BWW Review: WOMAN BEFORE A GLASS, Jermyn Street Theatre
Jermyn Street Theatre kicks off their Scandal season with Woman Before a Glass, in which Peggy Guggenheim tells her own story.
UK / West End Theater Reviews
The latest reviews and critic recommendations from UK / West End.
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BWW Review: LADY WINDERMERE'S FAN, Vaudeville Theatre
Sex, equality, morality and fidelity are all issues currently in the forefront of many people's minds.
BWW Review: AUSTEN THE MUSICAL, Mirth, Marvel and Maud Theatre
One for fans of Jane Austen and for anyone who likes to see an intelligent production performed with technical skill and rewarding wit.
BWW Review: THE FLYING LOVERS OF VITEBSK, Wilton's Music Hall
After a short stay at the Bristol Old Vic, and an award-winning run at the Edinburgh Festival Fringe, Daniel Jamieson's play about the life and love of Marc and Bella Chagall begins a UK/US tour at Wilton's Music Hall in east London.
BWW Review: BUNNY, Tristan Bates Theatre
Fabricate Theatre is debuting at Tristan Bates Theatre with Bunny, Jack Thorne's 2010 play.
BWW Review: THE RAILWAY CHILDREN, Cadogan Hall
The Railway Children is a delightful show with beautiful music and a wonderful message about the importance of kindness.
BWW Review: GISELLE, Royal Opera House
Marianela Nu ez celebrates her 20th year with the Royal Ballet this year.
BWW Review: SWAN LAKE, Richmond Theatre
Swan Lake was Tchaikovsky's first ballet, but it is arguably his best known and well loved.
BWW Review: FEAR AND MISERY OF THE THIRD REICH, Brockley Jack Studio Theatre
A fine production that grapples with the play's tricky structure to bring home Brecht's political points with a relevance for today that can hardly be missed.
BWW Review: THE BIRTHDAY PARTY, Harold Pinter Theatre
It's 60 years since Harold Pinter's play premiered - and flopped - at Lyric Hammersmith, baffling critics (with one exception) and audiences alike.
BWW Review: DOODLE - THE MUSICAL!, Waterloo East Theatre
Doodle - The Musical starts with an unlikely idea that's spun out for nearly three hours - even some decent songs prove insufficient to rescue its poor script and dull characters.
BWW Review: SHREK THE MUSICAL, Manchester Palace Theatre
Shrek The Musical tells the tale of an ogre trying to get his swamp back.
BWW Review: AMADEUS, Olivier Theatre
Greeted by rapturous reviews in 2016, Peter Shaffer's acclaimed production of Amadeus makes a triumphant return to the National Theatre this week.
BWW Review: EAST, King's Head Theatre
Raw, sleazy, provocative, delicious, and gritty are just a few spontaneously thought of words that I can generate to describe the show currently playing at London's King's Head Theatre.
BWW Review: ALL'S WELL THAT ENDS WELL, Sam Wanamaker Playhouse
The forthcoming summer programme may have been announced, but The Winter Selection at Shakespeare's Globe continues apace the latest show to open is the only Shakespeare play in the season, the rarely played All's Well That Ends Well.
BWW Review: THE NUTCRACKER, Richmond Theatre
There's no doubt it feels quite strange to be seeing a ballet set at Christmas time in the middle of January.
BWW Review: TWILIGHT: LOS ANGELES, 1992, Gate Theatre
In 1992 Anna Deavere Smith interviewed a selection of people who were, in some way, involved with the LA riots.
BWW Review: RITA, SUE AND BOB TOO, Royal Court
It hasn't been an easy journey for this piece to get to the Court.
BWW Review: THINGS I KNOW TO BE TRUE, Lyric Hammersmith
Bob and Fran have worked for years to provide the best life possible for their four children.
BWW Review: TINY DYNAMITE, Old Red Lion Theatre
On their annual holiday together at the seaside, Luce (Eva-Jane Willis) and Anthony (Niall Bishop) meet Madeleine (Tanya Fear).
BWW Review: THE RAT PACK-LIVE FROM LAS VEGAS, Theatre Royal Haymarket
The boys are back.
BWW Review: HEARTBREAK HOUSE, Union Theatre
George Bernard Shaw's Chekhovian black comedy has plenty of political heft, but lacks the dramatic clarity required to engage from first to last.
BWW Review: GIRL FROM THE NORTH COUNTRY, Noel Coward Theatre
Every now and then you see a show that reminds you why you love theatre.
BWW Review: MY MUM'S A TWAT, Royal Court
A girl plays jingles on a Casio keyboard, whilst the audience choose between a chair and a beanbag for a seat.
BWW Review: SUNSET BOULEVARD, Bristol Hippodrome
Having enjoyed a wildly successful 2016 revival starring Glenn Close at the London Coliseum and a Broadway engagement in 2017, it seems fitting that Sunset Boulevard has embarked on a UK tour following a run at Leicester's Curve.
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