Review: MRS. DOUBTFIRE at Ottawa's National Arts Centre
by Courtney Castelino - November 05, 2025
What did our critic think of MRS. DOUBTFIRE at National Arts Centre?
by Courtney Castelino - November 05, 2025
What did our critic think of MRS. DOUBTFIRE at National Arts Centre?
Review: MONOPOLY: THE UNAUTHORISED MUSICAL at Old Mill Theatre
by David Bravos - November 05, 2025
MONOPOLY: THE UNAUTHORISED MUSICAL, presented by Roundhouse Theatrical Co, emerges as a delightful and impressive example of local community theatre, driven by a passionate and talented team. Born from a WAAPA student's innovative graduation recital, this production has bloomed into a full-scale musical that wonderfully showcases the depth of musical theatre talent that Perth holds.
by David Bravos - November 05, 2025
MONOPOLY: THE UNAUTHORISED MUSICAL, presented by Roundhouse Theatrical Co, emerges as a delightful and impressive example of local community theatre, driven by a passionate and talented team. Born from a WAAPA student's innovative graduation recital, this production has bloomed into a full-scale musical that wonderfully showcases the depth of musical theatre talent that Perth holds.
Review: MADONNA OF THE CAT at 21ten Theatre
by Krista Garver - November 05, 2025
What did our critic think of MADONNA OF THE CAT at 21ten Theatre?
by Krista Garver - November 05, 2025
What did our critic think of MADONNA OF THE CAT at 21ten Theatre?
Review: STEVE HACKETT'S GENESIS GREATS, LAMB HIGHLIGHTS & SOLO WORKS TOUR at Southern Theatre
by Paul Batterson - November 05, 2025
Hackett didn’t fall below any standards; he set new ones. He delighted the crowd with electrifying solos and spread the spotlight around equally to the rest of the band.
by Paul Batterson - November 05, 2025
Hackett didn’t fall below any standards; he set new ones. He delighted the crowd with electrifying solos and spread the spotlight around equally to the rest of the band.
Laura Bell Bundy, Victor Garber & More Join Hulu's NOT SUITABLE FOR WORK
by Josh Sharpe - November 05, 2025
Broadway's Laura Bell Bundy and Victor Garber are among the newly announced recurring cast for Hulu's Not Suitable for Work. Both previously starred in Legally Blonde, with Garber having appeared in the original 2001 film and Bundy playing Elle Woods in the Broadway adaptation.
by Josh Sharpe - November 05, 2025
Broadway's Laura Bell Bundy and Victor Garber are among the newly announced recurring cast for Hulu's Not Suitable for Work. Both previously starred in Legally Blonde, with Garber having appeared in the original 2001 film and Bundy playing Elle Woods in the Broadway adaptation.
Student Blog: How the Theater Industry Prepared me for My Film Festival Internship
by Student Blogger: Brianna Arce - November 05, 2025
Remember when Josh Groban said 'Hire a former theatre kid. I don't care what your business is. It will go better if you hire a former theatre kid?' Well, I think he was right. This is how working in theater prepared me to step into the world of film.
by Student Blogger: Brianna Arce - November 05, 2025
Remember when Josh Groban said 'Hire a former theatre kid. I don't care what your business is. It will go better if you hire a former theatre kid?' Well, I think he was right. This is how working in theater prepared me to step into the world of film.
Review: CALENDAR GIRLS THE MUSICAL at Up Stage Theatre
by Neil Brewer - November 05, 2025
https://docs.google.com/spreadsheets/d/1mbY-0dwFsLz5eEj3TxcKCCFBKyFuTOPVLsWiRZfFeAI/edit?usp=sharing
by Neil Brewer - November 05, 2025
https://docs.google.com/spreadsheets/d/1mbY-0dwFsLz5eEj3TxcKCCFBKyFuTOPVLsWiRZfFeAI/edit?usp=sharing
Review: ARTAUD / VAN GOGH at The Simeio Theater
by Peter Danish - November 05, 2025
Recently, Broadway and Off-Broadway have seen a preponderance of one-man-shows; some wildy imaginative some not so much. This critic has grown just a bit tired of the formant becuase far too frequently they come across as little more than vanity projects for an actor (often playing, with varying degrees of success, multiple characters.
by Peter Danish - November 05, 2025
Recently, Broadway and Off-Broadway have seen a preponderance of one-man-shows; some wildy imaginative some not so much. This critic has grown just a bit tired of the formant becuase far too frequently they come across as little more than vanity projects for an actor (often playing, with varying degrees of success, multiple characters.
Review: SALLY AND TOM at Marin Theatre
by Steve Murray - November 05, 2025
Back in 2017, Marin Theatre Company staged Thomas Bradshaw’s historical fiction Thomas and Sally to a firestorm of criticism, with critics damning the production for its hypersexualized view of Sally Hemings and downplaying her position as Thomas Jefferson’s slave.
by Steve Murray - November 05, 2025
Back in 2017, Marin Theatre Company staged Thomas Bradshaw’s historical fiction Thomas and Sally to a firestorm of criticism, with critics damning the production for its hypersexualized view of Sally Hemings and downplaying her position as Thomas Jefferson’s slave.
Review: A BEAUTIFUL NOISE presented by Broadway at The Hobby Center
by Brett Cullum - November 05, 2025
This really isn’t about revelation; it is truly solely for celebration. If you’re a fan, you’ll love A BEAUTIFUL NOISE. If you are not, you may wonder why everyone is here.
by Brett Cullum - November 05, 2025
This really isn’t about revelation; it is truly solely for celebration. If you’re a fan, you’ll love A BEAUTIFUL NOISE. If you are not, you may wonder why everyone is here.
Review: SHUCKED at The Paramount Theatre
by Jay Irwin - November 05, 2025
Dear Readers, I want to talk to you about somewhat under the radar shows, and corn. Not all shows have that name recognition or known songs. Sometimes these new story, original musical gems come along, and they need some of your time and attention. One such show is “Shucked” currently playing at the Paramount. With a subject matter that might make some go “huh?” it could pass you by. Don’t let it!
by Jay Irwin - November 05, 2025
Dear Readers, I want to talk to you about somewhat under the radar shows, and corn. Not all shows have that name recognition or known songs. Sometimes these new story, original musical gems come along, and they need some of your time and attention. One such show is “Shucked” currently playing at the Paramount. With a subject matter that might make some go “huh?” it could pass you by. Don’t let it!
Previews: THE ROCKY HORROR SHOW in tour in Italia
by Sara Altea Balestra - November 05, 2025
Il film con Tim Curry e Susan Sarandon festeggia 50 anni ma è pronto a conquistare nuovamente il pubblico italiano. “The Rocky Horror Show”, il leggendario e trasgressivo musical di Richard O’Brien torna al TAM Teatro Arcimboldi con una straordinaria novità: la popstar internazionale Jason Donovan nel ruolo di Frank ‘n’ Furter dal 18 al 23 novembre. Nelle altre date del tour, il ruolo di Frank ‘n’ Furter verrà interpretato da Stephen Webb.
by Sara Altea Balestra - November 05, 2025
Il film con Tim Curry e Susan Sarandon festeggia 50 anni ma è pronto a conquistare nuovamente il pubblico italiano. “The Rocky Horror Show”, il leggendario e trasgressivo musical di Richard O’Brien torna al TAM Teatro Arcimboldi con una straordinaria novità: la popstar internazionale Jason Donovan nel ruolo di Frank ‘n’ Furter dal 18 al 23 novembre. Nelle altre date del tour, il ruolo di Frank ‘n’ Furter verrà interpretato da Stephen Webb.
Review: & JULIET at ASU Gammage
by Herbert Paine - November 05, 2025
In the Tony-nominated musical & Juliet, it’s as if William Shakespeare was handed a bedazzled microphone and told to start writing Romeo and Juliet all over again, only this time he should make it a fizzy, whirling pop fantasia that pulses with enough pop/rock earworms to play in your head on an endless loop for days.
by Herbert Paine - November 05, 2025
In the Tony-nominated musical & Juliet, it’s as if William Shakespeare was handed a bedazzled microphone and told to start writing Romeo and Juliet all over again, only this time he should make it a fizzy, whirling pop fantasia that pulses with enough pop/rock earworms to play in your head on an endless loop for days.
Review: TO KILL A MOCKINGBIRD, King's Theatre
by Natalie O'Donoghue - November 05, 2025
Aaron Sorkin’s riveting, award-winning stage adaptation of the seminal American novel about racial injustice and childhood innocence became a Broadway and West End sensation with star-studded sell-out seasons on both sides of the Atlantic.
by Natalie O'Donoghue - November 05, 2025
Aaron Sorkin’s riveting, award-winning stage adaptation of the seminal American novel about racial injustice and childhood innocence became a Broadway and West End sensation with star-studded sell-out seasons on both sides of the Atlantic.
Video: Tom Felton Credits Daniel Radcliffe as Inspiration for Coming to Broadway
by Josh Sharpe - November 05, 2025
Tom Felton visited Good Morning America to discuss returning to the Wizarding World as Draco Malfoy in Broadway's Harry Potter and the Cursed Child. Check out the interview.
by Josh Sharpe - November 05, 2025
Tom Felton visited Good Morning America to discuss returning to the Wizarding World as Draco Malfoy in Broadway's Harry Potter and the Cursed Child. Check out the interview.
Review: SCHUBERT'S STRING QUINTET IN C MAJOR at Church Of The Intercession
by Lydia Rose - November 05, 2025
Death of Classical's crypt sessions continued with a lovely performance by the Parker Quartet, joined by accomplished cellist Jay Campbell. The piece is often described as the accompaniment for a soul’s journey to heaven.
by Lydia Rose - November 05, 2025
Death of Classical's crypt sessions continued with a lovely performance by the Parker Quartet, joined by accomplished cellist Jay Campbell. The piece is often described as the accompaniment for a soul’s journey to heaven.
Review: TOM ROSENTHAL: WHATEVER PEOPLE SAY I AM, THAT’S WHAT I AM, Soho Theatre
by Kat Mokrynski - November 05, 2025
Tom Rosenthal: Whatever People Say I Am, That’s What I Am is, essentially, a form of lecture on the 2006 Arctic Monkeys’ debut album, Whatever People Say I Am, That’s What I’m Not - the title of the show is a bit of a hint!
by Kat Mokrynski - November 05, 2025
Tom Rosenthal: Whatever People Say I Am, That’s What I Am is, essentially, a form of lecture on the 2006 Arctic Monkeys’ debut album, Whatever People Say I Am, That’s What I’m Not - the title of the show is a bit of a hint!
Review: UROOJ ASHFAQ: HOW TO BE A BADDIE, Soho Theatre
by Kat Mokrynski - November 05, 2025
After some feedback from her last show, Urooj Ashfaq has returned with a new hour as a transformed woman. How to Be a Baddie has Ashfaq leaving behind the good-girl expectations that were set in the show that won her the Best Newcomer award at the 2023 Edinburgh Comedy Awards. But what inspired this change?
by Kat Mokrynski - November 05, 2025
After some feedback from her last show, Urooj Ashfaq has returned with a new hour as a transformed woman. How to Be a Baddie has Ashfaq leaving behind the good-girl expectations that were set in the show that won her the Best Newcomer award at the 2023 Edinburgh Comedy Awards. But what inspired this change?
Marissa Bode Honored with Christopher Reeve Acting Award for WICKED Movie Role
by Josh Sharpe - November 05, 2025
Marissa Bode has won the Christopher Reeve Acting Award at the Media Access Awards for starring as Nessarose in Wicked. Bode is notable as the first wheelchair user to play the character, taking on the role in both films.
by Josh Sharpe - November 05, 2025
Marissa Bode has won the Christopher Reeve Acting Award at the Media Access Awards for starring as Nessarose in Wicked. Bode is notable as the first wheelchair user to play the character, taking on the role in both films.
KLEC BLÁZNŮ je v Plzni otevřena všem
by Krystof Petrasek - November 05, 2025
Rok od premiéry je plzeňská Klec bláznů v nejlepší kondici. Inscenace, která je vystavěna kolem ústřední postavy Albína/Zazy v podání Lumíra Olšovského naplňuje divácká očekávání na sto procent. Večer plný kabaretních čísel, humoru pohybujícího se na hraně a komplexních převleků, přesně to je Klec bláznů.
by Krystof Petrasek - November 05, 2025
Rok od premiéry je plzeňská Klec bláznů v nejlepší kondici. Inscenace, která je vystavěna kolem ústřední postavy Albína/Zazy v podání Lumíra Olšovského naplňuje divácká očekávání na sto procent. Večer plný kabaretních čísel, humoru pohybujícího se na hraně a komplexních převleků, přesně to je Klec bláznů.
Chef Spotlight: Founder-Eve Aronoff Fernandez of FRITA BATIDOS in Brooklyn
by Marina Kennedy - November 05, 2025
Eve Aronoff Fernandez is a classically trained chef, culinary innovator, and the visionary behind Frita Batidos, the beloved Cuban-inspired restaurant born in Ann Arbor, Michigan and is now open in NYC.
by Marina Kennedy - November 05, 2025
Eve Aronoff Fernandez is a classically trained chef, culinary innovator, and the visionary behind Frita Batidos, the beloved Cuban-inspired restaurant born in Ann Arbor, Michigan and is now open in NYC.
Sentinel Theatre Produces Subtle, Complex CIRCLE MIRROR TRANSFORMATION
by Tyler Hinton - November 05, 2025
Sentinel Theatre, a newly established 501c3 non-profit organization, will present the intimate dramatic comedy CIRCLE MIRROR TRANSFORMATION from Nov. 14 to 22 at The Hive Collaborative in Provo, Utah, following its opening season productions of DOGFIGHT and BRIGHT STAR Tickets (general admission $25, students $15) are now available at www.sentineltheatre.org/tickets.
by Tyler Hinton - November 05, 2025
Sentinel Theatre, a newly established 501c3 non-profit organization, will present the intimate dramatic comedy CIRCLE MIRROR TRANSFORMATION from Nov. 14 to 22 at The Hive Collaborative in Provo, Utah, following its opening season productions of DOGFIGHT and BRIGHT STAR Tickets (general admission $25, students $15) are now available at www.sentineltheatre.org/tickets.
Review: HIGHER! HIGHER! at TAG
by F.H. Kekoa - November 05, 2025
I attended the opening weekend of the world premier of Higher! Higher!, a new musical written by a brand-new arrival to the theatre scene, Nobel-nominated academic luminary and ethics expert Professor Tom Cooper.
by F.H. Kekoa - November 05, 2025
I attended the opening weekend of the world premier of Higher! Higher!, a new musical written by a brand-new arrival to the theatre scene, Nobel-nominated academic luminary and ethics expert Professor Tom Cooper.
Review: RAZZLE DAZZLE: A NIGHT AT THE MOVIES at Arts & Science Center For Southeast Arkansas in Pine Bluff
by Theresa Bertram - November 05, 2025
The Arts & Science Center for Southeast Arkansas in Pine Bluff rolled out the red carpet for RAZZLE DAZZLE: A Night at the Movies, held October 24–26. Directed by Lindsey Collins with Co-Director Joel Anderson, Music Director Faron Wilson, and Choreographer Heather Bankhead, this glitzy celebration of movie music transformed the stage into a shimmering, silver-screen spectacle, all while supporting a great cause.
by Theresa Bertram - November 05, 2025
The Arts & Science Center for Southeast Arkansas in Pine Bluff rolled out the red carpet for RAZZLE DAZZLE: A Night at the Movies, held October 24–26. Directed by Lindsey Collins with Co-Director Joel Anderson, Music Director Faron Wilson, and Choreographer Heather Bankhead, this glitzy celebration of movie music transformed the stage into a shimmering, silver-screen spectacle, all while supporting a great cause.
Review: Living and Singing Truthfully Through MEISNER MUSICALS: OVERTURE
by Rakaputra Paputungan - November 05, 2025
The acting studio Act’elier is currently conducting a 8-session offline course program by the name MEISNER MUSICALS: OVERTURE. The program is taught by Heriska Sutapha, a Designated Meisner Teacher, with a certification in Level 1 Meisner in Music Teacher. It bills itself as a way to be a “more instinctive, confident, and compelling version of yourself” as a performer.
by Rakaputra Paputungan - November 05, 2025
The acting studio Act’elier is currently conducting a 8-session offline course program by the name MEISNER MUSICALS: OVERTURE. The program is taught by Heriska Sutapha, a Designated Meisner Teacher, with a certification in Level 1 Meisner in Music Teacher. It bills itself as a way to be a “more instinctive, confident, and compelling version of yourself” as a performer.
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