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UK / WEST END THEATER REVIEWS

The latest reviews and critic recommendations from UK / West End
Book Review: TIP OF THE TONGUE, Peter Brook

Book Review: TIP OF THE TONGUE, Peter Brook

by Cindy Marcolina — September 13, 2017
We use them every day. Sometimes we mean them, other times we don't. We whisper, sing, or scream them. Words permeate our lives from the very start, and theatre director Peter Brook accompanies us on an intimate journey through language and meaning in his new book Tip of the Tongue....
BWW Review: DERREN BROWN: UNDERGROUND, Playhouse Theatre

BWW Review: DERREN BROWN: UNDERGROUND, Playhouse Theatre

by Rona Kelly — September 13, 2017
Do you have a secret? Can you keep that secret? If you answered yes and are going to Derren Brown: Underground, think again. Derren Brown probably knows it already. The tricks may stay the same in this 'Best of' show, but with new audiences and new secrets, anything can happen. Although with Brown, ...
BWW Review: THE KNOWLEDGE, Charing Cross Theatre

BWW Review: THE KNOWLEDGE, Charing Cross Theatre

by Gary Naylor — September 12, 2017
A timely revival for one of Jack Rosenthal's celebrated TV plays of the 70s with much to say about the age of the Uber....
BWW Review: DOUBT, A PARABLE, Southwark Playhouse

BWW Review: DOUBT, A PARABLE, Southwark Playhouse

by Cindy Marcolina — September 9, 2017
When Sister Aloysius (Stella Gonet), St. Nicholas Church School's conservative and distrusting principal, learns from Sister James (Clare Latham) that Father Flynn (Jonathan Chambers) had a one-on-one meeting with Donald Muller - the first and only African-American pupil of the school - she is immed...
BWW Review: WAITING FOR GODOT, Arts Theatre

BWW Review: WAITING FOR GODOT, Arts Theatre

by Cindy Marcolina — September 8, 2017
Samuel Beckett's Waiting for Godot returns to the Arts Theatre, 62 years after making its English-language debut at the same venue. This production focuses on the play's essence, with director Peter Reid stripping off all frills....
BWW Review: BRITNEY SPEARS - THE CABARET, The Other Palace

BWW Review: BRITNEY SPEARS - THE CABARET, The Other Palace

by Gary Naylor — September 7, 2017
Britney Spears The Cabaret entertains and provokes with the story of the pop princess's life told through Christie Whelan Browne's comic cuts and wonderful singing....
BWW Review: FOLLIES, National Theatre

BWW Review: FOLLIES, National Theatre

by Marianka Swain — September 6, 2017
Theatre has a long memory. Stephen Sondheim and James Goldman's 1971 musical has been through myriad incarnations, donning and shedding numbers, an interval, an ill-conceived upbeat ending, and yet the original vision has lingered. It comes to extraordinary life in a blockbuster National Theatre rev...
BWW Review: DEADLINE DAY, Theatre N16

BWW Review: DEADLINE DAY, Theatre N16

by Gary Naylor — September 5, 2017
Deadline Day has echoes of The Likely Lads in its humour, drawn from the clashing of cultures as a boy wonder footballer and his go-getting agent travel to London to sign for Chelsea....
BWW Review: HYEM (YEM, HJEM, HOME), Theatre503

BWW Review: HYEM (YEM, HJEM, HOME), Theatre503

by Cindy Marcolina — September 5, 2017
Mick and Sylv's (Patrick Driver and Charlie Hardwick) home is a safe haven for some of the teenagers living in a small town in Northumberland. Dummey (Ryan Nolan), Laura (Aimee Kelly), and Shelley (Sarah Balfour) are all there for different reasons, united in the love the two adults give them. Howev...
BWW Review: WAIT UNTIL DARK, Richmond Theatre

BWW Review: WAIT UNTIL DARK, Richmond Theatre

by Aliya Al-Hassan — September 6, 2017
Wait Until Dark first opened on Broadway in 1966, but many know it from the 1967 Hollywood film, where the lead role of Susy went to Audrey Hepburn, who was nominated for an Academy Award and a Golden Globe for the role....
BWW Review: OUTLAWS TO IN-LAWS, King's Head Theatre

BWW Review: OUTLAWS TO IN-LAWS, King's Head Theatre

by Charlie Wilks — September 1, 2017
An evening dedicated to the highs and lows of gay history, Outlaws to In-Laws takes a look at how men have interacted with one another over the past seven decades. Spanning from the Fifties to the present day, these seven short plays by seven different writers explore the choices that were made duri...
EDINBURGH 2017 - BWW Review: THE F WORD, ZOO

EDINBURGH 2017 - BWW Review: THE F WORD, ZOO

by Charlie Wilks — September 1, 2017
Sick to death of reading shows aimed at 16-25 year olds written by writers 40+, Conor Hunt has created this story of the millennial child, giving his own personal reflection on what it's like to grow up as a product of the Nineties....
EDINBURGH 2017 - BWW Review: THIRD WHEEL, Gilded Balloon

EDINBURGH 2017 - BWW Review: THIRD WHEEL, Gilded Balloon

by Charlie Wilks — August 31, 2017
After losing his battle to cancer, Dylan has left in his will a video to be given to his best friends Polly and Eve. The recording contains instructions for the pair to go on a road trip, which will be difficult seeing as they haven't spoken to each other in two years....
BWW Review: HOW (NOT) TO LIVE IN SUBURBIA, Soho Theatre

BWW Review: HOW (NOT) TO LIVE IN SUBURBIA, Soho Theatre

by Charlie Wilks — August 31, 2017
Annie Siddons is a London-based playwright and performer. But more importantly, she is a survivor. Having suffered from extreme loneliness after a 'shitstorm' of life events this autobiographical show takes us on a journey explaining the reasons why. How (Not) To Live In Suburbia is a joyful and poi...
EDINBURGH 2017: BWW Review: KIRI PRITCHARD-MCLEAN: APPROPRIATE ADULT, Pleasance Court

EDINBURGH 2017: BWW Review: KIRI PRITCHARD-MCLEAN: APPROPRIATE ADULT, Pleasance Courtyard

by Natalie O'Donoghue — August 31, 2017
Chortle Award nominee Kiri thinks the world revolves around her, but she didn't let that stop her wishing to mentor vulnerable kids. Consequently, she's going to be extremely careful what she wishes for in future. An immoral comedian's morality tale about other people's lack of morals....
BWW Review: THE RAILWAY CHILDREN, Richmond Theatre

BWW Review: THE RAILWAY CHILDREN, Richmond Theatre

by Aliya Al-Hassan — August 30, 2017
The Railway Children holds a special place in Britain's heart; E Nesbit's well-loved tale was first published in 1905, but most of us know it from Lionel Jeffries' iconic 1970 film, which also made a star of the teenage Jenny Agutter. This new production, faithfully adapted by Dave Simpson, has give...
BWW Review: HAMLET, Park Theatre

BWW Review: HAMLET, Park Theatre

by Debbie Gilpin — August 30, 2017
With Robert Icke's Andrew Scott-led Hamlet successfully transferring to the West End from the Almeida, and Tom Hiddleston about to get in on the action for Kenneth Branagh at RADA, it is potentially a very risky moment to stage a rather unique and stripped back version of the same Shakespeare play. ...
EDINBURGH 2017 - BWW Review: [title of show], Paradise In The Vault

EDINBURGH 2017 - BWW Review: [title of show], Paradise In The Vault

by Gregor Dickson — August 28, 2017
[title of show] is a clever musical which documents its own creation as an entry in the New York Musical Theatre Festival....
EDINBURGH 2017 - BWW Review: GIRLS, Pleasance Courtyard

EDINBURGH 2017 - BWW Review: GIRLS, Pleasance Courtyard

by Charlie Wilks — August 28, 2017
Girls follows the story of three young women who are hostages, being put to work and forced to marry. Commissioned by Talawa Theatre Company, HighTide and Soho Theatre, Girls provides a deep insight into those that are forgotten....
EDINBURGH 2017 - BWW Review: WEREWOLVES, Summerhall

EDINBURGH 2017 - BWW Review: WEREWOLVES, Summerhall

by Amy Hanson — August 28, 2017
Who can you trust? Make the wrong choices and you will end up dead! While Werewolves is in the theatre section of the Fringe brochure, it is better described as an interactive role-playing experience, with the audience involved as participants throughout, striving to survive....
EDINBURGH 2017 - BWW Review: 5 GUYS CHILLIN', Assembly Roxy

EDINBURGH 2017 - BWW Review: 5 GUYS CHILLIN', Assembly Roxy

by Charlie Wilks — August 28, 2017
After their highly acclaimed productions in London, Dublin, New York and Sydney, 5 Guys Chillin' returns to the Edinburgh Fringe for the second year....
EDINBURGH 2017 - BWW Review: ASSASSINS, theSpace @ Venue45

EDINBURGH 2017 - BWW Review: ASSASSINS, theSpace @ Venue45

by Amy Hanson — August 27, 2017
Nearly 30 years old, Assassins manages to remain fiercely relevant in 2017.  Stephen Sondheim's interpretation of disillusionment with the American dream is explored through those who have tried to kill Presidents of the United States.  As we see how historical figures chose deadly violence to rea...
EDINBURGH 2017 - BWW Review: #JOLLYBOAT: WHY DO NERDS SUDDENLY APPEAR?, Subway

EDINBURGH 2017 - BWW Review: #JOLLYBOAT: WHY DO NERDS SUDDENLY APPEAR?, Subway

by Amy Hanson — August 27, 2017
Musical comedy duo of brothers Ed (the thoughtful, if slightly filthy-minded, guitarist) and Tommy (the shirtless rocker brandishing a balloon cutlass) make up Jollyboat, a vaguely pirate themed double-act who are a definite Fringe cult hit.  They have two shows this year, a "Best of" show celebrat...
EDINBURGH 2017: BWW Review: ROB AUTON: THE HAIR SHOW, Just The Tonic

EDINBURGH 2017: BWW Review: ROB AUTON: THE HAIR SHOW, Just The Tonic

by Natalie O'Donoghue — August 27, 2017
This show is a comedy/theatre/spoken word show about hair and hairs. This show is suitable for people who have, or have had hair and hairs....
EDINBURGH 2017: BWW Review: TUTU: DANCE IN ALL ITS GLORY, Pleasance Courtyard

EDINBURGH 2017: BWW Review: TUTU: DANCE IN ALL ITS GLORY, Pleasance Courtyard

by Natalie O'Donoghue — August 27, 2017
The show is performed by six dancers: The TUTU men, polymorphous artists who struggle with many different interpretations, faces and styles. They want to entirely feel the freedom and universality of dance. With them, laughter becomes poetic, theatre emerges on stage and things come to life. Success...
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