Natasha Chivers

Natasha is a London-based lighting designer with over 20 years of experience.

Her extensive work in theatre includes Enemy of People (The Armoury, New York); Kan Ya Ma Kan (Riyadh); Message in a Bottle, Electric Hotel, Dystopian Dream and Gravity Fatigue (Sadler’s Wells); Drive and Live: La Boheme (ENO); Ivanov (Staatstheater Stuttgart); Blood Wedding (Young Vic); The Doctor, Hamlet and Oresteia (Almeida); Oedipus (Toneelgroep Amsterdam); The American Clock and SYLVIA (The Old Vic); The Antipodes, Sunset at the Villa Thalia and Statement of Regret (National Theatre); The Deep Blue Sea, The Chalk Garden and The House They Grew Up In (Chichester Festival Theatre); We Are Here at La Mama New York; Allelujah! (The Bridge Theatre); The Duchess of Malfi (Royal Shakespeare Company); Belleville (Donmar Warehouse); Shoe Lady, White Pearl, The Cane, Bad Roads, Mistress Contract and Fireworks (Royal Court); 1984 (West End/Broadway); Draft Works, Electric Counterpoint, Strapless (Royal Ballet); Happy Days (Sheffield Crucible); Green Snake (National Theatre of China); Praxis Makes Perfect and The Radicalisation of Bradley Manning (National Theatre Wales); Macbeth (Broadway); 27, The Wolves in the Walls and Home (National Theatre of Scotland); Sunday in the Park with George (West End).

She has won both Olivier and UK Theatre awards and received a drama desk nomination in 2018 for 1984 on Broadway