Review: NOTFLIX THE IMPROVISED MUSICAL, Luna Park, Caravanserai, Brighton Fringe
Touting themselves as 'The Spice Girls of improv', the team behind Notflix the Improvised Musical certainly knew how to inject some zig-a-zig-ah into the Brighton Fringe as they took the stage in Luna Park at the Caravanserai site this week....
Review: I FOUND MY HORN, Riverside Studios
In a new revival of I Found My Horn at west London’s Riverside Studios – co-written by Jonathan Guy Lewis and Jasper Rees, both lapsed horn players – the audience is provided with ample reasons to think about taking up that violin, double bass or even fiendishly tricky French horn again....
Review: RE-MEMBER ME, Hampstead Theatre
Athletes have the Olympics. Chefs have Michelin stars. Actors have Hamlet. Citius, altius, fortius, Danish. In his one-man show Re-member Me (co-devised and directed by Jan Willem Van Den Bosch), Dickie Beau ponders death, mortality and legacy but not in a morbid way; it’s less a shoegazing mope a...
Review: THE SHAPE OF THINGS, Park Theatre
Neil LaBute's, The Shape of Things is a black comedy that centres itself around the life of Adam, an awkward (and often naive) literature student, as he embarks upon his first serious relationship with Evelyn, a cooler, edgier postgrad who enters his life with the sole purpose of disrupting it. ...
Review: 2:22 - A GHOST STORY, Apollo Theatre
As this well-oiled West End machine arrives at a fifth venue with a new cast, it remains a clever and spine-chilling piece of theatre...
Review: 30 AND OUT, Pleasance, London
It’s an eclectic, tragically funny show. Interviews with lesbians intertwine with Kit’s own experience, gliding through verbatim and poetry to paint a picture of sapphic innocence and quiet subversion. Charismatic and quick-witted, she explores the concepts that make up queerness, betraying a ce...
Review: MISCHIEF MAKERS: PETER PAN GOES WRONG - BROADWAY PART 1, Podcast
Who broke their foot the last time they were in Peter Pan Goes Wrong? What was it like to work with Neil Patrick Harris? What are American audiences like versus those in the UK? Mischief Makers: Peter Pan Goes Wrong - Broadway Part 1 answers all of these questions and more!...
Review: HEAD FIRST ACROBATS: GODZ AND ARRR WE THERE YET?!, Brighton Fringe Spiegeltent
Nudity, profanity and hilarity: Head First Acrobats present a new holy trinity in Godz as well as an exciting children's show in Arrr We There Yet?!...
Review: BLACK PANTHER IN CONCERT, Royal Albert Hall
Conducted by Anthony Parnther (isn’t that the perfect name to lead this specific venture?), this European premiere features Massamba Diop on the talking drum, an instrument essential to the score. Diop, who performed the original tracks for director Ryan Coogler, is a force of nature. After a beau...
Review: SMITE: AN IMMERSIVE MURDER MYSTERY, CRYPT
Few words grab the attention like murder. And few genres outside immersive theatre can pull you physically into a specific time and place. So why aren’t there more immersive murder productions like this one?...
Review: STUART MICHAEL - THE PSYCHIC MEDIUM, Wonderville
All in all, the evening is like a group session with no guarantees of being called out or receiving answers. Believers will believe, sceptics won’t. Without going into Michael’s “gift”, the two hours are, unfortunately, rather dull. He jumps straight in between tongue-in-cheek jokes and an e...
Review: ROSE, Ambassadors Theatre
Maureen Lipman's one woman show traces a Holocaust survivor's journey to find home...
Review: GREAT EXPECTATIONS, Garrick Theatre
Eddie Izzard's Broadway smash comes to the West End to capture the hearts and minds of a new audience...
Review: ASPECTS OF LOVE, Lyric Theatre
Kent’s direction is interesting but leans into melodrama, with Ball offering some glitzy big-name introspection and the plot itself overflowing into sexual ambiguity and implied promiscuity. Aspects of Love is, essentially, an indefensibly problematic musical soap opera that looks exquisite but di...
Review: CHAILLOT – THEÂTRE NATIONAL DE LA DANSE/RACHID OURAMDANE'S CORPS EXTRÊMES, Sadler's Wells
Most people going to the theatre will take public transport or their own car. In September 2021, Nathan Paulin took a 600-metre walk to Chaillot - Paris’ Théâtre National De La Danse on a slackline 70 metres above the Seine....
Review: HELEN, Theatre503
Well intentioned but generic study of grief...
Review: DEAD ON TIME - A MOVING MURDER MYSTERY, Belmond Trains
It’s 1951 and, as the nation prepares itself for the Festival of Britain, a heinous crime has been committed. After a murder most foul, ten suspects, a killer hiding in plain sight and around two hundred passengers-cum-amateur detectives find themselves all aboard the same train. It’s fair to sa...
Review: GLAD TO BE DEAD at R-Bar, Brighton Fringe
Each year Brighton Fringe is home to some of the UK theatre scenes wildest and most unique performances. Make It Mine’s offering is Glad To Be Dead, a cycle of monologues from gothic horrors most notorious characters, waxing philosophical and lamenting their own misfortune, all wrapped up in one h...
Review: A MIDSUMMER NIGHT'S DREAM, Shakespeare's Globe
“To say the truth, reason and love keep little company together nowadays.” It appears that the Globe has a fondness for dreaming, as Shakespeare’s most performed play is back in the outdoor space for the third time in Michelle Terry’s tenure as Artistic Director. ...
Review: TIFF STEVENSON: SEXY BRAIN, Soho Theatre
Tiff Stevenson's latest show is a hilarious and well-observed study of navigating life as a woman...
Review: SPEAKERS' CORNER: THE PUBLIC SHAMING OF RUFUS LOVE, The Hope Theatre
Admirable inquiry into the morality of mob short changed by its own self-indulgence...
Review: THE BIG O, King's Head Theatre
The Big O navigates Lucy’s self-loathing and PTSD in an inspirational journey, but, while the topic is loudly and proudly urgent, the play falls short on many levels. This said, it’s most definitely not a lost cause. Even though it’s all over the place at this stage, Kim Cormack’s exploratio...
Review: WOZZECK, Royal Opera House
Deborah Warner's new production dives head first into the Lars Von Trier pool of paranoia...
Review: A BRIEF LIST OF EVERYONE WHO DIED, Finborough Theatre
As its title suggests, A Brief List of Everyone Who Died is a play that deals with grief....
Review: BALLET BLACK: PIONEERS, Theatre Royal, Stratford East
Ballet Black is now in its 21st season, Cassa Pancho’s company entering somewhat of a new era after the retirement of company favourite, Cira Robinson and the addition of some junior members to its ranks....
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