, and Patricia Hodge, very much at the top of her game as sensational Amanda – aged 72 and 75 respectively – command the stage of the newly refurbished Ambassadors Theatre.

2:22 A Ghost Story runs at Theatre Royal Bath until September 9, and then tours the UK until summer 2024.

What did our critic think of JEEVES & WOOSTER IN PERFECT NONSENSE at Theatre Royal Bath?

The English language premiere of Farewell Mister Haffman at Theatre Royal Bath’s intimate Ustinov studio is the most gripping, funny and startling play you’re likely to see this year.

Are you a budding writer not sure where to begin? Perhaps you’ve managed to get something onto the page, but don’t have any theatre contacts to proceed further. Or maybe you’re a bit nervous about offending someone and ending your writing career before it even gets going.

Olivier-award winning director Jeremy Sams lights up the stage with a fast-paced show. For anyone not convinced by turning a Fifties film into a musical today, Roman Holiday is more relevant than you’d think.

Must-have, dip-in, flick-through book to help make Shakespeare's plays fun for actors, students, directors and teachers

As a first taster to opera, Opera Holland Park's Hansel and Gretel isn't a bad place to start.

Bullying, sexism, corruption, initiation ordeals and debauched behaviour. No, it’s not another government inquiry into the antics of the elite, but Opera Holland Park kicking off the 2023 season by way of a new and thought-provoking production of Rigoletto.

In a new revival of I Found My Horn at west London’s Riverside Studios – co-written by Jonathan Guy Lewis and Jasper Rees, both lapsed horn players ­­– the audience is provided with ample reasons to think about taking up that violin, double bass or even fiendishly tricky French horn again.