Howell Binkley

Best Lighting Design of a Musical (Tony Awards) for Ain't Too Proud: The Life and Times of the Temptations, White Light Award For Best Lighting Design (Olivier Awards) for Hamilton, Best Lighting Design of a Musical (Tony Awards) for Come From Away, Best Lighting Design of a Musical (Tony Awards) for Come From Away, Best Lighting Design (BroadwayWorld Awards) for Allegiance, Best Lighting Design of a Musical (Tony Awards) for Hamilton, Outstanding Lighting Design (Drama Desk Awards) for Hamilton, Outstanding Lighting Design (The Lortels) for Hamilton, Outstanding Lighting Design (Play or Musical) (Outer Critics Circle Awards) for After Midnight, Best Lighting Design of a Musical (Tony Awards) for After Midnight, Best Lighting Design (BroadwayWorld Awards) for How To Succeed in Business Without Really Trying, Best Lighting Design of a Musical (Tony Awards) for How to Succeed in Business Without Really Trying, Best Lighting Design of a Musical (Tony Awards) for West Side Story, Best Lighting Design of a Musical (Tony Awards) for In The Heights, Outstanding Lighting Design (Drama Desk Awards) for LoveMusik, Outstanding Lighting Design (Outer Critics Circle Awards) for Jersey Boys , Outstanding Lighting Design (Outer Critics Circle Awards) for Jersey Boys, Lighting Design (The Hewes Awards) for Jersey Boys, Best Lighting Design of a Musical (Tony Awards) for Jersey Boys, Outstanding Lighting Design, Resident Production (Helen Hayes Awards) for Cyrano, Outstanding Lighting Design, Resident Production (Helen Hayes Awards) for Sweeney Todd, Outstanding Lighting Design, Resident Production (Helen Hayes Awards) for Sunday in the Park With George, Outstanding Lighting Design (The Lortels) for Radiant Baby, Outstanding Lighting Design (Drama Desk Awards) for The Full Monty, Outstanding Lighting Design, Resident Production (Helen Hayes Awards) for Sweet Bird of Youth, Outstanding Lighting Design, Resident Production (Helen Hayes Awards) for Peer Gynt, Outstanding Lighting Design, Resident Production (Helen Hayes Awards) for Tempest, Outstanding Lighting Design, Resident Production (Helen Hayes Awards) for Mourning Becomes Electra, Outstanding Lighting Design, Resident Production (Helen Hayes Awards) for Macbeth, Outstanding Lighting Design, Resident Production (Helen Hayes Awards) for Henry V , Outstanding Lighting Design, Resident Production (Helen Hayes Awards) for Henry IV, Best Lighting Designer (Olivier Awards) for Kiss Of The Spider Woman, Best Lighting Design (Tony Awards) for Kiss of the Spider Woman, Outstanding Lighting Design, Resident Production (Helen Hayes Awards) for King Lear and Outstanding Lighting Design, Resident Production (Helen Hayes Awards) for Richard III.

Howell Binkley has received numerous awards for his lighting design work. His accolades include the White Light Award for Best Lighting Design (Olivier Awards) for Hamilton, Best Lighting Design (BroadwayWorld Awards) for Allegiance, and Best Lighting Design of a Musical (Tony Awards) for Hamilton. He also won Outstanding Lighting Design (The Lortels) for Hamilton, Best Lighting Design (BroadwayWorld Awards) for How To Succeed in Business Without Really Trying, and Outstanding Lighting Design (Outer Critics Circle Awards) for Jersey Boys. Additionally, he received the Outstanding Lighting Design (Outer Critics Circle Awards) for Jersey Boys, Lighting Design (The Hewes Awards) for Jersey Boys, and Best Lighting Design of a Musical (Tony Awards) for Jersey Boys. His other notable recognition includes Outstanding Lighting Design, Resident Production (Helen Hayes Awards) for Sweeney Todd; Outstanding Lighting Design (Drama Desk Awards) for The Full Monty; Outstanding Lighting Design, Resident Production (Helen Hayes Awards) for Tempest; Outstanding Lighting Design, Resident Production (Helen Hayes Awards) for Macbeth; and Outstanding Lighting Design, Resident Production (Helen Hayes Awards) for Richard III.