Tickets to Cirque du Soleil's LUZIA in Oaks Now On Sale
by Stephi Wild - Nov 6, 2025
Cirque du Soleil's iconic Big Top returns to the greater Philadelphia area for the first time since 2023 with its delightfully-imaginative and visually-stunning production LUZIA, a waking dream of Mexico.
Student Blog: Strategies to Memorization
by Student Blogger: Danny Post - Nov 18, 2025
Memorization is typically one of the most dreaded processes of every show. Many young actors shiver at the thought of “off-book” day, not even knowing where to start. Here are three effective techniques to drill your lines into your long-term memory while also improving your performance skills.
Review: MORIARTY at The Invisible Theatre
by Zach Wetzel - Oct 29, 2025
Ken Ludwig's MORIARTY is now playing at The Invisible Theatre in Tucson. The play runs at breakneck speed and features a stellar cast of seasoned actors. MORIARTY is a thrilling and comedic tour de force.
Meet the Cast of OEDIPUS, Now Playing on Broadway
by Stephi Wild - Oct 30, 2025
The Olivier Award-winning Oedipus, an adaptation created and directed by Robert Icke, will begin performances on Broadway on Thursday, October 30, 2025. Meet the cast of Oedipus here!
Ayr Gaiety Will Perform 2025 Pantomime ALADDIE
by Stephi Wild - Oct 24, 2025
Ayr Gaiety Theatre's 2025 pantomime, Aladdie - a Scottish spin on the traditional Aladdin story, rooted very much in Ayrshire - will feature a host of both new talent and returning favourites.
Review: CROCODILE FEVER, Arcola Theatre
by Clementine Scott - Oct 24, 2025
During the interval at Crocodile Fever’s London premiere, we’re all rushed out of the Arcola auditorium a little quicker than we would be normally. This is because the set needs to be doused in blood in preparation for the Tarantino-esque revenge fantasy in the second act, where two sisters deal with the aftermath of hacking off the legs of their abusive father.
Feature: Remembering one of DC Theatre's Visionaries Jerry Whiddon
by Elliot Lanes - Oct 23, 2025
This past week the DC theatre community lost one of its visionaries with the passing of Artistic Director/Director/Performer/Mentor Jerry B. Whiddon at age 77.
For twenty years Jerry served as the Producing Artistic Director Of Round House Theatre. The company was born out of Street 70 which Jerry helped start in 1970.
Review: BLACK SABBATH - THE BALLET, Sadler's Wells
by Franco Milazzo - Oct 23, 2025
Despite the enticing cultural dissonance of its title, Black Sabbath – The Ballet is, by definition, a terrible idea. It is the conceptual equivalent of putting a tuxedo on a pit bull, or hiring Prince Andrew as your PR manager. This is what happens when the civic-minded folk at a major arts company, having dutifully listened to enough AC/DC to establish their street cred, decide they can bottle the anarchic essence of heavy metal and sell it in three-act bottles to those living off the ever-sweet smell of nostalgia and the kind of people who buy all their concert T-shirts from Vinted.
Cast Set For FREAKY FRIDAY THE MUSICAL at Manchester HOME
by Stephi Wild - Oct 22, 2025
Bringing the body-swapping, mother-daughter duo to life on the stage are Rebecca Lock (Here and Now; Heathers The Musical) as Katherine, and Jena Pandya as Ellie (Come Fall In Love; Bhangra Nation).
Student Blog: Back to School: Back to Auditions
by Student Blogger: Tyler Mankinen - Oct 24, 2025
While it may be the end of October, it feels as though the fall semester just started! The rigorous schedule of assignments, rehearsals, performances, and deadlines makes the back-to-school season feel like yesterday.
TURNING TIGERS INTO PANCAKES Comes to Dixon Place
by Stephi Wild - Oct 20, 2025
This November, New York audiences are invited to laugh, shout, and eat pancakes with Joseph Lymous as he brings his new solo comedy Turning Tigers Into Pancakes to Dixon Place.
Review: 384 DAYS, Pleasance Theatre
by Amber-Rae Stobbs - Oct 16, 2025
O’Rourke turned her thoughts into a concerningly witty and twisted play that has you both rooting for and terrified of her character. With her natural humour and ability to bounce off the audience’s unscripted interactions, O’Rourke is a master at leaving the ‘review team’ unsettled and hanging onto her every word.