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UK / WEST END THEATER REVIEWS

The latest reviews and critic recommendations from UK / West End
BWW Review: JANE EYRE, National Theatre

BWW Review: JANE EYRE, National Theatre

by Marianka Swain — September 29, 2017
Three years after its Bristol Old Vic debut, Sally Cookson's fervently theatrical reimagining of Charlotte Bront 's novel returns to the National Theatre as part of a UK tour with a new cast, but with its collective spirit intact....
BWW Review: FRANKENSTEIN, Jack Studio Theatre

BWW Review: FRANKENSTEIN, Jack Studio Theatre

by Gary Naylor — September 29, 2017
Frankenstein, likes its eponymous anti-hero, is often brilliant but flounders on its ambition....
BWW Review: THE FALL, Royal Court

BWW Review: THE FALL, Royal Court

by Charlie Wilks — September 29, 2017
Riding high from their momentous success at the Edinburgh Festival, Baxter Theatre Company bring their award-winning show The Fall to the Royal Court....
BWW Review: AFTER THE REHEARSAL / PERSONA, Barbican

BWW Review: AFTER THE REHEARSAL / PERSONA, Barbican

by Charlie Wilks — September 29, 2017
Two Ingmar Bergman screenplays are reimagined for the stage in an experimental double bill, presented by Ivo van Hove's company Toneelgroep at the Barbican Centre. The production is a voyeuristic insight into the chaotic lives of theatre people, exposing the delicate line between art and reality, il...
BWW Review: DESIRE UNDER THE ELMS, Crucible Theatre, Sheffield

BWW Review: DESIRE UNDER THE ELMS, Crucible Theatre, Sheffield

by Ruth Deller — September 27, 2017
Eugene O'Neill's classic play is beautifully staged in this evocative production at the Crucible Theatre....
BWW Review: THE WIPERS TIMES, Richmond Theatre

BWW Review: THE WIPERS TIMES, Richmond Theatre

by Aliya Al-Hassan — September 27, 2017
Amid the horrors of the First World War, The Wipers Times is the unlikely, but true, story of when two officers found a printing press in the bombed out remains of Ypres (Wipers was the soldier's nickname for the town) and decided to produce a satirical paper to lift the spirits of the men. The pape...
BWW Review: LE GRAND MORT, Trafalgar Studios

BWW Review: LE GRAND MORT, Trafalgar Studios

by Rona Kelly — September 26, 2017
Sex and death often go hand in hand. The french term 'La petite mort' literally means 'the sensation of orgasm as likened to death' (OED). And Le Grand Mort certainly goes big on this theme. Intimate and intense, Christopher Renshaw's production is packed with passion, but feels rather anticlimactic...
BWW Review: OF KITH AND KIN, Crucible Studio, Sheffield

BWW Review: OF KITH AND KIN, Crucible Studio, Sheffield

by Ruth Deller — September 25, 2017
Chris Thompson's new play offers a witty and cutting take on the meaning of family, performed by an excellent cast....
BWW Review: RAMONA TELLS JIM, Bush Theatre

BWW Review: RAMONA TELLS JIM, Bush Theatre

by Cindy Marcolina — September 23, 2017
On a geography trip to the Scottish Highlands around 1998, middle-schooler Ramona (Ruby Bentall) falls for Jim (Joe Bannister), a socially awkward simpleton with a passion-bordering-obsession for crustaceans. Their shared love for Enya's music combined with the teenage isolation that comes with weir...
BWW Review: CILLA - THE MUSICAL, Edinburgh Playhouse

BWW Review: CILLA - THE MUSICAL, Edinburgh Playhouse

by Gregor Dickson — September 23, 2017
Three years after Jeff Pope's acclaimed television miniseries Cilla was broadcast on ITV, he has now adapted her story for a new touring musical....
BWW Review: INK, Duke Of York's Theatre

BWW Review: INK, Duke Of York's Theatre

by Debbie Gilpin — September 22, 2017
Read all about it! Following a wildly successful run at the Almeida in the summer, James Graham's first of three new plays for 2017 has transferred to London's West End for a limited run at the Duke of York's Theatre. It will soon have Labour of Love as a close neighbour on St Martin's Lane, and Qui...
BWW Review: GATE, The Cockpit

BWW Review: GATE, The Cockpit

by Charlie Wilks — September 21, 2017
What do you do when you're not good enough for Heaven, but not bad enough for Hell? How do you deal with being stuck in the waiting room of the afterlife, whilst the gender-fluid almighty spirit above decides your fate?...
BWW Review: WINGS, Young Vic

BWW Review: WINGS, Young Vic

by Marianka Swain — September 20, 2017
Emily Stilson (Juliet Stevenson) is suspended in a void. She analyses this strange situation with wry perspicacity and occasional breathless panic. She's a prisoner, a specimen. She's fallen, trapped. She's flying....
BWW Review: HALF BREED, Soho Theatre

BWW Review: HALF BREED, Soho Theatre

by Charlie Wilks — September 20, 2017
Jazmin is different. In an area dominated by whiteness her mixed race complexion sticks out a mile off. Attempting to avoid the village's conventional route for teenagers, she applies to drama school in London. But why does she wish to leave a peaceful area for the busy and polluted capital?...
BWW Review: THE ADDAMS FAMILY, Bristol Hippodrome

BWW Review: THE ADDAMS FAMILY, Bristol Hippodrome

by Nicky Sweetland — September 20, 2017
There's been a bit of a resurgence of the comedy horror musical format over the past few months. With The Toxic Avenger returning to London after a successful run at Southwark Playhouse (and in Edinburgh), Mel Brooks' Young Frankenstein about to open at the Garrick Theatre and even the full-throttle...
BWW Review: OSLO, National Theatre

BWW Review: OSLO, National Theatre

by Marianka Swain — September 18, 2017
We need more waffles in diplomacy. Or rather more personal connections to bridge those vast divides. So believed the Norwegian couple who orchestrated secret peace talks in 1993 between Israel and the Palestine Liberation Organization - a slice of stranger-than-fiction history grippingly dramatised ...
BWW Review: HALF A SIXPENCE, The Original Demo Recordings

BWW Review: HALF A SIXPENCE, The Original Demo Recordings

by Nicky Sweetland — September 18, 2017
I once had the honour of interviewing the legendary Tommy Steele at the New Wimbledon Theatre. It was the venue where Half A Sixpence was first performed, and the show - which acted as a star vehicle for the talented young performer - became a classic piece of British musical theatre....
BWW Review: TOPLESS: THE PATH TO EXTINCTION, Live At Zédel

BWW Review: TOPLESS: THE PATH TO EXTINCTION, Live At Zédel

by Charlie Wilks — September 18, 2017
Seduction, sleaze and farce are just a few words to describe TOPLESS: The Path to Extinction. The mysterious night creatures GINGZILLA and Cazeleon hatched onto the East London night scene a few years ago, and are quickly rising as a favourite in the cabaret circuit both in the UK and internationall...
BWW Review: RULES FOR LIVING, Royal and Derngate

BWW Review: RULES FOR LIVING, Royal and Derngate

by Verity Wilde — September 17, 2017
A family Christmas hurtles towards disaster with hilarious consequences in RULES FOR LIVING at Royal and Derngate in Northampton ahead of a national tour....
BWW Review: FIVE GUYS NAMED MOE, Marble Arch Theatre

BWW Review: FIVE GUYS NAMED MOE, Marble Arch Theatre

by Marianka Swain — September 15, 2017
New Orleans comes to Marble Arch via this energetic revival of Clarke Peters' 1990 tribute to 'The King of the Jukebox', swing and blues bandleader Louis Jordan. Occupying a new pop-up, circus tent-style venue complete with stylish bar serving Southern cocktails it's a welcome blast of jazz-hot ...
BWW Review: THE CARETAKER, Bristol Old Vic

BWW Review: THE CARETAKER, Bristol Old Vic

by Tim Wright — September 15, 2017
Crafting The Caretaker (or indeed any Pinter) off the page takes a great deal of nuance and skill. Thankfully, in this new co-production from the Bristol Old Vic and Royal & Derngate Northampton, Christopher Haydon directs with the right amount of faithfulness to the text alongside flexibility for h...
BWW Review: THE MAGIC FLUTE, Soho Theatre

BWW Review: THE MAGIC FLUTE, Soho Theatre

by Gary Naylor — September 15, 2017
Gary Naylor sees another opera up close from the award-winning OperaUpClose, this time lacking a little in the clarity that has characterised previous productions....
BWW Review: PRISM, Hampstead Theatre

BWW Review: PRISM, Hampstead Theatre

by Charlie Wilks — September 15, 2017
Jack Cardiff, OBE was a British cinematographer, director and photographer. His career lasted through many decades, spanning from the development of cinema, to silent film, and through to the experimentation of using Technicolor. His best-known work is his influential colour cinematography used by d...
BWW Review: GREASE, Edinburgh Playhouse

BWW Review: GREASE, Edinburgh Playhouse

by Gregor Dickson — September 13, 2017
The timeless story of Danny and Sandy, and the T-Birds and Pink Angels, comes to life again in this touring production which features the hit songs 'Summer Nights', 'You're The One That I Want' and 'Hopelessly Devoted To You'....
BWW Review: BOUDICA, Shakespeare's Globe

BWW Review: BOUDICA, Shakespeare's Globe

by Debbie Gilpin — September 13, 2017
The final production in this year's Summer of Love season is a brand new piece from Tristan Bernays, telling the story of the famous warrior queen. It may not fit quite so obviously into the summer's theme, but it is a welcome piece of fresh new writing that really blows any last remaining cobwebs a...
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