Mimi Lien is a designer of sets/environments for theater, dance, and opera. Arriving at set design from a background in architecture, her work often focuses on the interaction between audience/environment and object/performer. She is an artistic associate with Pig Iron Theatre Company, and co-founder of JACK, a performance/art space in Brooklyn. Recent work includes Signature Plays, John (Signature Theatre), War, Preludes (LCT3), The Oldest Boy (Lincoln Center), Black Mountain Songs (BAM/Brooklyn Youth Chorus), Appropriate (Mark Taper Forum), and An Octoroon (Soho Rep/TFANA). Mimi's designs for dance have been presented in the Netherlands, Russia, and Taiwan, and her stage designs have been exhibited in the Prague Quadrennial. Lien is a recipient of the Joan and Joseph F. Cullman Award for Extraordinary Creativity at Lincoln Center, Lucille Lortel Award, American Theatre Wing Hewes Design Award, LA Drama Critics Circle Award, Barrymore Award, OBIE Award for Sustained Excellence, and a 2015 MacArthur Fellowship.
Mimi Lien, Sweeney Todd: The Demon Barber of Fleet Street
Mimi Lien, Sweeney Todd
Mimi Lien, Fairview
Mimi Lien, Natasha, Pierre & The Great Comet of 1812
Mimi Lien, Natasha, Pierre and the Great Comet of 1812
Mimi Lien, Natasha, Pierre & The Great Comet of 1812
Mimi Lien, Signature Plays: Edward Albee's The Sandbox, María Irene Fornés' Drowning, and Adrienne Kennedy's Funnyhouse of a Negro
Mimi Lien, Natasha, Pierre & The Great Comet of 1812
Mimi LienJohn
Mimi Lien, John
Mimi Lien, John
Mimi Lien, An Octoroon
Mimi Lien, Natasha, Pierre and the Great Comet of 1812
Mimi Lien, The Whale
Mimi Lien, Natasha, Pierre and the Great Comet of 1812
Mimi Lien
Mimi Lien
Mimi Lien has been nominated for several awards, including Outstanding Scenic Design (Play or Musical) at the Outer Critics Circle Awards for "Sweeney Todd: The Demon Barber of Fleet Street," Best Scenic Design of a Musical at the Tony Awards for "Sweeney Todd," and Outstanding Set Design of a Play at the Drama Desk Awards for "Fairview." She has also been recognized with awards such as Best Scenic Design at the BroadwayWorld Awards for "Natasha, Pierre & The Great Comet of 1812," Outstanding Set Design for a Musical at the Drama Desk Awards for the same show, and Outstanding Scenic Design at the Outer Critics Circle Awards for "Natasha, Pierre & The Great Comet of 1812." Additionally, she has received accolades for her work on productions like "Signature Plays: Edward Albee's The Sandbox, María Irene Fornés' Drowning, and Adrienne Kennedy's Funnyhouse of a Negro," "John," "An Octoroon," "The Whale," and "Natasha, Pierre and the Great Comet of 1812." Her achievements also include the Hewes Design Award at The Hewes Awards and Sustained Excellence of Set Design at the Obie Awards.
Mimi Lien has won several awards for her scenic design work on the Broadway show Natasha, Pierre & The Great Comet of 1812, including Best Scenic Design at the BroadwayWorld Awards, Outstanding Set Design for a Musical at the Drama Desk Awards, Outstanding Set Design (Play or Musical) at the Outer Critics Circle Awards, Best Scenic Design of a Musical at the Tony Awards, Outstanding Scenic Design at The Lortels, Hewes Design Award at The Hewes Awards, Sustained Excellence of Set Design at the Obie Awards, and another Sustained Excellence of Set Design at the Obie Awards.
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