When a violent storm sinks their whaling ship off the coast of New Bedford, Mass., the four survivors face a reckoning: how far will they go to stay alive? And can they live with the consequences? With music and lyrics from The Avett Brothers (“America’s Biggest Roots Band,” Rolling Stone), whose 2004 “Mignonette” was inspired by an 1884 shipwreck and the struggle of four men to survive, SWEPT AWAY is an electrifying, soul-stirring new musical exploring how facing tragedy can open the door to forgiveness… if only we’ll let it.
Something I won’t be saying on my death bed: “I wish I would’ve watched more shows about boats.” Yet another crew of singing seafarers sets off in the Avett Brothers’ uneven “Swept Away,” which opened Tuesday night at the Longacre Theatre. The musical adds a twisted new twist, through — cannibalism. On Broadway? Not so appetizing.
Despite all this effort, Swept Away hasn’t found a rationale for telling its nightmarish story. We don’t have enough sense of these individuals to care about their fate, and we only get glancing references to larger moral questions that might implicate us, or make us consider how we might respond in such extreme circumstances. The show has the power to shake us up, but then it merely tosses us overboard and sets us a adrift, floating on troubled seas without a clear destination.
| 2020 | Regional (US) |
Berkeley Rep World Premiere Regional (US) |
| 2024 | Broadway |
Original Broadway Production Broadway |
| Year | Ceremony | Category | Nominee |
|---|---|---|---|
| 2025 | Drama Desk Awards | Outstanding Lighting Design of a Pl | Kevin Adams |
| 2025 | Drama Desk Awards | Outstanding Scenic Design of a Musi | Rachel Hauck |
| 2025 | Drama Desk Awards | Outstanding Scenic Design of a Musi | Rachel Hauck |
| 2025 | Outer Critics Circle Awards | Outstanding Lighting Design | Kevin Adams |
| 2025 | Outer Critics Circle Awards | Outstanding Scenic Design | Rachel Hauck |
| 2025 | Outer Critics Circle Awards | Outstanding Sound Design | John Shivers |
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