Douglas Denoff

Douglas Denoff is a Tony Award-winning theatre producer.

On the West End he is producing the new play Interview, adapted and directed by Teunkie Van Der Sluijs, starring Tony-winner Robert Sean Leonard and Paten Hughes.

He is a co-producer of the hit play Stereophonic which came to the West End at the Duke of York’s Theatre in May 2025 following its run on Broadway as the most Tony Award-nominated play in history (and winner of 5 Tony Awards including Best Play).

He was represented on Broadway last season as a co-producer of John Proctor Is The Villain (Tony nomination.) Other works as a co-producer include Good Night and Good Luck with George Clooney, Dead Outlaw (Tony nomination,) Real Women Have Curves, Lorraine Hansberry’s The Sign In Sidney Brustein’s Window, Take Me Out, Slave Play, Sea Wall/A Life, Harvey Fierstein’s Torch Song (2018 revival), American Son, John Leguizamo's Latin History For Morons, Fiddler On The Roof (2015 revival), Pretty Woman (Broadway/Tour/UK), Nice Work If You Can Get It, and The 39 Steps both as co-producer on the original three-year Broadway run and lead producer for its 2015 revival in New York. He hopes to bring The 39 Steps back to New York in 2026 because "it's time to start laughing again."

He was lead producer of The Lucky Star by Karen Hartman, directed by Noah Himmelstein at 59E59 Theatres, which is anticipated to transfer to the West End in the 2025-2026 season.

In New York he is producing Celebrity Autobiography on Broadway, a new revival of On Golden Pond by Ernest Thompson, and Lulu, an immersive new adaptation based on the plays Earth Spirit and Pandora’s Box by Frank Wedekind (Spring Awakening).

Denoff is lead producing several other new productions in London including The History of Love by Emily Maltby at the Marylebone Theatre in 2027, and a hilarious revival of The Pirates of Penzance, directed by John Rando and choreographed by Joshua Bergasse, and is co-producing the new musical Little Dancer directed by Susan Stroman with book & lyrics by Lynn Ahrens and score by Stephen Flaherty.

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