BWW Review: THE HOST, St James's Church, Piccadilly
Yasmin's family are going through a crisis.
UK / West End Theater Reviews
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BWW Review: A PASSAGE TO INDIA, Bristol Old Vic
In a new UK tour currently playing at Bristol Old Vic, award-winning theatre company simple8 have joined forces with Northampton's Royal & Derngate to present Simon Dormandy's adaptation of E.
BWW Review: DRY POWDER, Hampstead Theatre
Inequality is a hot topic for dramatists, but Sarah Burgess's deliciously dark comedy comes at it from a surprising perspective: allowing those high-finance gorgons to have their say.
BWW Review: BREATHE, Lion And Unicorn Theatre
Just breathe.
BWW Review: THE BREAKS IN YOU AND I, The Vaults
Chloe (Steffi Walker) and Joanna (Helen White) are watching Being John Malkovich when the former realises she isn't in love with her wife anymore.
CD Review: ANDREW LLOYD WEBBER UNMASKED: The Platinum Collection
Andrew Lloyd Webber is quite possibly the most recognised and mainstream composer in the musical theatre industry.
BWW Review: JULIUS CAESAR, Bridge Theatre
Julius Caesar has arrived at the Bridge Theatre, nestled beside London's City Hall and Tower Bridge.
BWW Review: DOUBLE INFEMNITY, The Vaults
In 1960s Los Angeles, traffic police officer Effie-Lou (Katrina Foster) is looking for her PI friend Jo after she went missing.
BWW Review: EUGENIUS, The Other Palace
Eugenius is funny, bursting with great songs and great performances and, if a little overly familiar in terms of plot and characters, forgivably so.
BWW Review: KEN, The Bunker
Terry Johnson tells us of his lifelong friendship with Ken Campbell, an eccentric giant of English Theatre, in a funny, poignant and beautifully performed production.
BWW Review: COLLECTIVE RAGE, Southwark Playhouse
Collective Rage at the Southwark Playhouse is a provocative and surprising play about the female experience.
BWW Review: FUCK YOU PAY ME, The Vaults
When Bea receives a text from her mum saying that they need to talk as soon as she gets home, she goes into a panic.
BWW Review: A ROBOT IN HUMAN SKIN, The Vaults
Nicole Henriksen takes Vault Festival by a quiet storm, tackling mental health, feminism, and stereotypes at once with A Robot In Human Skin.
BWW Review: THE BROTHERS SIZE, Young Vic
After a time spent apart, two brothers reunite in an attempt to understand one another.
BWW Review: THE BELIEVERS ARE BUT BROTHERS, Bush Theatre
Our current political climate is unpredictable, to say the least.
BWW Review: SILK ROAD, VAULT Festival
Bruce is an everyday run of the mill Geordie lad who desires more for his life.
BWW Review: DIETRICH: NATURAL DUTY, VAULT Festival
There is an intoxicating cabaret currently residing in the VAULT Fest Pit.
BWW Review: WIND BIT BITTER, BIT BIT BIT HER, Vault Festival
Mary stands alone on stage and tells a story of loss, betrayal and conspiracy.
BWW Review: NEVERLAND, VAULT Festival
Peter Pan is a story that the majority of us will know and love.
BWW Review: JOHN, National Theatre
Pulitzer-winning American playwright Annie Baker returns to the National where The Flick was a quiet triumph in 2016 with another work that is epic in form (three hours and change), but similarly spellbinding in its ability to draw an audience close.
BWW Review: MISS SAIGON, Festival Theatre, Edinburgh
The original production of Miss Saigon ran for more than ten years at London's Theatre Royal Drury Lane throughout the 1990s, and a revised version - billed as the 25th Anniversary production - opened at the Prince Edward Theatre in 2014.
BWW Review: TOMORROW CREEPS, The Vaults
Golem! takes part in Vault Festival with Tomorrow Creeps, a new play that features sixteen works of Shakespeare.
BWW Review: SACHA GUITRY - MA FILLE ET MOI, Drayton Arms Theatre
Though Sacha Guitry is largely unknown in the UK, this production weaves five extracts of his plays into a single narrative and shows that the tag of 'The French Noel Coward' was not undeserved.
BWW Review: BEGINNING, Ambassadors Theatre
What do you do when you meet someone that completely knocks you off your equilibrium, causing you to challenging everything you once thought to be true? When your life direction is on the toss of the coin, do you fight or flee? Following it's hugely successful premiere at the National Theatre, Begin
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