Review: GODOT IS A WOMAN, Old Fire Station, Oxford
In their Fringe hit Godot is a Woman, Silent Faces theatre company explore Beckett and his estate’s refusal to allow women or non-binary people to perform his most famous play through a series of skits and spoofs on the play itself. The show is initially framed through a phone call to the estate w...
Review Roundup: What Did the Critics Think of Mike Faist and Lucas Hedges in BROKEBACK MOUNTAIN?
The world premiere of Ashley Robinson's play with music, Brokeback Mountain, has now opened @sohoplace. Directed by Jonathan Butterell with songs by Dan Gillespie Sells, the show stars Mike Faist as Jack and Lucas Hedges as Ennis, both making their West End stage debuts. ...
Review: THE COMEDY OF ERRORS, Shakespeare's Globe
With the swashbuckling zeal of a rowdy tavern brawl and all the brash bravado you can shake a bulging cod piece at, the Sean Holmes helmed The Comedy of Errors crashes onto the Globe stage to start the summer season with a bang....
Review: BLEAK EXPECTATIONS, Criterion Theatre
It's always welcome to see a little show that's done good: from a BBC Radio 4 comedy series, to Newbury's Watermill Theatre, Mark Evan's Dickensian parody now has a home in the West End. ...
Review: BROKEBACK MOUNTAIN, @sohoplace
While the romance shared between Ennis (Lucas Hedges) and Jack (Mike Faist) was immortalised by the Academy-Award Winning film of the same name, it takes on an entirely new life on the stage in a stunning production directed by Jonathan Butterell....
Review: THE GREAT GATSBY, Sadler's Wells
A visit from Leeds-based Northern Ballet every Spring at Sadler’s Wells is always a highlight of the dance calendar, and never more so when at their glittering best with their unique dance interpretation of F. Scott Fitzgerald’s The Great Gatsby....
Review: VENUS, by Impermanence, Wilton's Music Hall
Impermanence Dance Theatre had quite the ride for their opening night (in London) of Venus: a quadruple bill of new work at the Wilton's Music Hall....
Review: ONCE ON THIS ISLAND, Regent's Park Open Air Theatre
A modern musical fairytale, Once On This Island is Romeo and Juliet set in the French Antilles with the two lovers on opposite sides of a race and class divide. Regent’s Park Theatre opens its 2023 season with a humdinger of a revival, a real foot-stomper that rings in the ears long after the last...
Review: HOW TO SUCCEED IN BUSINESS WITHOUT REALLY TRYING, Southwark Playhouse
Good performances illuminate a show that a bold new production tackles with confidence, if not complete success...
Review: THE MISANDRIST, Arcola Theatre
Playwright Lisa Carroll explores how the contemporary search for intimacy is marred by millennial malaise and trauma cycles in a witty dramedy that’s unexplainably ideologically ambiguous....
Review: LEAVES OF GLASS, Park Theatre
Director Max Harrison takes the play and makes it a contemporary exploration of unaddressed trauma, gaslighting, and complicated family relations with performances that scrape excellence once they settle into themselves....
Review: PORCA MISERIA, Barbican Theatre
Sometimes show titles are spot-on perfect, albeit unintentionally. Porca Miseria is, in the Italian vernacular, an expression of frustration, something I would use when losing a cufflink or after sitting through a three hour-plus triptych of dance works that is, in the English vernacular, patently b...
Review: LEGACY By Elmhurst Ballet Company, Sadler's Wells
Elmhurst Ballet Company, the graduate year students of Elmhurst Ballet School opened their 2023 performance Legacy at the Lilian BaylisTheatre, Sadler's Wells on 14 May. The student company will also be performing the programme at the Elmhurst Studio Theatre(Birmingham) 19-20 May....
Review: VENUS AND ADONIS, Riverside Studios
The performance ambles between overly physical and shackled by stillness. Hunter delivers the difference in characters through caricatural vocal modulations, which redundancy adds Venus’s excessive flamboyancy in an annoying chain of vapid banality. We come out of it with very little. He is a visi...
Review: CYMBELINE, Royal Shakespeare Theatre
Entertaining from first to last, this less well-known play sparkles for three hours and finishes with a heartfelt plea for harmony...
Review: GÖTEBORGSOPERANS DANSKOMPANI, Sadler's Wells
What did our critic think of GÖTEBORGSOPERANS DANSKOMPANI at Sadler's Wells?...
Review: BISCUITS FOR BREAKFAST, Hampstead Theatre
An overstuffed and underbaked look at food poverty...
Review: IN DIVINE COMPANY, Menier Chocolate Factory
Christina Bianco - In Divine Company is a fantastic show that brings together incredible impersonations and Bianco’s own singing voice, tied together with funny and heartfelt stories....
Interview: 'It's important for trauma-informed art to have a place in society.' Francis Grin, Jennie Eggleton, & Charlotte Everest on DREAM SCHOOL at The Space
Inspired by a true story, DREAM SCHOOL is a thriller about a group of students who accidentally find themselves in a cult. BroadwayWorld chats to the play's writer Francis Grin and producers Jennie Eggleton and Charlotte Everest about the real-life roots of the show....
Review: THE SUSPICIONS OF MR WHICHER, The Watermill Theatre
The ever enchanting Watermill Theatre in Newbury could hardly have hoped for more atmospheric weather to mark the opening night of their latest show, The Suspicions of Mr Whicher. The distant thunderclaps and bucketing rain seemed perfectly placed to instill a disquieting mood as the audience arrive...
Review: OPERATION MINCEMEAT, Fortune Theatre
Operation Mincemeat is a victory for the underdog, in themes as well as in reality. Relatable characters with vibrant backgrounds, regardless of their size, go on a Frankensteinian journey to divert the Nazi battalion to Sardinia. From songs about wanting to be a maggot to heart-wrenching glimpses i...
Review: THE CIRCLE, Orange Tree Theatre
The production straddles the line between farce and poignance without deciding which it prefers....
Review: BRIGHTON FRINGE: MY FIRST TIME WAS IN A CAR PARK at The Quadrant, Brighton
A compelling and reflective one-woman play, My First Time was in a Car Park invites us inside the mind of protagonist Mira, a young woman that tells her story of losing her virginity through fragmented time-hopping anecdotes....
Review: NUL POINTS!, Union Theatre
Martin Blackburn's comedy starts like a whirlwind but can't quite sustain its promise...
Review: THE BOOK OF WILL, Queen's Theatre Hornchurch
Crowdpleasing production based on the printing of Shakespeare's plays (harder than you think!) makes for a diverting and pleasant couple of hours in the theatre...
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